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don't let me leave Murph

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every single one of these books was

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every single one of these books was
 

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every single one of these books was
hand-picked by Christopher Nolan and

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hand-picked by Christopher Nolan and
 

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hand-picked by Christopher Nolan and
buried inside is a root myth of not just

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buried inside is a root myth of not just
 

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buried inside is a root myth of not just
a father who misses his daughter but

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a father who misses his daughter but
 

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a father who misses his daughter but
what about his son why does Timothy

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what about his son why does Timothy
 

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what about his son why does Timothy
Charlemagne get hidden behind the Event

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Charlemagne get hidden behind the Event
 

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Charlemagne get hidden behind the Event
Horizon of Casey Affleck and who really

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Horizon of Casey Affleck and who really
 

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Horizon of Casey Affleck and who really
built this beautiful glorious plot hole

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built this beautiful glorious plot hole
 

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built this beautiful glorious plot hole
I'm Eric Voss and this is the Deep dive

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I'm Eric Voss and this is the Deep dive
 

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I'm Eric Voss and this is the Deep dive
Christopher Nolan's Interstellar was so

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Christopher Nolan's Interstellar was so
 

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Christopher Nolan's Interstellar was so
ambitious with groundbreaking visuals

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ambitious with groundbreaking visuals
 

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ambitious with groundbreaking visuals
and a score from Hans Zimmer that takes

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and a score from Hans Zimmer that takes
 

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and a score from Hans Zimmer that takes
us to church but still some viewers felt

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us to church but still some viewers felt
 

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us to church but still some viewers felt
left in the dust but I think I found

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left in the dust but I think I found
 

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left in the dust but I think I found
something new in this bookcase a

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something new in this bookcase a
 

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something new in this bookcase a
different ghost that was there all along

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different ghost that was there all along
 

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different ghost that was there all along
in the books themselves we have to dive

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in the books themselves we have to dive
 

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in the books themselves we have to dive
into this because the film never

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into this because the film never
 

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into this because the film never
explicitly reveals who those fifth

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explicitly reveals who those fifth
 

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explicitly reveals who those fifth
dimensional book beings were other than

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dimensional book beings were other than
 

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dimensional book beings were other than
it was us but what does that really mean

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it was us but what does that really mean
 

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it was us but what does that really mean
but the answers are all there in murph's

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but the answers are all there in murph's
 

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but the answers are all there in murph's
bookcase a visual framework in which all

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bookcase a visual framework in which all
 

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bookcase a visual framework in which all
the details in Easter eggs of this movie

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the details in Easter eggs of this movie
 

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the details in Easter eggs of this movie
really come alive so after some sepia

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really come alive so after some sepia
 

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really come alive so after some sepia
tone Studio title cards Nolan's opening

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tone Studio title cards Nolan's opening
 

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tone Studio title cards Nolan's opening
shot is literally this Dusty bookcase

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shot is literally this Dusty bookcase
 

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shot is literally this Dusty bookcase
the dust floats in a line due to the

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the dust floats in a line due to the
 

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the dust floats in a line due to the
gravitational anomaly used by Cooper to

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gravitational anomaly used by Cooper to
 

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gravitational anomaly used by Cooper to
reconnect with Murph murph's toy NASA

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reconnect with Murph murph's toy NASA
 

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reconnect with Murph murph's toy NASA
Shuttle here collects dust because in

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Shuttle here collects dust because in
 

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Shuttle here collects dust because in
this near future NASA's history has been

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this near future NASA's history has been
 

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this near future NASA's history has been
erased from textbooks rendering these as

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erased from textbooks rendering these as
 

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erased from textbooks rendering these as
fictional sci-fi toys like x-wings the

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fictional sci-fi toys like x-wings the
 

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fictional sci-fi toys like x-wings the
lines of dust not only contain the

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lines of dust not only contain the
 

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lines of dust not only contain the
quantum data that Murph needs dust or

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quantum data that Murph needs dust or
 

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quantum data that Murph needs dust or
sand is literally the first thing Cooper

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sand is literally the first thing Cooper
 

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sand is literally the first thing Cooper
sees when he crosses the Event Horizon

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sees when he crosses the Event Horizon
 

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sees when he crosses the Event Horizon
of the black hole one of the titles on

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of the black hole one of the titles on
 

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of the black hole one of the titles on
this shelf is LP Hartley's the

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this shelf is LP Hartley's the
 

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this shelf is LP Hartley's the
go-between which Nolan chose for the way

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go-between which Nolan chose for the way
 

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go-between which Nolan chose for the way
the book experiences childhood going

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the book experiences childhood going
 

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the book experiences childhood going
through the halls of adulthood and he

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through the halls of adulthood and he
 

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through the halls of adulthood and he
said that it has one of the best opening

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said that it has one of the best opening
 

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said that it has one of the best opening
sentences of all time that sentence is

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sentences of all time that sentence is
 

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sentences of all time that sentence is
the past is a foreign country they do

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the past is a foreign country they do
 

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the past is a foreign country they do
things differently there and so Nolan

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things differently there and so Nolan
 

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things differently there and so Nolan
deceives this here by opening this film

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deceives this here by opening this film
 

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deceives this here by opening this film
and what we think is the past a series

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and what we think is the past a series
 

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and what we think is the past a series
of interviews taken directly from Ken

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of interviews taken directly from Ken
 

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of interviews taken directly from Ken
Burns 2012 TV documentary the Dust Bowl

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Burns 2012 TV documentary the Dust Bowl
 

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Burns 2012 TV documentary the Dust Bowl
these are all real life survivors of the

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these are all real life survivors of the
 

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these are all real life survivors of the
1930s dust bowl that affected the

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1930s dust bowl that affected the
 

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1930s dust bowl that affected the
American Prairie sharing their real-life

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American Prairie sharing their real-life
 

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American Prairie sharing their real-life
anecdotes of how they would have to

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anecdotes of how they would have to
 

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anecdotes of how they would have to
overturn the dishware but later we

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overturn the dishware but later we
 

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overturn the dishware but later we
learned in the context of this movie

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learned in the context of this movie
 

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learned in the context of this movie
these are all star stories told by

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these are all star stories told by
 

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these are all star stories told by
Future survivors of Earth including an

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Future survivors of Earth including an
 

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Future survivors of Earth including an
older Murph seamlessly woven in here

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older Murph seamlessly woven in here
 

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older Murph seamlessly woven in here
played by Ellen burstin a screen Legend

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played by Ellen burstin a screen Legend
 

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played by Ellen burstin a screen Legend
from a number of titles including the

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from a number of titles including the
 

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from a number of titles including the
Exorcist oh my that was a farmer like

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Exorcist oh my that was a farmer like
 

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Exorcist oh my that was a farmer like
everybody else back then of course he

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everybody else back then of course he
 

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everybody else back then of course he
didn't start that way and notice how

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didn't start that way and notice how
 

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didn't start that way and notice how
Murph in this shot is seated in front of

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Murph in this shot is seated in front of
 

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Murph in this shot is seated in front of
her famous bookcase recreated in the

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her famous bookcase recreated in the
 

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her famous bookcase recreated in the
space station Museum Cooper's test

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space station Museum Cooper's test
 

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space station Museum Cooper's test
flight gets shut down from a

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flight gets shut down from a
 

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flight gets shut down from a
gravitational anomaly and the voice

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gravitational anomaly and the voice
 

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gravitational anomaly and the voice
shutting them down is actually one of

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shutting them down is actually one of
 

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shutting them down is actually one of
the robots like tars robots at this

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the robots like tars robots at this
 

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the robots like tars robots at this
point history would have been made

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point history would have been made
 

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point history would have been made
Mission Control commanders establishing

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Mission Control commanders establishing
 

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Mission Control commanders establishing
Cooper's abrasive relationship with

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Cooper's abrasive relationship with
 

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Cooper's abrasive relationship with
these robots now it isn't ever spoken

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these robots now it isn't ever spoken
 

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these robots now it isn't ever spoken
aloud but the main events of

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aloud but the main events of
 

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aloud but the main events of
interstellar start in the year 2067.

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interstellar start in the year 2067.
 

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interstellar start in the year 2067.
that's a year we get from producer Kip

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that's a year we get from producer Kip
 

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that's a year we get from producer Kip
Thorne's book the science of

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Thorne's book the science of
 

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Thorne's book the science of
interstellar that established the

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interstellar that established the
 

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interstellar that established the
Wormhole being discovered in the year

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Wormhole being discovered in the year
 

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Wormhole being discovered in the year
2019 which bran says was quote 48 years

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2019 which bran says was quote 48 years
 

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2019 which bran says was quote 48 years
prior so Cooper's test flight here would

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prior so Cooper's test flight here would
 

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prior so Cooper's test flight here would
be sometime in the late 2050s when he

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be sometime in the late 2050s when he
 

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be sometime in the late 2050s when he
was still a younger pilot Kip Thorne is

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was still a younger pilot Kip Thorne is
 

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was still a younger pilot Kip Thorne is
an astrophysicist who initially

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an astrophysicist who initially
 

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an astrophysicist who initially
conceived of the idea of this movie with

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conceived of the idea of this movie with
 

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conceived of the idea of this movie with
his colleague and fellow astrophysicist

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his colleague and fellow astrophysicist
 

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his colleague and fellow astrophysicist
Linda Ops they both consulted on the

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Linda Ops they both consulted on the
 

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Linda Ops they both consulted on the
film contact which also featured

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film contact which also featured
 

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film contact which also featured
McConaughey bringing in some heart

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McConaughey bringing in some heart
 

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McConaughey bringing in some heart
sci-fi they sold the concept of Steven

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sci-fi they sold the concept of Steven
 

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sci-fi they sold the concept of Steven
Spielberg who hired Jonathan Nolan to

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Spielberg who hired Jonathan Nolan to
 

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Spielberg who hired Jonathan Nolan to
write the screenplay and Jonathan spent

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write the screenplay and Jonathan spent
 

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write the screenplay and Jonathan spent
four years studying astrophysics at

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four years studying astrophysics at
 

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four years studying astrophysics at
Caltech and then when Spielberg had

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Caltech and then when Spielberg had
 

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Caltech and then when Spielberg had
depart from the project Paramount

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depart from the project Paramount
 

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depart from the project Paramount
brought in Jonathan's Hot Shot brother

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brought in Jonathan's Hot Shot brother
 

201
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brought in Jonathan's Hot Shot brother
Christopher Nolan and Chris kept most of

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00:03:17,089 --> 00:03:17,099
Christopher Nolan and Chris kept most of
 

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Christopher Nolan and Chris kept most of
Jonathan's First Act showing the

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Jonathan's First Act showing the
 

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00:03:18,599 --> 00:03:19,970
Jonathan's First Act showing the
ecological collapse of Earth but

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00:03:19,970 --> 00:03:19,980
ecological collapse of Earth but
 

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00:03:19,980 --> 00:03:21,949
ecological collapse of Earth but
reconceived Acts 2 and 3 with Jonathan

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00:03:21,949 --> 00:03:21,959
reconceived Acts 2 and 3 with Jonathan
 

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00:03:21,959 --> 00:03:23,930
reconceived Acts 2 and 3 with Jonathan
as they drew heavily on Kip Thorne's

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00:03:23,930 --> 00:03:23,940
as they drew heavily on Kip Thorne's
 

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as they drew heavily on Kip Thorne's
consultation Nolan agreed to two rules

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00:03:25,670 --> 00:03:25,680
consultation Nolan agreed to two rules
 

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00:03:25,680 --> 00:03:27,350
consultation Nolan agreed to two rules
from Kip Thorne one nothing could

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00:03:27,350 --> 00:03:27,360
from Kip Thorne one nothing could
 

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00:03:27,360 --> 00:03:29,330
from Kip Thorne one nothing could
violate established physical laws of

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00:03:29,330 --> 00:03:29,340
violate established physical laws of
 

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00:03:29,340 --> 00:03:31,610
violate established physical laws of
nature and two all crazy ideas in this

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00:03:31,610 --> 00:03:31,620
nature and two all crazy ideas in this
 

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00:03:31,620 --> 00:03:33,350
nature and two all crazy ideas in this
movie must come from some scientific

220
00:03:33,350 --> 00:03:33,360
movie must come from some scientific
 

221
00:03:33,360 --> 00:03:35,270
movie must come from some scientific
theory and speculation not from the

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theory and speculation not from the
 

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theory and speculation not from the
imagination of a screenwriter so to

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00:03:36,830 --> 00:03:36,840
imagination of a screenwriter so to
 

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00:03:36,840 --> 00:03:38,390
imagination of a screenwriter so to
create the black hole imagery of this

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00:03:38,390 --> 00:03:38,400
create the black hole imagery of this
 

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create the black hole imagery of this
movie Thorne provided extensive

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00:03:40,190 --> 00:03:40,200
movie Thorne provided extensive
 

229
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movie Thorne provided extensive
theoretical equations that were coded

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00:03:42,110 --> 00:03:42,120
theoretical equations that were coded
 

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00:03:42,120 --> 00:03:44,030
theoretical equations that were coded
into the VFX that caused some of the

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00:03:44,030 --> 00:03:44,040
into the VFX that caused some of the
 

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00:03:44,040 --> 00:03:46,250
into the VFX that caused some of the
frames of the Symmetry taking up to 100

234
00:03:46,250 --> 00:03:46,260
frames of the Symmetry taking up to 100
 

235
00:03:46,260 --> 00:03:48,890
frames of the Symmetry taking up to 100
hours to transfer the result were these

236
00:03:48,890 --> 00:03:48,900
hours to transfer the result were these
 

237
00:03:48,900 --> 00:03:50,809
hours to transfer the result were these
beautiful visuals that advanced the

238
00:03:50,809 --> 00:03:50,819
beautiful visuals that advanced the
 

239
00:03:50,819 --> 00:03:52,250
beautiful visuals that advanced the
academic understanding of how black

240
00:03:52,250 --> 00:03:52,260
academic understanding of how black
 

241
00:03:52,260 --> 00:03:53,930
academic understanding of how black
holes look and function think about that

242
00:03:53,930 --> 00:03:53,940
holes look and function think about that
 

243
00:03:53,940 --> 00:03:56,690
holes look and function think about that
100 hours per frame that's the Miller's

244
00:03:56,690 --> 00:03:56,700
100 hours per frame that's the Miller's
 

245
00:03:56,700 --> 00:03:58,309
100 hours per frame that's the Miller's
Planet level time dilation there so

246
00:03:58,309 --> 00:03:58,319
Planet level time dilation there so
 

247
00:03:58,319 --> 00:04:00,649
Planet level time dilation there so
Cooper's flight was his nightmare I

248
00:04:00,649 --> 00:04:00,659
Cooper's flight was his nightmare I
 

249
00:04:00,659 --> 00:04:02,509
Cooper's flight was his nightmare I
thought you were The Ghost and Cooper

250
00:04:02,509 --> 00:04:02,519
thought you were The Ghost and Cooper
 

251
00:04:02,519 --> 00:04:04,250
thought you were The Ghost and Cooper
jokes that Grandpa is close to being a

252
00:04:04,250 --> 00:04:04,260
jokes that Grandpa is close to being a
 

253
00:04:04,260 --> 00:04:05,750
jokes that Grandpa is close to being a
ghost himself Christopher Nolan always

254
00:04:05,750 --> 00:04:05,760
ghost himself Christopher Nolan always
 

255
00:04:05,760 --> 00:04:07,369
ghost himself Christopher Nolan always
provides the answer to his mysteries in

256
00:04:07,369 --> 00:04:07,379
provides the answer to his mysteries in
 

257
00:04:07,379 --> 00:04:08,750
provides the answer to his mysteries in
the very beginning of the movie Cooper

258
00:04:08,750 --> 00:04:08,760
the very beginning of the movie Cooper
 

259
00:04:08,760 --> 00:04:10,789
the very beginning of the movie Cooper
himself is murph's Ghost and he knows

260
00:04:10,789 --> 00:04:10,799
himself is murph's Ghost and he knows
 

261
00:04:10,799 --> 00:04:12,170
himself is murph's Ghost and he knows
the older generation will always

262
00:04:12,170 --> 00:04:12,180
the older generation will always
 

263
00:04:12,180 --> 00:04:13,970
the older generation will always
transform into the ghosts for their

264
00:04:13,970 --> 00:04:13,980
transform into the ghosts for their
 

265
00:04:13,980 --> 00:04:14,890
transform into the ghosts for their
children

266
00:04:14,890 --> 00:04:14,900
children
 

267
00:04:14,900 --> 00:04:16,909
children
you're the ghost

268
00:04:16,909 --> 00:04:16,919
you're the ghost
 

269
00:04:16,919 --> 00:04:20,210
you're the ghost
future Nolan planted 500 acres of corn

270
00:04:20,210 --> 00:04:20,220
future Nolan planted 500 acres of corn
 

271
00:04:20,220 --> 00:04:22,430
future Nolan planted 500 acres of corn
in Calgary Alberta Canada just to have

272
00:04:22,430 --> 00:04:22,440
in Calgary Alberta Canada just to have
 

273
00:04:22,440 --> 00:04:24,650
in Calgary Alberta Canada just to have
the unnatural visual of cornfields with

274
00:04:24,650 --> 00:04:24,660
the unnatural visual of cornfields with
 

275
00:04:24,660 --> 00:04:26,270
the unnatural visual of cornfields with
mountains in the background unlike the

276
00:04:26,270 --> 00:04:26,280
mountains in the background unlike the
 

277
00:04:26,280 --> 00:04:27,530
mountains in the background unlike the
flat stretches of the American Midwest

278
00:04:27,530 --> 00:04:27,540
flat stretches of the American Midwest
 

279
00:04:27,540 --> 00:04:29,510
flat stretches of the American Midwest
where corn normally grows we did this to

280
00:04:29,510 --> 00:04:29,520
where corn normally grows we did this to
 

281
00:04:29,520 --> 00:04:31,189
where corn normally grows we did this to
show how corn is now being grown

282
00:04:31,189 --> 00:04:31,199
show how corn is now being grown
 

283
00:04:31,199 --> 00:04:33,290
show how corn is now being grown
everywhere as one of the only crops left

284
00:04:33,290 --> 00:04:33,300
everywhere as one of the only crops left
 

285
00:04:33,300 --> 00:04:34,850
everywhere as one of the only crops left
on Earth this future Earth has been

286
00:04:34,850 --> 00:04:34,860
on Earth this future Earth has been
 

287
00:04:34,860 --> 00:04:37,189
on Earth this future Earth has been
ravaged by a mysterious blight that has

288
00:04:37,189 --> 00:04:37,199
ravaged by a mysterious blight that has
 

289
00:04:37,199 --> 00:04:39,350
ravaged by a mysterious blight that has
killed off almost all crops causing dust

290
00:04:39,350 --> 00:04:39,360
killed off almost all crops causing dust
 

291
00:04:39,360 --> 00:04:41,030
killed off almost all crops causing dust
to Billow depleting the breathable

292
00:04:41,030 --> 00:04:41,040
to Billow depleting the breathable
 

293
00:04:41,040 --> 00:04:42,950
to Billow depleting the breathable
oxygen and reducing Earth's populations

294
00:04:42,950 --> 00:04:42,960
oxygen and reducing Earth's populations
 

295
00:04:42,960 --> 00:04:44,930
oxygen and reducing Earth's populations
severely so that there are no more Wars

296
00:04:44,930 --> 00:04:44,940
severely so that there are no more Wars
 

297
00:04:44,940 --> 00:04:46,730
severely so that there are no more Wars
no more militaries this is similar to

298
00:04:46,730 --> 00:04:46,740
no more militaries this is similar to
 

299
00:04:46,740 --> 00:04:48,950
no more militaries this is similar to
another book seen on murph's bookcase

300
00:04:48,950 --> 00:04:48,960
another book seen on murph's bookcase
 

301
00:04:48,960 --> 00:04:51,170
another book seen on murph's bookcase
Stephen King's The Stand in which people

302
00:04:51,170 --> 00:04:51,180
Stephen King's The Stand in which people
 

303
00:04:51,180 --> 00:04:52,370
Stephen King's The Stand in which people
struggle to survive in a

304
00:04:52,370 --> 00:04:52,380
struggle to survive in a
 

305
00:04:52,380 --> 00:04:53,990
struggle to survive in a
post-apocalyptic Earth wiped out by a

306
00:04:53,990 --> 00:04:54,000
post-apocalyptic Earth wiped out by a
 

307
00:04:54,000 --> 00:04:55,850
post-apocalyptic Earth wiped out by a
virus the breakfast food on the table is

308
00:04:55,850 --> 00:04:55,860
virus the breakfast food on the table is
 

309
00:04:55,860 --> 00:04:58,070
virus the breakfast food on the table is
all corn based foods cornmeal pancakes

310
00:04:58,070 --> 00:04:58,080
all corn based foods cornmeal pancakes
 

311
00:04:58,080 --> 00:05:00,170
all corn based foods cornmeal pancakes
syrup cornbread corn chowder further

312
00:05:00,170 --> 00:05:00,180
syrup cornbread corn chowder further
 

313
00:05:00,180 --> 00:05:01,310
syrup cornbread corn chowder further
ahead in the future when Murphy's an

314
00:05:01,310 --> 00:05:01,320
ahead in the future when Murphy's an
 

315
00:05:01,320 --> 00:05:02,930
ahead in the future when Murphy's an
adult it's even worse finish your corn

316
00:05:02,930 --> 00:05:02,940
adult it's even worse finish your corn
 

317
00:05:02,940 --> 00:05:05,030
adult it's even worse finish your corn
fritters corn Sun corn corn now with

318
00:05:05,030 --> 00:05:05,040
fritters corn Sun corn corn now with
 

319
00:05:05,040 --> 00:05:06,590
fritters corn Sun corn corn now with
Murph at the stick the truck blows the

320
00:05:06,590 --> 00:05:06,600
Murph at the stick the truck blows the
 

321
00:05:06,600 --> 00:05:08,810
Murph at the stick the truck blows the
tire and Tom says it's Murphy's Law the

322
00:05:08,810 --> 00:05:08,820
tire and Tom says it's Murphy's Law the
 

323
00:05:08,820 --> 00:05:10,490
tire and Tom says it's Murphy's Law the
origin of murph's name which Cooper

324
00:05:10,490 --> 00:05:10,500
origin of murph's name which Cooper
 

325
00:05:10,500 --> 00:05:12,469
origin of murph's name which Cooper
explains the real meaning of Murphy's

326
00:05:12,469 --> 00:05:12,479
explains the real meaning of Murphy's
 

327
00:05:12,479 --> 00:05:14,450
explains the real meaning of Murphy's
Law what it means is that whatever can

328
00:05:14,450 --> 00:05:14,460
Law what it means is that whatever can
 

329
00:05:14,460 --> 00:05:15,710
Law what it means is that whatever can
happen

330
00:05:15,710 --> 00:05:15,720
happen
 

331
00:05:15,720 --> 00:05:18,170
happen
will happen interestingly Amelia later

332
00:05:18,170 --> 00:05:18,180
will happen interestingly Amelia later
 

333
00:05:18,180 --> 00:05:20,150
will happen interestingly Amelia later
redefines this as the reason Miller's

334
00:05:20,150 --> 00:05:20,160
redefines this as the reason Miller's
 

335
00:05:20,160 --> 00:05:24,050
redefines this as the reason Miller's
planet was so doomed Murphy's

336
00:05:24,050 --> 00:05:24,060

 

337
00:05:24,060 --> 00:05:26,510

because this planet was so close to a

338
00:05:26,510 --> 00:05:26,520
because this planet was so close to a
 

339
00:05:26,520 --> 00:05:28,010
because this planet was so close to a
black hole things like comets and

340
00:05:28,010 --> 00:05:28,020
black hole things like comets and
 

341
00:05:28,020 --> 00:05:29,570
black hole things like comets and
asteroids that would have collided with

342
00:05:29,570 --> 00:05:29,580
asteroids that would have collided with
 

343
00:05:29,580 --> 00:05:31,310
asteroids that would have collided with
the planet to allow life to form were

344
00:05:31,310 --> 00:05:31,320
the planet to allow life to form were
 

345
00:05:31,320 --> 00:05:32,749
the planet to allow life to form were
instead just sucked into the black hole

346
00:05:32,749 --> 00:05:32,759
instead just sucked into the black hole
 

347
00:05:32,759 --> 00:05:34,730
instead just sucked into the black hole
and never got to benefit from Murphy's

348
00:05:34,730 --> 00:05:34,740
and never got to benefit from Murphy's
 

349
00:05:34,740 --> 00:05:36,590
and never got to benefit from Murphy's
Law Murphy's Law is actually a good

350
00:05:36,590 --> 00:05:36,600
Law Murphy's Law is actually a good
 

351
00:05:36,600 --> 00:05:38,390
Law Murphy's Law is actually a good
thing that we need this whole film is a

352
00:05:38,390 --> 00:05:38,400
thing that we need this whole film is a
 

353
00:05:38,400 --> 00:05:40,010
thing that we need this whole film is a
demonstration of Murphy's Law we have a

354
00:05:40,010 --> 00:05:40,020
demonstration of Murphy's Law we have a
 

355
00:05:40,020 --> 00:05:41,689
demonstration of Murphy's Law we have a
plan A and A Plan B and literally

356
00:05:41,689 --> 00:05:41,699
plan A and A Plan B and literally
 

357
00:05:41,699 --> 00:05:43,430
plan A and A Plan B and literally
anything that can happen does happen

358
00:05:43,430 --> 00:05:43,440
anything that can happen does happen
 

359
00:05:43,440 --> 00:05:45,230
anything that can happen does happen
here they chase down an Indian flight

360
00:05:45,230 --> 00:05:45,240
here they chase down an Indian flight
 

361
00:05:45,240 --> 00:05:46,909
here they chase down an Indian flight
drone which shows how both the Indian

362
00:05:46,909 --> 00:05:46,919
drone which shows how both the Indian
 

363
00:05:46,919 --> 00:05:49,129
drone which shows how both the Indian
and the U.S militaries no longer exist

364
00:05:49,129 --> 00:05:49,139
and the U.S militaries no longer exist
 

365
00:05:49,139 --> 00:05:50,990
and the U.S militaries no longer exist
to patrol these skies and it shows how

366
00:05:50,990 --> 00:05:51,000
to patrol these skies and it shows how
 

367
00:05:51,000 --> 00:05:52,730
to patrol these skies and it shows how
wired Cooper is to be able to hack it

368
00:05:52,730 --> 00:05:52,740
wired Cooper is to be able to hack it
 

369
00:05:52,740 --> 00:05:54,890
wired Cooper is to be able to hack it
remotely his laptop screen shows Hindi

370
00:05:54,890 --> 00:05:54,900
remotely his laptop screen shows Hindi
 

371
00:05:54,900 --> 00:05:57,350
remotely his laptop screen shows Hindi
translating to login successful and data

372
00:05:57,350 --> 00:05:57,360
translating to login successful and data
 

373
00:05:57,360 --> 00:05:59,090
translating to login successful and data
transferred Cooper runs his hand along

374
00:05:59,090 --> 00:05:59,100
transferred Cooper runs his hand along
 

375
00:05:59,100 --> 00:06:00,710
transferred Cooper runs his hand along
the Drone probably grateful to touch

376
00:06:00,710 --> 00:06:00,720
the Drone probably grateful to touch
 

377
00:06:00,720 --> 00:06:02,210
the Drone probably grateful to touch
something that doesn't have dust on it

378
00:06:02,210 --> 00:06:02,220
something that doesn't have dust on it
 

379
00:06:02,220 --> 00:06:04,370
something that doesn't have dust on it
and he says Hey the sun cooked its brain

380
00:06:04,370 --> 00:06:04,380
and he says Hey the sun cooked its brain
 

381
00:06:04,380 --> 00:06:06,230
and he says Hey the sun cooked its brain
or it was looking for something this

382
00:06:06,230 --> 00:06:06,240
or it was looking for something this
 

383
00:06:06,240 --> 00:06:07,790
or it was looking for something this
drone was actually being attracted to

384
00:06:07,790 --> 00:06:07,800
drone was actually being attracted to
 

385
00:06:07,800 --> 00:06:09,710
drone was actually being attracted to
the gravitational anomaly on Cooper's

386
00:06:09,710 --> 00:06:09,720
the gravitational anomaly on Cooper's
 

387
00:06:09,720 --> 00:06:11,270
the gravitational anomaly on Cooper's
Farm which also explains why all the

388
00:06:11,270 --> 00:06:11,280
Farm which also explains why all the
 

389
00:06:11,280 --> 00:06:12,950
Farm which also explains why all the
tractors at Cooper programs are going

390
00:06:12,950 --> 00:06:12,960
tractors at Cooper programs are going
 

391
00:06:12,960 --> 00:06:14,930
tractors at Cooper programs are going
off course something's interfering with

392
00:06:14,930 --> 00:06:14,940
off course something's interfering with
 

393
00:06:14,940 --> 00:06:17,870
off course something's interfering with
the compass magnetism some Sergeant in

394
00:06:17,870 --> 00:06:17,880
the compass magnetism some Sergeant in
 

395
00:06:17,880 --> 00:06:19,550
the compass magnetism some Sergeant in
the parent-teacher conference even the

396
00:06:19,550 --> 00:06:19,560
the parent-teacher conference even the
 

397
00:06:19,560 --> 00:06:21,710
the parent-teacher conference even the
TV is caked in dust and there's a brown

398
00:06:21,710 --> 00:06:21,720
TV is caked in dust and there's a brown
 

399
00:06:21,720 --> 00:06:23,629
TV is caked in dust and there's a brown
dust stain on a textbook because this

400
00:06:23,629 --> 00:06:23,639
dust stain on a textbook because this
 

401
00:06:23,639 --> 00:06:25,730
dust stain on a textbook because this
came from births bookcase making it the

402
00:06:25,730 --> 00:06:25,740
came from births bookcase making it the
 

403
00:06:25,740 --> 00:06:26,809
came from births bookcase making it the
dust from one of the gravitational

404
00:06:26,809 --> 00:06:26,819
dust from one of the gravitational
 

405
00:06:26,819 --> 00:06:28,790
dust from one of the gravitational
anomaly strands now another one of the

406
00:06:28,790 --> 00:06:28,800
anomaly strands now another one of the
 

407
00:06:28,800 --> 00:06:30,230
anomaly strands now another one of the
books from the bookcase was Greg

408
00:06:30,230 --> 00:06:30,240
books from the bookcase was Greg
 

409
00:06:30,240 --> 00:06:32,029
books from the bookcase was Greg
Mortensen and Dave Oliver relins Three

410
00:06:32,029 --> 00:06:32,039
Mortensen and Dave Oliver relins Three
 

411
00:06:32,039 --> 00:06:34,189
Mortensen and Dave Oliver relins Three
Cups of Tea which is about a school for

412
00:06:34,189 --> 00:06:34,199
Cups of Tea which is about a school for
 

413
00:06:34,199 --> 00:06:36,110
Cups of Tea which is about a school for
girls but Morton Sim was later accused

414
00:06:36,110 --> 00:06:36,120
girls but Morton Sim was later accused
 

415
00:06:36,120 --> 00:06:37,730
girls but Morton Sim was later accused
of fabricating accounts while writing

416
00:06:37,730 --> 00:06:37,740
of fabricating accounts while writing
 

417
00:06:37,740 --> 00:06:40,070
of fabricating accounts while writing
this book and key to this film is a girl

418
00:06:40,070 --> 00:06:40,080
this book and key to this film is a girl
 

419
00:06:40,080 --> 00:06:41,930
this book and key to this film is a girl
challenging academic authorities who

420
00:06:41,930 --> 00:06:41,940
challenging academic authorities who
 

421
00:06:41,940 --> 00:06:43,610
challenging academic authorities who
spread these kind of Lies like Miss

422
00:06:43,610 --> 00:06:43,620
spread these kind of Lies like Miss
 

423
00:06:43,620 --> 00:06:45,710
spread these kind of Lies like Miss
Hanley here and later Professor brand

424
00:06:45,710 --> 00:06:45,720
Hanley here and later Professor brand
 

425
00:06:45,720 --> 00:06:47,570
Hanley here and later Professor brand
Miss Hanley believes that the Apollo

426
00:06:47,570 --> 00:06:47,580
Miss Hanley believes that the Apollo
 

427
00:06:47,580 --> 00:06:49,730
Miss Hanley believes that the Apollo
missions were faked which is so

428
00:06:49,730 --> 00:06:49,740
missions were faked which is so
 

429
00:06:49,740 --> 00:06:51,590
missions were faked which is so
frustrating while watching this movie it

430
00:06:51,590 --> 00:06:51,600
frustrating while watching this movie it
 

431
00:06:51,600 --> 00:06:53,510
frustrating while watching this movie it
shows how in this dystopian Society the

432
00:06:53,510 --> 00:06:53,520
shows how in this dystopian Society the
 

433
00:06:53,520 --> 00:06:55,189
shows how in this dystopian Society the
lunar Landing conspiracy theory has

434
00:06:55,189 --> 00:06:55,199
lunar Landing conspiracy theory has
 

435
00:06:55,199 --> 00:06:57,290
lunar Landing conspiracy theory has
taken hold to society replacing history

436
00:06:57,290 --> 00:06:57,300
taken hold to society replacing history
 

437
00:06:57,300 --> 00:06:59,150
taken hold to society replacing history
to keep these poor kids focused on

438
00:06:59,150 --> 00:06:59,160
to keep these poor kids focused on
 

439
00:06:59,160 --> 00:07:00,710
to keep these poor kids focused on
farming now in real life conspiracy

440
00:07:00,710 --> 00:07:00,720
farming now in real life conspiracy
 

441
00:07:00,720 --> 00:07:02,029
farming now in real life conspiracy
theorists believed that this was

442
00:07:02,029 --> 00:07:02,039
theorists believed that this was
 

443
00:07:02,039 --> 00:07:04,129
theorists believed that this was
accomplished using Stanley Kubrick set

444
00:07:04,129 --> 00:07:04,139
accomplished using Stanley Kubrick set
 

445
00:07:04,139 --> 00:07:06,170
accomplished using Stanley Kubrick set
pieces from 2001 in Space Odyssey 2001

446
00:07:06,170 --> 00:07:06,180
pieces from 2001 in Space Odyssey 2001
 

447
00:07:06,180 --> 00:07:07,790
pieces from 2001 in Space Odyssey 2001
be in the movie that inspired the Nolans

448
00:07:07,790 --> 00:07:07,800
be in the movie that inspired the Nolans
 

449
00:07:07,800 --> 00:07:09,590
be in the movie that inspired the Nolans
most on this film and we see how all

450
00:07:09,590 --> 00:07:09,600
most on this film and we see how all
 

451
00:07:09,600 --> 00:07:11,570
most on this film and we see how all
over this room are kids drawings of

452
00:07:11,570 --> 00:07:11,580
over this room are kids drawings of
 

453
00:07:11,580 --> 00:07:13,010
over this room are kids drawings of
tractors showing how this school

454
00:07:13,010 --> 00:07:13,020
tractors showing how this school
 

455
00:07:13,020 --> 00:07:14,870
tractors showing how this school
encourages kids to just love agriculture

456
00:07:14,870 --> 00:07:14,880
encourages kids to just love agriculture
 

457
00:07:14,880 --> 00:07:16,969
encourages kids to just love agriculture
Cooper asks where his tax money is going

458
00:07:16,969 --> 00:07:16,979
Cooper asks where his tax money is going
 

459
00:07:16,979 --> 00:07:18,650
Cooper asks where his tax money is going
if there are no more armies it's later

460
00:07:18,650 --> 00:07:18,660
if there are no more armies it's later
 

461
00:07:18,660 --> 00:07:20,270
if there are no more armies it's later
revealed that this was going to NASA's

462
00:07:20,270 --> 00:07:20,280
revealed that this was going to NASA's
 

463
00:07:20,280 --> 00:07:22,070
revealed that this was going to NASA's
Lazarus missions Donald says that when

464
00:07:22,070 --> 00:07:22,080
Lazarus missions Donald says that when
 

465
00:07:22,080 --> 00:07:23,330
Lazarus missions Donald says that when
he was a kid they used to build new

466
00:07:23,330 --> 00:07:23,340
he was a kid they used to build new
 

467
00:07:23,340 --> 00:07:25,850
he was a kid they used to build new
gadgets every day if this is set in 2067

468
00:07:25,850 --> 00:07:25,860
gadgets every day if this is set in 2067
 

469
00:07:25,860 --> 00:07:28,010
gadgets every day if this is set in 2067
Donald would be a millennial he says his

470
00:07:28,010 --> 00:07:28,020
Donald would be a millennial he says his
 

471
00:07:28,020 --> 00:07:29,749
Donald would be a millennial he says his
Earth had 6 billion people which would

472
00:07:29,749 --> 00:07:29,759
Earth had 6 billion people which would
 

473
00:07:29,759 --> 00:07:31,430
Earth had 6 billion people which would
have been the case in 1999 and he

474
00:07:31,430 --> 00:07:31,440
have been the case in 1999 and he
 

475
00:07:31,440 --> 00:07:32,990
have been the case in 1999 and he
remembers when baseball was good and he

476
00:07:32,990 --> 00:07:33,000
remembers when baseball was good and he
 

477
00:07:33,000 --> 00:07:34,909
remembers when baseball was good and he
misses hot dogs Cooper sums up the theme

478
00:07:34,909 --> 00:07:34,919
misses hot dogs Cooper sums up the theme
 

479
00:07:34,919 --> 00:07:36,950
misses hot dogs Cooper sums up the theme
of this movie we used to look up in the

480
00:07:36,950 --> 00:07:36,960
of this movie we used to look up in the
 

481
00:07:36,960 --> 00:07:38,510
of this movie we used to look up in the
sky and wonder

482
00:07:38,510 --> 00:07:38,520
sky and wonder
 

483
00:07:38,520 --> 00:07:41,270
sky and wonder
at our place in the stars now we just

484
00:07:41,270 --> 00:07:41,280
at our place in the stars now we just
 

485
00:07:41,280 --> 00:07:43,670
at our place in the stars now we just
look down and worry about our place in

486
00:07:43,670 --> 00:07:43,680
look down and worry about our place in
 

487
00:07:43,680 --> 00:07:45,529
look down and worry about our place in
the dirt but notice how Dirt is

488
00:07:45,529 --> 00:07:45,539
the dirt but notice how Dirt is
 

489
00:07:45,539 --> 00:07:47,089
the dirt but notice how Dirt is
literally caked on the windowsill behind

490
00:07:47,089 --> 00:07:47,099
literally caked on the windowsill behind
 

491
00:07:47,099 --> 00:07:49,129
literally caked on the windowsill behind
his head he is so blinded by the stars

492
00:07:49,129 --> 00:07:49,139
his head he is so blinded by the stars
 

493
00:07:49,139 --> 00:07:50,990
his head he is so blinded by the stars
that he is unable to see the answer it

494
00:07:50,990 --> 00:07:51,000
that he is unable to see the answer it
 

495
00:07:51,000 --> 00:07:53,029
that he is unable to see the answer it
really takes Murph a generation raised

496
00:07:53,029 --> 00:07:53,039
really takes Murph a generation raised
 

497
00:07:53,039 --> 00:07:55,010
really takes Murph a generation raised
in this dust to see how the solution to

498
00:07:55,010 --> 00:07:55,020
in this dust to see how the solution to
 

499
00:07:55,020 --> 00:07:56,749
in this dust to see how the solution to
their place in the stars is literally

500
00:07:56,749 --> 00:07:56,759
their place in the stars is literally
 

501
00:07:56,759 --> 00:07:58,610
their place in the stars is literally
buried in the dirt now at this baseball

502
00:07:58,610 --> 00:07:58,620
buried in the dirt now at this baseball
 

503
00:07:58,620 --> 00:08:00,710
buried in the dirt now at this baseball
game there's popcorn and soda and candy

504
00:08:00,710 --> 00:08:00,720
game there's popcorn and soda and candy
 

505
00:08:00,720 --> 00:08:02,870
game there's popcorn and soda and candy
more corn we see it's the New York

506
00:08:02,870 --> 00:08:02,880
more corn we see it's the New York
 

507
00:08:02,880 --> 00:08:04,850
more corn we see it's the New York
Yankees suggesting they relocated the

508
00:08:04,850 --> 00:08:04,860
Yankees suggesting they relocated the
 

509
00:08:04,860 --> 00:08:06,770
Yankees suggesting they relocated the
Yankees to rural areas to just keep this

510
00:08:06,770 --> 00:08:06,780
Yankees to rural areas to just keep this
 

511
00:08:06,780 --> 00:08:09,230
Yankees to rural areas to just keep this
Pastime alive as the Romans say PanAm at

512
00:08:09,230 --> 00:08:09,240
Pastime alive as the Romans say PanAm at
 

513
00:08:09,240 --> 00:08:11,689
Pastime alive as the Romans say PanAm at
circuses food and entertainment corn and

514
00:08:11,689 --> 00:08:11,699
circuses food and entertainment corn and
 

515
00:08:11,699 --> 00:08:13,790
circuses food and entertainment corn and
baseball is what keeps a society docile

516
00:08:13,790 --> 00:08:13,800
baseball is what keeps a society docile
 

517
00:08:13,800 --> 00:08:15,409
baseball is what keeps a society docile
Cooper says that in his day people were

518
00:08:15,409 --> 00:08:15,419
Cooper says that in his day people were
 

519
00:08:15,419 --> 00:08:16,969
Cooper says that in his day people were
too busy fighting over food to even play

520
00:08:16,969 --> 00:08:16,979
too busy fighting over food to even play
 

521
00:08:16,979 --> 00:08:19,010
too busy fighting over food to even play
baseball hinting that there were wars

522
00:08:19,010 --> 00:08:19,020
baseball hinting that there were wars
 

523
00:08:19,020 --> 00:08:20,629
baseball hinting that there were wars
fought over the food shortages later

524
00:08:20,629 --> 00:08:20,639
fought over the food shortages later
 

525
00:08:20,639 --> 00:08:22,070
fought over the food shortages later
Cooper and Professor Brandt talk about

526
00:08:22,070 --> 00:08:22,080
Cooper and Professor Brandt talk about
 

527
00:08:22,080 --> 00:08:23,869
Cooper and Professor Brandt talk about
the government pressuring NASA to drop

528
00:08:23,869 --> 00:08:23,879
the government pressuring NASA to drop
 

529
00:08:23,879 --> 00:08:25,670
the government pressuring NASA to drop
bombs from the stratosphere on cities of

530
00:08:25,670 --> 00:08:25,680
bombs from the stratosphere on cities of
 

531
00:08:25,680 --> 00:08:27,589
bombs from the stratosphere on cities of
starving Riders a dust storm hits

532
00:08:27,589 --> 00:08:27,599
starving Riders a dust storm hits
 

533
00:08:27,599 --> 00:08:29,150
starving Riders a dust storm hits
causing the dirt to float into murph's

534
00:08:29,150 --> 00:08:29,160
causing the dirt to float into murph's
 

535
00:08:29,160 --> 00:08:30,710
causing the dirt to float into murph's
room pulling down the sand with heavier

536
00:08:30,710 --> 00:08:30,720
room pulling down the sand with heavier
 

537
00:08:30,720 --> 00:08:32,329
room pulling down the sand with heavier
gravitational pull in the form of these

538
00:08:32,329 --> 00:08:32,339
gravitational pull in the form of these
 

539
00:08:32,339 --> 00:08:34,430
gravitational pull in the form of these
bands which Cooper realizes is binary

540
00:08:34,430 --> 00:08:34,440
bands which Cooper realizes is binary
 

541
00:08:34,440 --> 00:08:36,230
bands which Cooper realizes is binary
code forming coordinates you can totally

542
00:08:36,230 --> 00:08:36,240
code forming coordinates you can totally
 

543
00:08:36,240 --> 00:08:37,550
code forming coordinates you can totally
see Steven Spielberg's interest in

544
00:08:37,550 --> 00:08:37,560
see Steven Spielberg's interest in
 

545
00:08:37,560 --> 00:08:39,290
see Steven Spielberg's interest in
Jonathan Nolan's First Act because it's

546
00:08:39,290 --> 00:08:39,300
Jonathan Nolan's First Act because it's
 

547
00:08:39,300 --> 00:08:40,670
Jonathan Nolan's First Act because it's
essentially Close Encounters of the

548
00:08:40,670 --> 00:08:40,680
essentially Close Encounters of the
 

549
00:08:40,680 --> 00:08:42,589
essentially Close Encounters of the
Third Kind a Restless father connects

550
00:08:42,589 --> 00:08:42,599
Third Kind a Restless father connects
 

551
00:08:42,599 --> 00:08:44,209
Third Kind a Restless father connects
with an alien signal and leaves his

552
00:08:44,209 --> 00:08:44,219
with an alien signal and leaves his
 

553
00:08:44,219 --> 00:08:45,650
with an alien signal and leaves his
family behind in pursuit of it for

554
00:08:45,650 --> 00:08:45,660
family behind in pursuit of it for
 

555
00:08:45,660 --> 00:08:47,389
family behind in pursuit of it for
Richard Dreyfus it was mounds of mashed

556
00:08:47,389 --> 00:08:47,399
Richard Dreyfus it was mounds of mashed
 

557
00:08:47,399 --> 00:08:49,250
Richard Dreyfus it was mounds of mashed
potatoes for Cooper it's Hills of dirt

558
00:08:49,250 --> 00:08:49,260
potatoes for Cooper it's Hills of dirt
 

559
00:08:49,260 --> 00:08:51,470
potatoes for Cooper it's Hills of dirt
as Murph carries a cornbread Sando to

560
00:08:51,470 --> 00:08:51,480
as Murph carries a cornbread Sando to
 

561
00:08:51,480 --> 00:08:52,910
as Murph carries a cornbread Sando to
Cooper the curtains are all stained with

562
00:08:52,910 --> 00:08:52,920
Cooper the curtains are all stained with
 

563
00:08:52,920 --> 00:08:54,710
Cooper the curtains are all stained with
brown at the hems and in the truck they

564
00:08:54,710 --> 00:08:54,720
brown at the hems and in the truck they
 

565
00:08:54,720 --> 00:08:56,210
brown at the hems and in the truck they
use a rag to keep the dirt from coming

566
00:08:56,210 --> 00:08:56,220
use a rag to keep the dirt from coming
 

567
00:08:56,220 --> 00:08:58,070
use a rag to keep the dirt from coming
in through the AC vent murf hides in

568
00:08:58,070 --> 00:08:58,080
in through the AC vent murf hides in
 

569
00:08:58,080 --> 00:08:59,750
in through the AC vent murf hides in
Cooper's passenger seat you wouldn't be

570
00:08:59,750 --> 00:08:59,760
Cooper's passenger seat you wouldn't be
 

571
00:08:59,760 --> 00:09:01,610
Cooper's passenger seat you wouldn't be
here if it wasn't for me yeah she's more

572
00:09:01,610 --> 00:09:01,620
here if it wasn't for me yeah she's more
 

573
00:09:01,620 --> 00:09:03,470
here if it wasn't for me yeah she's more
right than she knows Cooper only got

574
00:09:03,470 --> 00:09:03,480
right than she knows Cooper only got
 

575
00:09:03,480 --> 00:09:04,970
right than she knows Cooper only got
those coordinates because his future

576
00:09:04,970 --> 00:09:04,980
those coordinates because his future
 

577
00:09:04,980 --> 00:09:06,769
those coordinates because his future
self was trying to communicate with

578
00:09:06,769 --> 00:09:06,779
self was trying to communicate with
 

579
00:09:06,779 --> 00:09:08,570
self was trying to communicate with
Murph they arrived to the NORAD facility

580
00:09:08,570 --> 00:09:08,580
Murph they arrived to the NORAD facility
 

581
00:09:08,580 --> 00:09:10,190
Murph they arrived to the NORAD facility
NORAD is the government branch with

582
00:09:10,190 --> 00:09:10,200
NORAD is the government branch with
 

583
00:09:10,200 --> 00:09:11,630
NORAD is the government branch with
bases underground for strategic

584
00:09:11,630 --> 00:09:11,640
bases underground for strategic
 

585
00:09:11,640 --> 00:09:13,250
bases underground for strategic
commandering nuclear strikes makes sense

586
00:09:13,250 --> 00:09:13,260
commandering nuclear strikes makes sense
 

587
00:09:13,260 --> 00:09:14,810
commandering nuclear strikes makes sense
NASA would commandeer these missile

588
00:09:14,810 --> 00:09:14,820
NASA would commandeer these missile
 

589
00:09:14,820 --> 00:09:16,370
NASA would commandeer these missile
silos into their launch bays and

590
00:09:16,370 --> 00:09:16,380
silos into their launch bays and
 

591
00:09:16,380 --> 00:09:18,769
silos into their launch bays and
centrifuges and we need tars the dots

592
00:09:18,769 --> 00:09:18,779
centrifuges and we need tars the dots
 

593
00:09:18,779 --> 00:09:21,170
centrifuges and we need tars the dots
are Braille spelling t-a-r-s Nolan

594
00:09:21,170 --> 00:09:21,180
are Braille spelling t-a-r-s Nolan
 

595
00:09:21,180 --> 00:09:22,790
are Braille spelling t-a-r-s Nolan
reason that movie robots that are

596
00:09:22,790 --> 00:09:22,800
reason that movie robots that are
 

597
00:09:22,800 --> 00:09:24,170
reason that movie robots that are
designed to look and move like humans

598
00:09:24,170 --> 00:09:24,180
designed to look and move like humans
 

599
00:09:24,180 --> 00:09:25,490
designed to look and move like humans
would just not be practical for most

600
00:09:25,490 --> 00:09:25,500
would just not be practical for most
 

601
00:09:25,500 --> 00:09:27,050
would just not be practical for most
functions like War because the human

602
00:09:27,050 --> 00:09:27,060
functions like War because the human
 

603
00:09:27,060 --> 00:09:28,550
functions like War because the human
body is not really designed for most

604
00:09:28,550 --> 00:09:28,560
body is not really designed for most
 

605
00:09:28,560 --> 00:09:30,170
body is not really designed for most
things we need it to be designed for and

606
00:09:30,170 --> 00:09:30,180
things we need it to be designed for and
 

607
00:09:30,180 --> 00:09:32,269
things we need it to be designed for and
so he settled on the segmented rectangle

608
00:09:32,269 --> 00:09:32,279
so he settled on the segmented rectangle
 

609
00:09:32,279 --> 00:09:34,490
so he settled on the segmented rectangle
Which is far sturdier and easier to

610
00:09:34,490 --> 00:09:34,500
Which is far sturdier and easier to
 

611
00:09:34,500 --> 00:09:35,990
Which is far sturdier and easier to
transport and Cooper hints here that

612
00:09:35,990 --> 00:09:36,000
transport and Cooper hints here that
 

613
00:09:36,000 --> 00:09:37,550
transport and Cooper hints here that
their original function was for combat

614
00:09:37,550 --> 00:09:37,560
their original function was for combat
 

615
00:09:37,560 --> 00:09:39,650
their original function was for combat
are you still thinking Marine pal

616
00:09:39,650 --> 00:09:39,660
are you still thinking Marine pal
 

617
00:09:39,660 --> 00:09:42,230
are you still thinking Marine pal
Marines don't exist anymore his

618
00:09:42,230 --> 00:09:42,240
Marines don't exist anymore his
 

619
00:09:42,240 --> 00:09:44,090
Marines don't exist anymore his
rectangular shape is an intentional nod

620
00:09:44,090 --> 00:09:44,100
rectangular shape is an intentional nod
 

621
00:09:44,100 --> 00:09:46,250
rectangular shape is an intentional nod
to the monolith of 2001 A Space Odyssey

622
00:09:46,250 --> 00:09:46,260
to the monolith of 2001 A Space Odyssey
 

623
00:09:46,260 --> 00:09:47,870
to the monolith of 2001 A Space Odyssey
which was in that movie the symbol of

624
00:09:47,870 --> 00:09:47,880
which was in that movie the symbol of
 

625
00:09:47,880 --> 00:09:49,550
which was in that movie the symbol of
Technology the summation of all of our

626
00:09:49,550 --> 00:09:49,560
Technology the summation of all of our
 

627
00:09:49,560 --> 00:09:51,110
Technology the summation of all of our
fears all of our hopes and ultimately

628
00:09:51,110 --> 00:09:51,120
fears all of our hopes and ultimately
 

629
00:09:51,120 --> 00:09:53,449
fears all of our hopes and ultimately
all of our salvation and yeah there is a

630
00:09:53,449 --> 00:09:53,459
all of our salvation and yeah there is a
 

631
00:09:53,459 --> 00:09:55,370
all of our salvation and yeah there is a
reason Apple went with this shape now

632
00:09:55,370 --> 00:09:55,380
reason Apple went with this shape now
 

633
00:09:55,380 --> 00:09:57,050
reason Apple went with this shape now
tars was voiced and puppeted by Bill

634
00:09:57,050 --> 00:09:57,060
tars was voiced and puppeted by Bill
 

635
00:09:57,060 --> 00:09:59,150
tars was voiced and puppeted by Bill
Irwin who also puppeted case and in both

636
00:09:59,150 --> 00:09:59,160
Irwin who also puppeted case and in both
 

637
00:09:59,160 --> 00:10:01,070
Irwin who also puppeted case and in both
cases was digitally painted out of all

638
00:10:01,070 --> 00:10:01,080
cases was digitally painted out of all
 

639
00:10:01,080 --> 00:10:02,810
cases was digitally painted out of all
the shots but Nolan mixed his audio

640
00:10:02,810 --> 00:10:02,820
the shots but Nolan mixed his audio
 

641
00:10:02,820 --> 00:10:04,790
the shots but Nolan mixed his audio
diegetically with each team and so that

642
00:10:04,790 --> 00:10:04,800
diegetically with each team and so that
 

643
00:10:04,800 --> 00:10:06,350
diegetically with each team and so that
it sounds tinny as if it's coming from

644
00:10:06,350 --> 00:10:06,360
it sounds tinny as if it's coming from
 

645
00:10:06,360 --> 00:10:07,790
it sounds tinny as if it's coming from
within the room as opposed to all the

646
00:10:07,790 --> 00:10:07,800
within the room as opposed to all the
 

647
00:10:07,800 --> 00:10:09,410
within the room as opposed to all the
leveled up audio of the voices of the

648
00:10:09,410 --> 00:10:09,420
leveled up audio of the voices of the
 

649
00:10:09,420 --> 00:10:11,090
leveled up audio of the voices of the
human characters tars is my favorite

650
00:10:11,090 --> 00:10:11,100
human characters tars is my favorite
 

651
00:10:11,100 --> 00:10:12,769
human characters tars is my favorite
character in this movie and he saves

652
00:10:12,769 --> 00:10:12,779
character in this movie and he saves
 

653
00:10:12,779 --> 00:10:14,150
character in this movie and he saves
everyone in more ways than you think

654
00:10:14,150 --> 00:10:14,160
everyone in more ways than you think
 

655
00:10:14,160 --> 00:10:16,070
everyone in more ways than you think
Cooper meets Amelia brand named after

656
00:10:16,070 --> 00:10:16,080
Cooper meets Amelia brand named after
 

657
00:10:16,080 --> 00:10:17,750
Cooper meets Amelia brand named after
Amelia Earhart her father Professor

658
00:10:17,750 --> 00:10:17,760
Amelia Earhart her father Professor
 

659
00:10:17,760 --> 00:10:19,790
Amelia Earhart her father Professor
brand explains how Earth is doomed and

660
00:10:19,790 --> 00:10:19,800
brand explains how Earth is doomed and
 

661
00:10:19,800 --> 00:10:21,590
brand explains how Earth is doomed and
he explains their plans to save Humanity

662
00:10:21,590 --> 00:10:21,600
he explains their plans to save Humanity
 

663
00:10:21,600 --> 00:10:23,870
he explains their plans to save Humanity
plan a solve the gravity equations to

664
00:10:23,870 --> 00:10:23,880
plan a solve the gravity equations to
 

665
00:10:23,880 --> 00:10:25,910
plan a solve the gravity equations to
harness gravity and turn the centrifuge

666
00:10:25,910 --> 00:10:25,920
harness gravity and turn the centrifuge
 

667
00:10:25,920 --> 00:10:27,530
harness gravity and turn the centrifuge
into a space station that could sustain

668
00:10:27,530 --> 00:10:27,540
into a space station that could sustain
 

669
00:10:27,540 --> 00:10:29,870
into a space station that could sustain
life off planet and plan B to send these

670
00:10:29,870 --> 00:10:29,880
life off planet and plan B to send these
 

671
00:10:29,880 --> 00:10:31,550
life off planet and plan B to send these
astronauts out to find a new world to

672
00:10:31,550 --> 00:10:31,560
astronauts out to find a new world to
 

673
00:10:31,560 --> 00:10:34,009
astronauts out to find a new world to
populate using human embryos bran calls

674
00:10:34,009 --> 00:10:34,019
populate using human embryos bran calls
 

675
00:10:34,019 --> 00:10:35,870
populate using human embryos bran calls
them the Lazarus missions that sounds

676
00:10:35,870 --> 00:10:35,880
them the Lazarus missions that sounds
 

677
00:10:35,880 --> 00:10:38,090
them the Lazarus missions that sounds
cheerful Leisure has came back from the

678
00:10:38,090 --> 00:10:38,100
cheerful Leisure has came back from the
 

679
00:10:38,100 --> 00:10:40,430
cheerful Leisure has came back from the
dead sure but he had to die in the first

680
00:10:40,430 --> 00:10:40,440
dead sure but he had to die in the first
 

681
00:10:40,440 --> 00:10:42,889
dead sure but he had to die in the first
place and bran just stares back grimly

682
00:10:42,889 --> 00:10:42,899
place and bran just stares back grimly
 

683
00:10:42,899 --> 00:10:44,930
place and bran just stares back grimly
because he knows that the real plan is

684
00:10:44,930 --> 00:10:44,940
because he knows that the real plan is
 

685
00:10:44,940 --> 00:10:47,690
because he knows that the real plan is
to let Humanity on Earth die so that the

686
00:10:47,690 --> 00:10:47,700
to let Humanity on Earth die so that the
 

687
00:10:47,700 --> 00:10:49,550
to let Humanity on Earth die so that the
embryos could resurrect the species now

688
00:10:49,550 --> 00:10:49,560
embryos could resurrect the species now
 

689
00:10:49,560 --> 00:10:51,710
embryos could resurrect the species now
when Cooper first walks into The Silo at

690
00:10:51,710 --> 00:10:51,720
when Cooper first walks into The Silo at
 

691
00:10:51,720 --> 00:10:53,329
when Cooper first walks into The Silo at
the top are solar panels and when he

692
00:10:53,329 --> 00:10:53,339
the top are solar panels and when he
 

693
00:10:53,339 --> 00:10:55,550
the top are solar panels and when he
realizes it's a centrifuge Nolan tilts

694
00:10:55,550 --> 00:10:55,560
realizes it's a centrifuge Nolan tilts
 

695
00:10:55,560 --> 00:10:57,230
realizes it's a centrifuge Nolan tilts
the camera to show how it has a curved

696
00:10:57,230 --> 00:10:57,240
the camera to show how it has a curved
 

697
00:10:57,240 --> 00:10:59,269
the camera to show how it has a curved
floor like Kubrick's jogging scene in

698
00:10:59,269 --> 00:10:59,279
floor like Kubrick's jogging scene in
 

699
00:10:59,279 --> 00:11:00,829
floor like Kubrick's jogging scene in
2001 A Space Odyssey they say how

700
00:11:00,829 --> 00:11:00,839
2001 A Space Odyssey they say how
 

701
00:11:00,839 --> 00:11:02,990
2001 A Space Odyssey they say how
Wormhole was opened near Saturn which in

702
00:11:02,990 --> 00:11:03,000
Wormhole was opened near Saturn which in
 

703
00:11:03,000 --> 00:11:04,730
Wormhole was opened near Saturn which in
Roman mythology is the God of

704
00:11:04,730 --> 00:11:04,740
Roman mythology is the God of
 

705
00:11:04,740 --> 00:11:06,829
Roman mythology is the God of
Agriculture so again the secret of the

706
00:11:06,829 --> 00:11:06,839
Agriculture so again the secret of the
 

707
00:11:06,839 --> 00:11:08,990
Agriculture so again the secret of the
stars is hidden in the dirt bran singles

708
00:11:08,990 --> 00:11:09,000
stars is hidden in the dirt bran singles
 

709
00:11:09,000 --> 00:11:11,329
stars is hidden in the dirt bran singles
out the remarkable Dr man shown in the

710
00:11:11,329 --> 00:11:11,339
out the remarkable Dr man shown in the
 

711
00:11:11,339 --> 00:11:12,650
out the remarkable Dr man shown in the
background photos only from a distance

712
00:11:12,650 --> 00:11:12,660
background photos only from a distance
 

713
00:11:12,660 --> 00:11:14,269
background photos only from a distance
in the scene to hide the fact that it is

714
00:11:14,269 --> 00:11:14,279
in the scene to hide the fact that it is
 

715
00:11:14,279 --> 00:11:16,370
in the scene to hide the fact that it is
Matt Damon Dr Mann is always described

716
00:11:16,370 --> 00:11:16,380
Matt Damon Dr Mann is always described
 

717
00:11:16,380 --> 00:11:18,170
Matt Damon Dr Mann is always described
as the best of us and he's modeled on

718
00:11:18,170 --> 00:11:18,180
as the best of us and he's modeled on
 

719
00:11:18,180 --> 00:11:19,730
as the best of us and he's modeled on
Kurtz from Joseph Conrad's Heart of

720
00:11:19,730 --> 00:11:19,740
Kurtz from Joseph Conrad's Heart of
 

721
00:11:19,740 --> 00:11:21,230
Kurtz from Joseph Conrad's Heart of
Darkness and Francis Ford Coppola's

722
00:11:21,230 --> 00:11:21,240
Darkness and Francis Ford Coppola's
 

723
00:11:21,240 --> 00:11:22,790
Darkness and Francis Ford Coppola's
movie version of that Apocalypse Now a

724
00:11:22,790 --> 00:11:22,800
movie version of that Apocalypse Now a
 

725
00:11:22,800 --> 00:11:24,710
movie version of that Apocalypse Now a
man spoken of as having a brilliant mind

726
00:11:24,710 --> 00:11:24,720
man spoken of as having a brilliant mind
 

727
00:11:24,720 --> 00:11:26,329
man spoken of as having a brilliant mind
who loses that mind when he's cut off

728
00:11:26,329 --> 00:11:26,339
who loses that mind when he's cut off
 

729
00:11:26,339 --> 00:11:27,949
who loses that mind when he's cut off
from civilization it's no mistake that

730
00:11:27,949 --> 00:11:27,959
from civilization it's no mistake that
 

731
00:11:27,959 --> 00:11:29,870
from civilization it's no mistake that
his name is man as he represents the

732
00:11:29,870 --> 00:11:29,880
his name is man as he represents the
 

733
00:11:29,880 --> 00:11:31,490
his name is man as he represents the
weakness of mankind and this film

734
00:11:31,490 --> 00:11:31,500
weakness of mankind and this film
 

735
00:11:31,500 --> 00:11:33,410
weakness of mankind and this film
literally takes us into the very Heart

736
00:11:33,410 --> 00:11:33,420
literally takes us into the very Heart
 

737
00:11:33,420 --> 00:11:35,569
literally takes us into the very Heart
of Darkness a literal Heart of Darkness

738
00:11:35,569 --> 00:11:35,579
of Darkness a literal Heart of Darkness
 

739
00:11:35,579 --> 00:11:37,610
of Darkness a literal Heart of Darkness
Cooper says goodbye to Murph but she

740
00:11:37,610 --> 00:11:37,620
Cooper says goodbye to Murph but she
 

741
00:11:37,620 --> 00:11:38,990
Cooper says goodbye to Murph but she
throws his watch and he leaves her

742
00:11:38,990 --> 00:11:39,000
throws his watch and he leaves her
 

743
00:11:39,000 --> 00:11:41,870
throws his watch and he leaves her
behind

744
00:11:41,870 --> 00:11:41,880

 

745
00:11:41,880 --> 00:11:43,970

yes that book knocked off the shelf is

746
00:11:43,970 --> 00:11:43,980
yes that book knocked off the shelf is
 

747
00:11:43,980 --> 00:11:45,710
yes that book knocked off the shelf is
this future self begging him to stay

748
00:11:45,710 --> 00:11:45,720
this future self begging him to stay
 

749
00:11:45,720 --> 00:11:47,630
this future self begging him to stay
later in the film right by Cooper's head

750
00:11:47,630 --> 00:11:47,640
later in the film right by Cooper's head
 

751
00:11:47,640 --> 00:11:49,670
later in the film right by Cooper's head
when he does this is Lois Lowry's the

752
00:11:49,670 --> 00:11:49,680
when he does this is Lois Lowry's the
 

753
00:11:49,680 --> 00:11:51,170
when he does this is Lois Lowry's the
willoughbys a story about a group of

754
00:11:51,170 --> 00:11:51,180
willoughbys a story about a group of
 

755
00:11:51,180 --> 00:11:53,449
willoughbys a story about a group of
children abandoned by their parents this

756
00:11:53,449 --> 00:11:53,459
children abandoned by their parents this
 

757
00:11:53,459 --> 00:11:55,250
children abandoned by their parents this
amazing music composed by Hans Zimmer

758
00:11:55,250 --> 00:11:55,260
amazing music composed by Hans Zimmer
 

759
00:11:55,260 --> 00:11:56,569
amazing music composed by Hans Zimmer
was recorded on the Harrison and

760
00:11:56,569 --> 00:11:56,579
was recorded on the Harrison and
 

761
00:11:56,579 --> 00:11:58,370
was recorded on the Harrison and
Harrison organ of London's Temple Church

762
00:11:58,370 --> 00:11:58,380
Harrison organ of London's Temple Church
 

763
00:11:58,380 --> 00:12:00,829
Harrison organ of London's Temple Church
after Nolan gave Zimmer only one page of

764
00:12:00,829 --> 00:12:00,839
after Nolan gave Zimmer only one page of
 

765
00:12:00,839 --> 00:12:02,269
after Nolan gave Zimmer only one page of
dialogue that had nothing to do with

766
00:12:02,269 --> 00:12:02,279
dialogue that had nothing to do with
 

767
00:12:02,279 --> 00:12:04,130
dialogue that had nothing to do with
space or sci-fi it was really just a

768
00:12:04,130 --> 00:12:04,140
space or sci-fi it was really just a
 

769
00:12:04,140 --> 00:12:05,690
space or sci-fi it was really just a
father leaving his daughter Cooper

770
00:12:05,690 --> 00:12:05,700
father leaving his daughter Cooper
 

771
00:12:05,700 --> 00:12:07,069
father leaving his daughter Cooper
checks to see if Murph hid in the

772
00:12:07,069 --> 00:12:07,079
checks to see if Murph hid in the
 

773
00:12:07,079 --> 00:12:08,750
checks to see if Murph hid in the
passenger seat this time with hope in

774
00:12:08,750 --> 00:12:08,760
passenger seat this time with hope in
 

775
00:12:08,760 --> 00:12:11,090
passenger seat this time with hope in
his heart but no this moment always gets

776
00:12:11,090 --> 00:12:11,100
his heart but no this moment always gets
 

777
00:12:11,100 --> 00:12:12,530
his heart but no this moment always gets
me emotional whenever I re-watch it and

778
00:12:12,530 --> 00:12:12,540
me emotional whenever I re-watch it and
 

779
00:12:12,540 --> 00:12:14,389
me emotional whenever I re-watch it and
I love how Nolan mounts the camera on

780
00:12:14,389 --> 00:12:14,399
I love how Nolan mounts the camera on
 

781
00:12:14,399 --> 00:12:15,590
I love how Nolan mounts the camera on
the side of the truck showing the side

782
00:12:15,590 --> 00:12:15,600
the side of the truck showing the side
 

783
00:12:15,600 --> 00:12:17,449
the side of the truck showing the side
view mirror perspective matching the

784
00:12:17,449 --> 00:12:17,459
view mirror perspective matching the
 

785
00:12:17,459 --> 00:12:18,889
view mirror perspective matching the
camera being on the side of the rocket

786
00:12:18,889 --> 00:12:18,899
camera being on the side of the rocket
 

787
00:12:18,899 --> 00:12:20,750
camera being on the side of the rocket
as the NASA countdown plays over the

788
00:12:20,750 --> 00:12:20,760
as the NASA countdown plays over the
 

789
00:12:20,760 --> 00:12:22,430
as the NASA countdown plays over the
truck pulling away some amazing time

790
00:12:22,430 --> 00:12:22,440
truck pulling away some amazing time
 

791
00:12:22,440 --> 00:12:24,290
truck pulling away some amazing time
dilation via editing the movie doesn't

792
00:12:24,290 --> 00:12:24,300
dilation via editing the movie doesn't
 

793
00:12:24,300 --> 00:12:25,850
dilation via editing the movie doesn't
waste any time showing the launch prep

794
00:12:25,850 --> 00:12:25,860
waste any time showing the launch prep
 

795
00:12:25,860 --> 00:12:28,370
waste any time showing the launch prep
for Cooper leaving his farm feels like

796
00:12:28,370 --> 00:12:28,380
for Cooper leaving his farm feels like
 

797
00:12:28,380 --> 00:12:29,930
for Cooper leaving his farm feels like
he's leaving his entire world behind

798
00:12:29,930 --> 00:12:29,940
he's leaving his entire world behind
 

799
00:12:29,940 --> 00:12:31,850
he's leaving his entire world behind
Taurus cracks some jokes using an

800
00:12:31,850 --> 00:12:31,860
Taurus cracks some jokes using an
 

801
00:12:31,860 --> 00:12:33,290
Taurus cracks some jokes using an
indicator light you can use it to find

802
00:12:33,290 --> 00:12:33,300
indicator light you can use it to find
 

803
00:12:33,300 --> 00:12:34,730
indicator light you can use it to find
your way back in the ship after I blow

804
00:12:34,730 --> 00:12:34,740
your way back in the ship after I blow
 

805
00:12:34,740 --> 00:12:36,470
your way back in the ship after I blow
you out the airlock

806
00:12:36,470 --> 00:12:36,480
you out the airlock
 

807
00:12:36,480 --> 00:12:38,870
you out the airlock
and the light turns on as someone who

808
00:12:38,870 --> 00:12:38,880
and the light turns on as someone who
 

809
00:12:38,880 --> 00:12:41,449
and the light turns on as someone who
despises sarcasm I would love if humans

810
00:12:41,449 --> 00:12:41,459
despises sarcasm I would love if humans
 

811
00:12:41,459 --> 00:12:43,009
despises sarcasm I would love if humans
came with this light and yes this is

812
00:12:43,009 --> 00:12:43,019
came with this light and yes this is
 

813
00:12:43,019 --> 00:12:45,949
came with this light and yes this is
another 2001 nod to Hal who emotes

814
00:12:45,949 --> 00:12:45,959
another 2001 nod to Hal who emotes
 

815
00:12:45,959 --> 00:12:48,050
another 2001 nod to Hal who emotes
through his one solitary red light and

816
00:12:48,050 --> 00:12:48,060
through his one solitary red light and
 

817
00:12:48,060 --> 00:12:49,730
through his one solitary red light and
he turns on the crew sending pool

818
00:12:49,730 --> 00:12:49,740
he turns on the crew sending pool
 

819
00:12:49,740 --> 00:12:51,710
he turns on the crew sending pool
hurtling through space suffocating Nolan

820
00:12:51,710 --> 00:12:51,720
hurtling through space suffocating Nolan
 

821
00:12:51,720 --> 00:12:53,930
hurtling through space suffocating Nolan
commits to scientifically accurate zero

822
00:12:53,930 --> 00:12:53,940
commits to scientifically accurate zero
 

823
00:12:53,940 --> 00:12:55,430
commits to scientifically accurate zero
sound whenever we cut to outside the

824
00:12:55,430 --> 00:12:55,440
sound whenever we cut to outside the
 

825
00:12:55,440 --> 00:12:58,910
sound whenever we cut to outside the
shuttle ex might

826
00:12:58,910 --> 00:12:58,920
shuttle ex might
 

827
00:12:58,920 --> 00:13:01,250
shuttle ex might
and they talk with the endurance which

828
00:13:01,250 --> 00:13:01,260
and they talk with the endurance which
 

829
00:13:01,260 --> 00:13:02,990
and they talk with the endurance which
Nolan based on the International Space

830
00:13:02,990 --> 00:13:03,000
Nolan based on the International Space
 

831
00:13:03,000 --> 00:13:04,790
Nolan based on the International Space
Station designing this to look like a

832
00:13:04,790 --> 00:13:04,800
Station designing this to look like a
 

833
00:13:04,800 --> 00:13:07,129
Station designing this to look like a
clock it is a ring with 12 compartments

834
00:13:07,129 --> 00:13:07,139
clock it is a ring with 12 compartments
 

835
00:13:07,139 --> 00:13:09,710
clock it is a ring with 12 compartments
12 like the 12 Lazarus Mission Pilots 12

836
00:13:09,710 --> 00:13:09,720
12 like the 12 Lazarus Mission Pilots 12
 

837
00:13:09,720 --> 00:13:11,629
12 like the 12 Lazarus Mission Pilots 12
disciples including the Judas Trader

838
00:13:11,629 --> 00:13:11,639
disciples including the Judas Trader
 

839
00:13:11,639 --> 00:13:13,370
disciples including the Judas Trader
yeah it's a surprisingly religious movie

840
00:13:13,370 --> 00:13:13,380
yeah it's a surprisingly religious movie
 

841
00:13:13,380 --> 00:13:15,530
yeah it's a surprisingly religious movie
for a Sci-Fi epic I like this Nolan

842
00:13:15,530 --> 00:13:15,540
for a Sci-Fi epic I like this Nolan
 

843
00:13:15,540 --> 00:13:17,090
for a Sci-Fi epic I like this Nolan
inserts a shot of the latching mechanism

844
00:13:17,090 --> 00:13:17,100
inserts a shot of the latching mechanism
 

845
00:13:17,100 --> 00:13:18,889
inserts a shot of the latching mechanism
so that we know later what it means when

846
00:13:18,889 --> 00:13:18,899
so that we know later what it means when
 

847
00:13:18,899 --> 00:13:20,690
so that we know later what it means when
it doesn't latch properly for Dr Mann

848
00:13:20,690 --> 00:13:20,700
it doesn't latch properly for Dr Mann
 

849
00:13:20,700 --> 00:13:22,490
it doesn't latch properly for Dr Mann
bran sends them off with Dylan Thomas's

850
00:13:22,490 --> 00:13:22,500
bran sends them off with Dylan Thomas's
 

851
00:13:22,500 --> 00:13:25,129
bran sends them off with Dylan Thomas's
1947 poem Do Not Go Gentle into that

852
00:13:25,129 --> 00:13:25,139
1947 poem Do Not Go Gentle into that
 

853
00:13:25,139 --> 00:13:27,290
1947 poem Do Not Go Gentle into that
good night old age should burn and Rave

854
00:13:27,290 --> 00:13:27,300
good night old age should burn and Rave
 

855
00:13:27,300 --> 00:13:29,810
good night old age should burn and Rave
at close of day rage rage against the

856
00:13:29,810 --> 00:13:29,820
at close of day rage rage against the
 

857
00:13:29,820 --> 00:13:31,490
at close of day rage rage against the
dying of the light which brings us back

858
00:13:31,490 --> 00:13:31,500
dying of the light which brings us back
 

859
00:13:31,500 --> 00:13:33,170
dying of the light which brings us back
to another one of the books on murph's

860
00:13:33,170 --> 00:13:33,180
to another one of the books on murph's
 

861
00:13:33,180 --> 00:13:35,930
to another one of the books on murph's
shelf selected poems by T.S Eliot Nolan

862
00:13:35,930 --> 00:13:35,940
shelf selected poems by T.S Eliot Nolan
 

863
00:13:35,940 --> 00:13:38,150
shelf selected poems by T.S Eliot Nolan
chose this explaining quote concepts of

864
00:13:38,150 --> 00:13:38,160
chose this explaining quote concepts of
 

865
00:13:38,160 --> 00:13:39,949
chose this explaining quote concepts of
time and space at their most complex are

866
00:13:39,949 --> 00:13:39,959
time and space at their most complex are
 

867
00:13:39,959 --> 00:13:41,569
time and space at their most complex are
sometimes best expressed through ART

868
00:13:41,569 --> 00:13:41,579
sometimes best expressed through ART
 

869
00:13:41,579 --> 00:13:43,370
sometimes best expressed through ART
rather than science Elliot's four

870
00:13:43,370 --> 00:13:43,380
rather than science Elliot's four
 

871
00:13:43,380 --> 00:13:44,930
rather than science Elliot's four
quartets are as thought provoking about

872
00:13:44,930 --> 00:13:44,940
quartets are as thought provoking about
 

873
00:13:44,940 --> 00:13:47,329
quartets are as thought provoking about
time as any scientific text the first of

874
00:13:47,329 --> 00:13:47,339
time as any scientific text the first of
 

875
00:13:47,339 --> 00:13:49,490
time as any scientific text the first of
those is T.S eliot's burnt notion which

876
00:13:49,490 --> 00:13:49,500
those is T.S eliot's burnt notion which
 

877
00:13:49,500 --> 00:13:51,889
those is T.S eliot's burnt notion which
opens with time present and time past

878
00:13:51,889 --> 00:13:51,899
opens with time present and time past
 

879
00:13:51,899 --> 00:13:54,290
opens with time present and time past
are both perhaps present in time future

880
00:13:54,290 --> 00:13:54,300
are both perhaps present in time future
 

881
00:13:54,300 --> 00:13:56,810
are both perhaps present in time future
and time future contained in time past

882
00:13:56,810 --> 00:13:56,820
and time future contained in time past
 

883
00:13:56,820 --> 00:13:58,250
and time future contained in time past
and you can totally see how this

884
00:13:58,250 --> 00:13:58,260
and you can totally see how this
 

885
00:13:58,260 --> 00:14:00,170
and you can totally see how this
reflects no obsession with time

886
00:14:00,170 --> 00:14:00,180
reflects no obsession with time
 

887
00:14:00,180 --> 00:14:01,790
reflects no obsession with time
specifically in this movie in

888
00:14:01,790 --> 00:14:01,800
specifically in this movie in
 

889
00:14:01,800 --> 00:14:03,650
specifically in this movie in
interstellar the past present and future

890
00:14:03,650 --> 00:14:03,660
interstellar the past present and future
 

891
00:14:03,660 --> 00:14:05,449
interstellar the past present and future
are all contained within each other

892
00:14:05,449 --> 00:14:05,459
are all contained within each other
 

893
00:14:05,459 --> 00:14:07,569
are all contained within each other
Cooper asks Amelia

894
00:14:07,569 --> 00:14:07,579
Cooper asks Amelia
 

895
00:14:07,579 --> 00:14:11,389
Cooper asks Amelia
oh uh Wolf's practical physicist

896
00:14:11,389 --> 00:14:11,399
oh uh Wolf's practical physicist
 

897
00:14:11,399 --> 00:14:13,730
oh uh Wolf's practical physicist
yeah Cooper can sense in the way Amelia

898
00:14:13,730 --> 00:14:13,740
yeah Cooper can sense in the way Amelia
 

899
00:14:13,740 --> 00:14:15,470
yeah Cooper can sense in the way Amelia
calls him wolf and doesn't really go

900
00:14:15,470 --> 00:14:15,480
calls him wolf and doesn't really go
 

901
00:14:15,480 --> 00:14:17,150
calls him wolf and doesn't really go
into much detail kind of awkward energy

902
00:14:17,150 --> 00:14:17,160
into much detail kind of awkward energy
 

903
00:14:17,160 --> 00:14:18,889
into much detail kind of awkward energy
there that she's totally in love with

904
00:14:18,889 --> 00:14:18,899
there that she's totally in love with
 

905
00:14:18,899 --> 00:14:20,690
there that she's totally in love with
this person Cooper's empathy is his

906
00:14:20,690 --> 00:14:20,700
this person Cooper's empathy is his
 

907
00:14:20,700 --> 00:14:22,370
this person Cooper's empathy is his
greatest strength and it's why he was

908
00:14:22,370 --> 00:14:22,380
greatest strength and it's why he was
 

909
00:14:22,380 --> 00:14:24,650
greatest strength and it's why he was
chosen for this Mission Malia says she's

910
00:14:24,650 --> 00:14:24,660
chosen for this Mission Malia says she's
 

911
00:14:24,660 --> 00:14:26,509
chosen for this Mission Malia says she's
looking forward to escaping human evil

912
00:14:26,509 --> 00:14:26,519
looking forward to escaping human evil
 

913
00:14:26,519 --> 00:14:28,069
looking forward to escaping human evil
that's specific to Earth in her opinion

914
00:14:28,069 --> 00:14:28,079
that's specific to Earth in her opinion
 

915
00:14:28,079 --> 00:14:30,170
that's specific to Earth in her opinion
Cooper asks if she thinks nature can be

916
00:14:30,170 --> 00:14:30,180
Cooper asks if she thinks nature can be
 

917
00:14:30,180 --> 00:14:32,150
Cooper asks if she thinks nature can be
evil she says no and he just settles on

918
00:14:32,150 --> 00:14:32,160
evil she says no and he just settles on
 

919
00:14:32,160 --> 00:14:34,370
evil she says no and he just settles on
that's what we take with his hand yes

920
00:14:34,370 --> 00:14:34,380
that's what we take with his hand yes
 

921
00:14:34,380 --> 00:14:36,590
that's what we take with his hand yes
foreshadowing that evil is truly a

922
00:14:36,590 --> 00:14:36,600
foreshadowing that evil is truly a
 

923
00:14:36,600 --> 00:14:39,230
foreshadowing that evil is truly a
blight carried by humans like Dr Mann

924
00:14:39,230 --> 00:14:39,240
blight carried by humans like Dr Mann
 

925
00:14:39,240 --> 00:14:41,269
blight carried by humans like Dr Mann
and can absolutely spread to other

926
00:14:41,269 --> 00:14:41,279
and can absolutely spread to other
 

927
00:14:41,279 --> 00:14:43,189
and can absolutely spread to other
worlds and other galaxies as they pass

928
00:14:43,189 --> 00:14:43,199
worlds and other galaxies as they pass
 

929
00:14:43,199 --> 00:14:45,170
worlds and other galaxies as they pass
Saturn Cooper finds Bromley panicking

930
00:14:45,170 --> 00:14:45,180
Saturn Cooper finds Bromley panicking
 

931
00:14:45,180 --> 00:14:46,790
Saturn Cooper finds Bromley panicking
over the magnitude of space and gives

932
00:14:46,790 --> 00:14:46,800
over the magnitude of space and gives
 

933
00:14:46,800 --> 00:14:52,150
over the magnitude of space and gives
him nature sounds to listen to

934
00:14:52,150 --> 00:14:52,160

 

935
00:14:52,160 --> 00:14:55,310

foreign this also functions as a

936
00:14:55,310 --> 00:14:55,320
foreign this also functions as a
 

937
00:14:55,320 --> 00:14:57,650
foreign this also functions as a
demonstration by Nolan of sound as a

938
00:14:57,650 --> 00:14:57,660
demonstration by Nolan of sound as a
 

939
00:14:57,660 --> 00:14:59,329
demonstration by Nolan of sound as a
choice makes the viewer appreciate

940
00:14:59,329 --> 00:14:59,339
choice makes the viewer appreciate
 

941
00:14:59,339 --> 00:15:01,910
choice makes the viewer appreciate
silence in film and every tick bump and

942
00:15:01,910 --> 00:15:01,920
silence in film and every tick bump and
 

943
00:15:01,920 --> 00:15:04,069
silence in film and every tick bump and
orchestral swell as a deliberate Choice

944
00:15:04,069 --> 00:15:04,079
orchestral swell as a deliberate Choice
 

945
00:15:04,079 --> 00:15:06,410
orchestral swell as a deliberate Choice
with an intended emotional effect Cooper

946
00:15:06,410 --> 00:15:06,420
with an intended emotional effect Cooper
 

947
00:15:06,420 --> 00:15:07,970
with an intended emotional effect Cooper
gives a gift of this emotional calm to

948
00:15:07,970 --> 00:15:07,980
gives a gift of this emotional calm to
 

949
00:15:07,980 --> 00:15:09,889
gives a gift of this emotional calm to
Bromley and romiley gives Cooper a

950
00:15:09,889 --> 00:15:09,899
Bromley and romiley gives Cooper a
 

951
00:15:09,899 --> 00:15:12,110
Bromley and romiley gives Cooper a
science lesson on wormholes and why we

952
00:15:12,110 --> 00:15:12,120
science lesson on wormholes and why we
 

953
00:15:12,120 --> 00:15:14,210
science lesson on wormholes and why we
see them as a sphere he folds a piece of

954
00:15:14,210 --> 00:15:14,220
see them as a sphere he folds a piece of
 

955
00:15:14,220 --> 00:15:15,710
see them as a sphere he folds a piece of
paper in half to demonstrate the bending

956
00:15:15,710 --> 00:15:15,720
paper in half to demonstrate the bending
 

957
00:15:15,720 --> 00:15:16,910
paper in half to demonstrate the bending
of space-time and punches the pin

958
00:15:16,910 --> 00:15:16,920
of space-time and punches the pin
 

959
00:15:16,920 --> 00:15:18,230
of space-time and punches the pin
through which is how this was shown in

960
00:15:18,230 --> 00:15:18,240
through which is how this was shown in
 

961
00:15:18,240 --> 00:15:20,030
through which is how this was shown in
Event Horizon stranger things and Thor

962
00:15:20,030 --> 00:15:20,040
Event Horizon stranger things and Thor
 

963
00:15:20,040 --> 00:15:21,650
Event Horizon stranger things and Thor
11 Thunder but this idea of a

964
00:15:21,650 --> 00:15:21,660
11 Thunder but this idea of a
 

965
00:15:21,660 --> 00:15:23,269
11 Thunder but this idea of a
two-dimensional hole shown in three

966
00:15:23,269 --> 00:15:23,279
two-dimensional hole shown in three
 

967
00:15:23,279 --> 00:15:24,650
two-dimensional hole shown in three
dimensions becoming a sphere is

968
00:15:24,650 --> 00:15:24,660
dimensions becoming a sphere is
 

969
00:15:24,660 --> 00:15:26,449
dimensions becoming a sphere is
explained in another book that Nolan put

970
00:15:26,449 --> 00:15:26,459
explained in another book that Nolan put
 

971
00:15:26,459 --> 00:15:28,430
explained in another book that Nolan put
on murph's bookshelf Edwin Abbott's

972
00:15:28,430 --> 00:15:28,440
on murph's bookshelf Edwin Abbott's
 

973
00:15:28,440 --> 00:15:30,410
on murph's bookshelf Edwin Abbott's
flatland a romance of many dimensions

974
00:15:30,410 --> 00:15:30,420
flatland a romance of many dimensions
 

975
00:15:30,420 --> 00:15:32,689
flatland a romance of many dimensions
it's a story of a flat shape who freaks

976
00:15:32,689 --> 00:15:32,699
it's a story of a flat shape who freaks
 

977
00:15:32,699 --> 00:15:34,490
it's a story of a flat shape who freaks
out upon perceiving a three-dimensional

978
00:15:34,490 --> 00:15:34,500
out upon perceiving a three-dimensional
 

979
00:15:34,500 --> 00:15:36,410
out upon perceiving a three-dimensional
object passing through his Dimension

980
00:15:36,410 --> 00:15:36,420
object passing through his Dimension
 

981
00:15:36,420 --> 00:15:38,150
object passing through his Dimension
Carl Sagan actually summarized this in

982
00:15:38,150 --> 00:15:38,160
Carl Sagan actually summarized this in
 

983
00:15:38,160 --> 00:15:40,490
Carl Sagan actually summarized this in
an amazing segment on Cosmos and so like

984
00:15:40,490 --> 00:15:40,500
an amazing segment on Cosmos and so like
 

985
00:15:40,500 --> 00:15:42,650
an amazing segment on Cosmos and so like
those flat shapes in flatland these

986
00:15:42,650 --> 00:15:42,660
those flat shapes in flatland these
 

987
00:15:42,660 --> 00:15:44,210
those flat shapes in flatland these
astronauts passage Through the Wormhole

988
00:15:44,210 --> 00:15:44,220
astronauts passage Through the Wormhole
 

989
00:15:44,220 --> 00:15:46,370
astronauts passage Through the Wormhole
looks simultaneously terrifying and

990
00:15:46,370 --> 00:15:46,380
looks simultaneously terrifying and
 

991
00:15:46,380 --> 00:15:47,990
looks simultaneously terrifying and
soothing like we see the starry

992
00:15:47,990 --> 00:15:48,000
soothing like we see the starry
 

993
00:15:48,000 --> 00:15:49,970
soothing like we see the starry
background flowing in multiple ways like

994
00:15:49,970 --> 00:15:49,980
background flowing in multiple ways like
 

995
00:15:49,980 --> 00:15:52,430
background flowing in multiple ways like
a bed sheet or a towel being unfolded by

996
00:15:52,430 --> 00:15:52,440
a bed sheet or a towel being unfolded by
 

997
00:15:52,440 --> 00:15:54,050
a bed sheet or a towel being unfolded by
slowly tugging one side on under the

998
00:15:54,050 --> 00:15:54,060
slowly tugging one side on under the
 

999
00:15:54,060 --> 00:15:55,189
slowly tugging one side on under the
other and so this way it doesn't look

1000
00:15:55,189 --> 00:15:55,199
other and so this way it doesn't look
 

1001
00:15:55,199 --> 00:15:57,410
other and so this way it doesn't look
like anything's just been added to space

1002
00:15:57,410 --> 00:15:57,420
like anything's just been added to space
 

1003
00:15:57,420 --> 00:15:59,449
like anything's just been added to space
from a VFX perspective as was the case

1004
00:15:59,449 --> 00:15:59,459
from a VFX perspective as was the case
 

1005
00:15:59,459 --> 00:16:01,129
from a VFX perspective as was the case
with the wormholes in contact or the

1006
00:16:01,129 --> 00:16:01,139
with the wormholes in contact or the
 

1007
00:16:01,139 --> 00:16:02,689
with the wormholes in contact or the
hyperspace in Star Wars or that

1008
00:16:02,689 --> 00:16:02,699
hyperspace in Star Wars or that
 

1009
00:16:02,699 --> 00:16:04,850
hyperspace in Star Wars or that
hexagonal grid of the MCU or rather

1010
00:16:04,850 --> 00:16:04,860
hexagonal grid of the MCU or rather
 

1011
00:16:04,860 --> 00:16:06,530
hexagonal grid of the MCU or rather
we're just seeing space as we know it

1012
00:16:06,530 --> 00:16:06,540
we're just seeing space as we know it
 

1013
00:16:06,540 --> 00:16:08,870
we're just seeing space as we know it
folding and sliding around itself Doyle

1014
00:16:08,870 --> 00:16:08,880
folding and sliding around itself Doyle
 

1015
00:16:08,880 --> 00:16:10,129
folding and sliding around itself Doyle
says that they're passing through the

1016
00:16:10,129 --> 00:16:10,139
says that they're passing through the
 

1017
00:16:10,139 --> 00:16:11,629
says that they're passing through the
bulk their word for the dimensional

1018
00:16:11,629 --> 00:16:11,639
bulk their word for the dimensional
 

1019
00:16:11,639 --> 00:16:13,610
bulk their word for the dimensional
space beyond theirs they just called the

1020
00:16:13,610 --> 00:16:13,620
space beyond theirs they just called the
 

1021
00:16:13,620 --> 00:16:15,290
space beyond theirs they just called the
bulk because it's too big for humans to

1022
00:16:15,290 --> 00:16:15,300
bulk because it's too big for humans to
 

1023
00:16:15,300 --> 00:16:17,389
bulk because it's too big for humans to
comprehend it's just beyond Amelia

1024
00:16:17,389 --> 00:16:17,399
comprehend it's just beyond Amelia
 

1025
00:16:17,399 --> 00:16:18,889
comprehend it's just beyond Amelia
shakes hands with a distortion of

1026
00:16:18,889 --> 00:16:18,899
shakes hands with a distortion of
 

1027
00:16:18,899 --> 00:16:20,870
shakes hands with a distortion of
space-time implied to be Michelangelo's

1028
00:16:20,870 --> 00:16:20,880
space-time implied to be Michelangelo's
 

1029
00:16:20,880 --> 00:16:22,610
space-time implied to be Michelangelo's
creation of Adam which we later learned

1030
00:16:22,610 --> 00:16:22,620
creation of Adam which we later learned
 

1031
00:16:22,620 --> 00:16:24,350
creation of Adam which we later learned
is actually future Cooper reaching back

1032
00:16:24,350 --> 00:16:24,360
is actually future Cooper reaching back
 

1033
00:16:24,360 --> 00:16:26,449
is actually future Cooper reaching back
to her I've spoken of the eight types of

1034
00:16:26,449 --> 00:16:26,459
to her I've spoken of the eight types of
 

1035
00:16:26,459 --> 00:16:28,310
to her I've spoken of the eight types of
time travel before and Interstellar

1036
00:16:28,310 --> 00:16:28,320
time travel before and Interstellar
 

1037
00:16:28,320 --> 00:16:31,069
time travel before and Interstellar
represents Type 4 it always happened AKA

1038
00:16:31,069 --> 00:16:31,079
represents Type 4 it always happened AKA
 

1039
00:16:31,079 --> 00:16:33,650
represents Type 4 it always happened AKA
predestination in which the very Act of

1040
00:16:33,650 --> 00:16:33,660
predestination in which the very Act of
 

1041
00:16:33,660 --> 00:16:35,810
predestination in which the very Act of
time travel itself is preordained by

1042
00:16:35,810 --> 00:16:35,820
time travel itself is preordained by
 

1043
00:16:35,820 --> 00:16:37,490
time travel itself is preordained by
fate and weird things that happen in act

1044
00:16:37,490 --> 00:16:37,500
fate and weird things that happen in act
 

1045
00:16:37,500 --> 00:16:39,170
fate and weird things that happen in act
one of the story are later revealed to

1046
00:16:39,170 --> 00:16:39,180
one of the story are later revealed to
 

1047
00:16:39,180 --> 00:16:40,970
one of the story are later revealed to
be the act of time traveling characters

1048
00:16:40,970 --> 00:16:40,980
be the act of time traveling characters
 

1049
00:16:40,980 --> 00:16:43,249
be the act of time traveling characters
who had always messed with things and

1050
00:16:43,249 --> 00:16:43,259
who had always messed with things and
 

1051
00:16:43,259 --> 00:16:44,930
who had always messed with things and
the way fate unfolded like in Harry

1052
00:16:44,930 --> 00:16:44,940
the way fate unfolded like in Harry
 

1053
00:16:44,940 --> 00:16:46,970
the way fate unfolded like in Harry
Potter the Prisoner of Azkaban it was me

1054
00:16:46,970 --> 00:16:46,980
Potter the Prisoner of Azkaban it was me
 

1055
00:16:46,980 --> 00:16:49,189
Potter the Prisoner of Azkaban it was me
all along or in the Terminator films or

1056
00:16:49,189 --> 00:16:49,199
all along or in the Terminator films or
 

1057
00:16:49,199 --> 00:16:50,990
all along or in the Terminator films or
what Nolan will later do in tenant You

1058
00:16:50,990 --> 00:16:51,000
what Nolan will later do in tenant You
 

1059
00:16:51,000 --> 00:16:52,310
what Nolan will later do in tenant You
could argue it's the most narratively

1060
00:16:52,310 --> 00:16:52,320
could argue it's the most narratively
 

1061
00:16:52,320 --> 00:16:54,230
could argue it's the most narratively
airtight type of time travel travel as

1062
00:16:54,230 --> 00:16:54,240
airtight type of time travel travel as
 

1063
00:16:54,240 --> 00:16:55,790
airtight type of time travel travel as
the whole story is contained within a

1064
00:16:55,790 --> 00:16:55,800
the whole story is contained within a
 

1065
00:16:55,800 --> 00:16:57,590
the whole story is contained within a
self-justifying system but it does leave

1066
00:16:57,590 --> 00:16:57,600
self-justifying system but it does leave
 

1067
00:16:57,600 --> 00:16:59,329
self-justifying system but it does leave
some cynical viewers with questions of

1068
00:16:59,329 --> 00:16:59,339
some cynical viewers with questions of
 

1069
00:16:59,339 --> 00:17:00,769
some cynical viewers with questions of
free will because you could argue that

1070
00:17:00,769 --> 00:17:00,779
free will because you could argue that
 

1071
00:17:00,779 --> 00:17:02,210
free will because you could argue that
things happen to the characters because

1072
00:17:02,210 --> 00:17:02,220
things happen to the characters because
 

1073
00:17:02,220 --> 00:17:04,549
things happen to the characters because
the script needed them to in my opinion

1074
00:17:04,549 --> 00:17:04,559
the script needed them to in my opinion
 

1075
00:17:04,559 --> 00:17:06,350
the script needed them to in my opinion
Christopher Nolan avoids this by

1076
00:17:06,350 --> 00:17:06,360
Christopher Nolan avoids this by
 

1077
00:17:06,360 --> 00:17:07,730
Christopher Nolan avoids this by
structuring this story so that the

1078
00:17:07,730 --> 00:17:07,740
structuring this story so that the
 

1079
00:17:07,740 --> 00:17:09,530
structuring this story so that the
father and daughter save each other by

1080
00:17:09,530 --> 00:17:09,540
father and daughter save each other by
 

1081
00:17:09,540 --> 00:17:11,569
father and daughter save each other by
making this a selfless one-time mission

1082
00:17:11,569 --> 00:17:11,579
making this a selfless one-time mission
 

1083
00:17:11,579 --> 00:17:14,329
making this a selfless one-time mission
to save all of mankind and by never ever

1084
00:17:14,329 --> 00:17:14,339
to save all of mankind and by never ever
 

1085
00:17:14,339 --> 00:17:16,789
to save all of mankind and by never ever
showing the true bulk beings themselves

1086
00:17:16,789 --> 00:17:16,799
showing the true bulk beings themselves
 

1087
00:17:16,799 --> 00:17:19,010
showing the true bulk beings themselves
hinting that it's Advanced humans and

1088
00:17:19,010 --> 00:17:19,020
hinting that it's Advanced humans and
 

1089
00:17:19,020 --> 00:17:20,569
hinting that it's Advanced humans and
giving us a kind of free will in that

1090
00:17:20,569 --> 00:17:20,579
giving us a kind of free will in that
 

1091
00:17:20,579 --> 00:17:22,549
giving us a kind of free will in that
regard but that's not exactly the case

1092
00:17:22,549 --> 00:17:22,559
regard but that's not exactly the case
 

1093
00:17:22,559 --> 00:17:24,530
regard but that's not exactly the case
for more on that later now as you can

1094
00:17:24,530 --> 00:17:24,540
for more on that later now as you can
 

1095
00:17:24,540 --> 00:17:25,789
for more on that later now as you can
probably tell from this Interstellar

1096
00:17:25,789 --> 00:17:25,799
probably tell from this Interstellar
 

1097
00:17:25,799 --> 00:17:28,010
probably tell from this Interstellar
Deep dive I am a curious person I'm

1098
00:17:28,010 --> 00:17:28,020
Deep dive I am a curious person I'm
 

1099
00:17:28,020 --> 00:17:29,450
Deep dive I am a curious person I'm
curious about every corner of every

1100
00:17:29,450 --> 00:17:29,460
curious about every corner of every
 

1101
00:17:29,460 --> 00:17:30,890
curious about every corner of every
frame and everything that I watch and

1102
00:17:30,890 --> 00:17:30,900
frame and everything that I watch and
 

1103
00:17:30,900 --> 00:17:32,390
frame and everything that I watch and
the deeper meaning behind it all it's

1104
00:17:32,390 --> 00:17:32,400
the deeper meaning behind it all it's
 

1105
00:17:32,400 --> 00:17:34,310
the deeper meaning behind it all it's
because I like learning sorry to be this

1106
00:17:34,310 --> 00:17:34,320
because I like learning sorry to be this
 

1107
00:17:34,320 --> 00:17:35,930
because I like learning sorry to be this
guy but I really consider myself a

1108
00:17:35,930 --> 00:17:35,940
guy but I really consider myself a
 

1109
00:17:35,940 --> 00:17:37,370
guy but I really consider myself a
forever student there's always something

1110
00:17:37,370 --> 00:17:37,380
forever student there's always something
 

1111
00:17:37,380 --> 00:17:38,750
forever student there's always something
to learn there's always a way to expand

1112
00:17:38,750 --> 00:17:38,760
to learn there's always a way to expand
 

1113
00:17:38,760 --> 00:17:40,250
to learn there's always a way to expand
your brain and what I really like is

1114
00:17:40,250 --> 00:17:40,260
your brain and what I really like is
 

1115
00:17:40,260 --> 00:17:42,650
your brain and what I really like is
when learning is easy to do and that's

1116
00:17:42,650 --> 00:17:42,660
when learning is easy to do and that's
 

1117
00:17:42,660 --> 00:17:44,470
when learning is easy to do and that's
where brilliant.org comes in

1118
00:17:44,470 --> 00:17:44,480
where brilliant.org comes in
 

1119
00:17:44,480 --> 00:17:46,370
where brilliant.org comes in
brilliant.org is the best way to learn

1120
00:17:46,370 --> 00:17:46,380
brilliant.org is the best way to learn
 

1121
00:17:46,380 --> 00:17:48,169
brilliant.org is the best way to learn
math and computer science interactively

1122
00:17:48,169 --> 00:17:48,179
math and computer science interactively
 

1123
00:17:48,179 --> 00:17:49,789
math and computer science interactively
if I had this in high school I would

1124
00:17:49,789 --> 00:17:49,799
if I had this in high school I would
 

1125
00:17:49,799 --> 00:17:51,890
if I had this in high school I would
have loved math brilliant has thousands

1126
00:17:51,890 --> 00:17:51,900
have loved math brilliant has thousands
 

1127
00:17:51,900 --> 00:17:54,110
have loved math brilliant has thousands
of lessons from foundational dance math

1128
00:17:54,110 --> 00:17:54,120
of lessons from foundational dance math
 

1129
00:17:54,120 --> 00:17:56,570
of lessons from foundational dance math
to AI data science neural networks and

1130
00:17:56,570 --> 00:17:56,580
to AI data science neural networks and
 

1131
00:17:56,580 --> 00:17:58,730
to AI data science neural networks and
more with new lessons added monthly I

1132
00:17:58,730 --> 00:17:58,740
more with new lessons added monthly I
 

1133
00:17:58,740 --> 00:18:00,650
more with new lessons added monthly I
decided to do a few logic lessons

1134
00:18:00,650 --> 00:18:00,660
decided to do a few logic lessons
 

1135
00:18:00,660 --> 00:18:02,390
decided to do a few logic lessons
because it feels like if I can

1136
00:18:02,390 --> 00:18:02,400
because it feels like if I can
 

1137
00:18:02,400 --> 00:18:04,190
because it feels like if I can
understand logic more fundamentally it

1138
00:18:04,190 --> 00:18:04,200
understand logic more fundamentally it
 

1139
00:18:04,200 --> 00:18:05,570
understand logic more fundamentally it
should have some real immediate impacts

1140
00:18:05,570 --> 00:18:05,580
should have some real immediate impacts
 

1141
00:18:05,580 --> 00:18:07,130
should have some real immediate impacts
on my ability to solve problems in real

1142
00:18:07,130 --> 00:18:07,140
on my ability to solve problems in real
 

1143
00:18:07,140 --> 00:18:08,810
on my ability to solve problems in real
life the logic lessons are awesome

1144
00:18:08,810 --> 00:18:08,820
life the logic lessons are awesome
 

1145
00:18:08,820 --> 00:18:10,730
life the logic lessons are awesome
there's a whole narrative about robots

1146
00:18:10,730 --> 00:18:10,740
there's a whole narrative about robots
 

1147
00:18:10,740 --> 00:18:12,350
there's a whole narrative about robots
running the theme park and in the middle

1148
00:18:12,350 --> 00:18:12,360
running the theme park and in the middle
 

1149
00:18:12,360 --> 00:18:14,630
running the theme park and in the middle
of it logic puzzles that really force me

1150
00:18:14,630 --> 00:18:14,640
of it logic puzzles that really force me
 

1151
00:18:14,640 --> 00:18:16,549
of it logic puzzles that really force me
to think while still being fun to try

1152
00:18:16,549 --> 00:18:16,559
to think while still being fun to try
 

1153
00:18:16,559 --> 00:18:18,650
to think while still being fun to try
everything brilliant has to offer free

1154
00:18:18,650 --> 00:18:18,660
everything brilliant has to offer free
 

1155
00:18:18,660 --> 00:18:21,950
everything brilliant has to offer free
for a full 30 days visit brilliant.org

1156
00:18:21,950 --> 00:18:21,960
for a full 30 days visit brilliant.org
 

1157
00:18:21,960 --> 00:18:24,830
for a full 30 days visit brilliant.org
Deep dive in r or click the link in the

1158
00:18:24,830 --> 00:18:24,840
Deep dive in r or click the link in the
 

1159
00:18:24,840 --> 00:18:26,750
Deep dive in r or click the link in the
description the first 200 of you will

1160
00:18:26,750 --> 00:18:26,760
description the first 200 of you will
 

1161
00:18:26,760 --> 00:18:29,210
description the first 200 of you will
get 20 off Brilliance annual premium

1162
00:18:29,210 --> 00:18:29,220
get 20 off Brilliance annual premium
 

1163
00:18:29,220 --> 00:18:31,070
get 20 off Brilliance annual premium
subscription Miller's plan its proximity

1164
00:18:31,070 --> 00:18:31,080
subscription Miller's plan its proximity
 

1165
00:18:31,080 --> 00:18:33,169
subscription Miller's plan its proximity
to Gargantua the black hole causes it to

1166
00:18:33,169 --> 00:18:33,179
to Gargantua the black hole causes it to
 

1167
00:18:33,179 --> 00:18:35,330
to Gargantua the black hole causes it to
be time dilated so that every hour there

1168
00:18:35,330 --> 00:18:35,340
be time dilated so that every hour there
 

1169
00:18:35,340 --> 00:18:37,250
be time dilated so that every hour there
equates to seven years back on Earth

1170
00:18:37,250 --> 00:18:37,260
equates to seven years back on Earth
 

1171
00:18:37,260 --> 00:18:39,590
equates to seven years back on Earth
time dilation is what I call type 3 of

1172
00:18:39,590 --> 00:18:39,600
time dilation is what I call type 3 of
 

1173
00:18:39,600 --> 00:18:41,029
time dilation is what I call type 3 of
time travel fiction where characters

1174
00:18:41,029 --> 00:18:41,039
time travel fiction where characters
 

1175
00:18:41,039 --> 00:18:43,310
time travel fiction where characters
will age into the future so that way

1176
00:18:43,310 --> 00:18:43,320
will age into the future so that way
 

1177
00:18:43,320 --> 00:18:45,350
will age into the future so that way
Interstellar even has a plan A and A

1178
00:18:45,350 --> 00:18:45,360
Interstellar even has a plan A and A
 

1179
00:18:45,360 --> 00:18:47,390
Interstellar even has a plan A and A
Plan B of time travel types to save time

1180
00:18:47,390 --> 00:18:47,400
Plan B of time travel types to save time
 

1181
00:18:47,400 --> 00:18:49,370
Plan B of time travel types to save time
Cooper speeds his descent a little

1182
00:18:49,370 --> 00:18:49,380
Cooper speeds his descent a little
 

1183
00:18:49,380 --> 00:18:51,110
Cooper speeds his descent a little
Caution would go and get you killed and

1184
00:18:51,110 --> 00:18:51,120
Caution would go and get you killed and
 

1185
00:18:51,120 --> 00:18:52,370
Caution would go and get you killed and
later when it comes time for Cooper to

1186
00:18:52,370 --> 00:18:52,380
later when it comes time for Cooper to
 

1187
00:18:52,380 --> 00:18:53,330
later when it comes time for Cooper to
dock with the endurance and how

1188
00:18:53,330 --> 00:18:53,340
dock with the endurance and how
 

1189
00:18:53,340 --> 00:18:55,430
dock with the endurance and how
high-speed spin the robot calls this

1190
00:18:55,430 --> 00:18:55,440
high-speed spin the robot calls this
 

1191
00:18:55,440 --> 00:18:58,490
high-speed spin the robot calls this
back Cooper this is no time for caution

1192
00:18:58,490 --> 00:18:58,500
back Cooper this is no time for caution
 

1193
00:18:58,500 --> 00:19:01,010
back Cooper this is no time for caution
Cooper tells case I need to feel the air

1194
00:19:01,010 --> 00:19:01,020
Cooper tells case I need to feel the air
 

1195
00:19:01,020 --> 00:19:02,750
Cooper tells case I need to feel the air
and he holds his seat to feel the

1196
00:19:02,750 --> 00:19:02,760
and he holds his seat to feel the
 

1197
00:19:02,760 --> 00:19:03,890
and he holds his seat to feel the
vibrations of the Rangers something

1198
00:19:03,890 --> 00:19:03,900
vibrations of the Rangers something
 

1199
00:19:03,900 --> 00:19:05,750
vibrations of the Rangers something
aviators will do and visibility is poor

1200
00:19:05,750 --> 00:19:05,760
aviators will do and visibility is poor
 

1201
00:19:05,760 --> 00:19:07,130
aviators will do and visibility is poor
and they have to trust their gut it's

1202
00:19:07,130 --> 00:19:07,140
and they have to trust their gut it's
 

1203
00:19:07,140 --> 00:19:08,870
and they have to trust their gut it's
actually where the term fly by the seat

1204
00:19:08,870 --> 00:19:08,880
actually where the term fly by the seat
 

1205
00:19:08,880 --> 00:19:10,850
actually where the term fly by the seat
of your pants comes from and explains

1206
00:19:10,850 --> 00:19:10,860
of your pants comes from and explains
 

1207
00:19:10,860 --> 00:19:12,950
of your pants comes from and explains
why they don't see those huge waves upon

1208
00:19:12,950 --> 00:19:12,960
why they don't see those huge waves upon
 

1209
00:19:12,960 --> 00:19:14,450
why they don't see those huge waves upon
their descent the cloud cover is that

1210
00:19:14,450 --> 00:19:14,460
their descent the cloud cover is that
 

1211
00:19:14,460 --> 00:19:16,549
their descent the cloud cover is that
thick now since Miller's planet is time

1212
00:19:16,549 --> 00:19:16,559
thick now since Miller's planet is time
 

1213
00:19:16,559 --> 00:19:18,470
thick now since Miller's planet is time
dilated with seven Earth years passing

1214
00:19:18,470 --> 00:19:18,480
dilated with seven Earth years passing
 

1215
00:19:18,480 --> 00:19:20,210
dilated with seven Earth years passing
for every hour the astronaut Miller

1216
00:19:20,210 --> 00:19:20,220
for every hour the astronaut Miller
 

1217
00:19:20,220 --> 00:19:22,250
for every hour the astronaut Miller
would have just landed and died minutes

1218
00:19:22,250 --> 00:19:22,260
would have just landed and died minutes
 

1219
00:19:22,260 --> 00:19:24,230
would have just landed and died minutes
before they land if you look closely at

1220
00:19:24,230 --> 00:19:24,240
before they land if you look closely at
 

1221
00:19:24,240 --> 00:19:26,150
before they land if you look closely at
the establishing shot of the ocean there

1222
00:19:26,150 --> 00:19:26,160
the establishing shot of the ocean there
 

1223
00:19:26,160 --> 00:19:28,070
the establishing shot of the ocean there
is a single white cap about a third of

1224
00:19:28,070 --> 00:19:28,080
is a single white cap about a third of
 

1225
00:19:28,080 --> 00:19:29,390
is a single white cap about a third of
the way from the left that doesn't

1226
00:19:29,390 --> 00:19:29,400
the way from the left that doesn't
 

1227
00:19:29,400 --> 00:19:30,770
the way from the left that doesn't
disappear right away like the other

1228
00:19:30,770 --> 00:19:30,780
disappear right away like the other
 

1229
00:19:30,780 --> 00:19:32,510
disappear right away like the other
white caps do that might actually be

1230
00:19:32,510 --> 00:19:32,520
white caps do that might actually be
 

1231
00:19:32,520 --> 00:19:34,310
white caps do that might actually be
Miller's wreckage after a wave has

1232
00:19:34,310 --> 00:19:34,320
Miller's wreckage after a wave has
 

1233
00:19:34,320 --> 00:19:36,110
Miller's wreckage after a wave has
passed through Hans Zimmer scores this

1234
00:19:36,110 --> 00:19:36,120
passed through Hans Zimmer scores this
 

1235
00:19:36,120 --> 00:19:39,970
passed through Hans Zimmer scores this
sequence with these ticking sounds

1236
00:19:39,970 --> 00:19:39,980

 

1237
00:19:39,980 --> 00:19:43,070

laughs now if you time this we hear

1238
00:19:43,070 --> 00:19:43,080
laughs now if you time this we hear
 

1239
00:19:43,080 --> 00:19:45,770
laughs now if you time this we hear
about 1.25 ticks per second and if you

1240
00:19:45,770 --> 00:19:45,780
about 1.25 ticks per second and if you
 

1241
00:19:45,780 --> 00:19:47,510
about 1.25 ticks per second and if you
do the math of the seven years per hour

1242
00:19:47,510 --> 00:19:47,520
do the math of the seven years per hour
 

1243
00:19:47,520 --> 00:19:49,909
do the math of the seven years per hour
time dilation each tick represents about

1244
00:19:49,909 --> 00:19:49,919
time dilation each tick represents about
 

1245
00:19:49,919 --> 00:19:52,370
time dilation each tick represents about
one day on Earth so with this ticking

1246
00:19:52,370 --> 00:19:52,380
one day on Earth so with this ticking
 

1247
00:19:52,380 --> 00:19:54,710
one day on Earth so with this ticking
clock sound Zimmer activates our anxiety

1248
00:19:54,710 --> 00:19:54,720
clock sound Zimmer activates our anxiety
 

1249
00:19:54,720 --> 00:19:57,590
clock sound Zimmer activates our anxiety
to make us feel each day passing Amelia

1250
00:19:57,590 --> 00:19:57,600
to make us feel each day passing Amelia
 

1251
00:19:57,600 --> 00:19:59,270
to make us feel each day passing Amelia
sees the wave in the distance which at

1252
00:19:59,270 --> 00:19:59,280
sees the wave in the distance which at
 

1253
00:19:59,280 --> 00:20:00,650
sees the wave in the distance which at
first to us looks just like a hill

1254
00:20:00,650 --> 00:20:00,660
first to us looks just like a hill
 

1255
00:20:00,660 --> 00:20:02,990
first to us looks just like a hill
because Nolan has already primed us with

1256
00:20:02,990 --> 00:20:03,000
because Nolan has already primed us with
 

1257
00:20:03,000 --> 00:20:04,850
because Nolan has already primed us with
unnatural background Hills behind the

1258
00:20:04,850 --> 00:20:04,860
unnatural background Hills behind the
 

1259
00:20:04,860 --> 00:20:06,590
unnatural background Hills behind the
cornfields in act one and again since

1260
00:20:06,590 --> 00:20:06,600
cornfields in act one and again since
 

1261
00:20:06,600 --> 00:20:08,570
cornfields in act one and again since
Miller just landed there this was

1262
00:20:08,570 --> 00:20:08,580
Miller just landed there this was
 

1263
00:20:08,580 --> 00:20:10,370
Miller just landed there this was
probably the same wave that killed her

1264
00:20:10,370 --> 00:20:10,380
probably the same wave that killed her
 

1265
00:20:10,380 --> 00:20:12,049
probably the same wave that killed her
Zimmer heightens the ticks of the score

1266
00:20:12,049 --> 00:20:12,059
Zimmer heightens the ticks of the score
 

1267
00:20:12,059 --> 00:20:16,549
Zimmer heightens the ticks of the score
to proceed the reveal

1268
00:20:16,549 --> 00:20:16,559

 

1269
00:20:16,559 --> 00:20:18,529

yeah not only do the Beats come faster

1270
00:20:18,529 --> 00:20:18,539
yeah not only do the Beats come faster
 

1271
00:20:18,539 --> 00:20:20,450
yeah not only do the Beats come faster
and faster right after the top of the

1272
00:20:20,450 --> 00:20:20,460
and faster right after the top of the
 

1273
00:20:20,460 --> 00:20:22,730
and faster right after the top of the
wave is revealed the ticks really strike

1274
00:20:22,730 --> 00:20:22,740
wave is revealed the ticks really strike
 

1275
00:20:22,740 --> 00:20:25,010
wave is revealed the ticks really strike
there as Cooper realized that time is of

1276
00:20:25,010 --> 00:20:25,020
there as Cooper realized that time is of
 

1277
00:20:25,020 --> 00:20:27,049
there as Cooper realized that time is of
the particular Essence Doyle has to

1278
00:20:27,049 --> 00:20:27,059
the particular Essence Doyle has to
 

1279
00:20:27,059 --> 00:20:29,270
the particular Essence Doyle has to
instruct case to go rescue Amelia and he

1280
00:20:29,270 --> 00:20:29,280
instruct case to go rescue Amelia and he
 

1281
00:20:29,280 --> 00:20:31,130
instruct case to go rescue Amelia and he
transforms into a delightful pinwheel

1282
00:20:31,130 --> 00:20:31,140
transforms into a delightful pinwheel
 

1283
00:20:31,140 --> 00:20:32,330
transforms into a delightful pinwheel
but the fact that he couldn't save

1284
00:20:32,330 --> 00:20:32,340
but the fact that he couldn't save
 

1285
00:20:32,340 --> 00:20:34,310
but the fact that he couldn't save
someone automatically shows why it had

1286
00:20:34,310 --> 00:20:34,320
someone automatically shows why it had
 

1287
00:20:34,320 --> 00:20:36,350
someone automatically shows why it had
to be humans not robots sent on this

1288
00:20:36,350 --> 00:20:36,360
to be humans not robots sent on this
 

1289
00:20:36,360 --> 00:20:37,970
to be humans not robots sent on this
Mission as Dr Mann will later explain

1290
00:20:37,970 --> 00:20:37,980
Mission as Dr Mann will later explain
 

1291
00:20:37,980 --> 00:20:40,070
Mission as Dr Mann will later explain
the machine doesn't improvise well

1292
00:20:40,070 --> 00:20:40,080
the machine doesn't improvise well
 

1293
00:20:40,080 --> 00:20:42,049
the machine doesn't improvise well
because you can't program a fear of

1294
00:20:42,049 --> 00:20:42,059
because you can't program a fear of
 

1295
00:20:42,059 --> 00:20:44,450
because you can't program a fear of
death the wave crashes and taking Doyle

1296
00:20:44,450 --> 00:20:44,460
death the wave crashes and taking Doyle
 

1297
00:20:44,460 --> 00:20:45,950
death the wave crashes and taking Doyle
and flooding their engines stranding

1298
00:20:45,950 --> 00:20:45,960
and flooding their engines stranding
 

1299
00:20:45,960 --> 00:20:48,350
and flooding their engines stranding
them for hours AKA Decades of Earth time

1300
00:20:48,350 --> 00:20:48,360
them for hours AKA Decades of Earth time
 

1301
00:20:48,360 --> 00:20:50,270
them for hours AKA Decades of Earth time
Cooper feels guilty for lying to his

1302
00:20:50,270 --> 00:20:50,280
Cooper feels guilty for lying to his
 

1303
00:20:50,280 --> 00:20:51,590
Cooper feels guilty for lying to his
daughter you wanna make sure your

1304
00:20:51,590 --> 00:20:51,600
daughter you wanna make sure your
 

1305
00:20:51,600 --> 00:20:54,049
daughter you wanna make sure your
children feel safe and it rules out down

1306
00:20:54,049 --> 00:20:54,059
children feel safe and it rules out down
 

1307
00:20:54,059 --> 00:20:56,450
children feel safe and it rules out down
a 10 year old the world's ended and they

1308
00:20:56,450 --> 00:20:56,460
a 10 year old the world's ended and they
 

1309
00:20:56,460 --> 00:20:58,130
a 10 year old the world's ended and they
don't realize it in this moment but this

1310
00:20:58,130 --> 00:20:58,140
don't realize it in this moment but this
 

1311
00:20:58,140 --> 00:21:00,169
don't realize it in this moment but this
applies to Professor brand as well he

1312
00:21:00,169 --> 00:21:00,179
applies to Professor brand as well he
 

1313
00:21:00,179 --> 00:21:01,549
applies to Professor brand as well he
didn't tell his daughter that Earth was

1314
00:21:01,549 --> 00:21:01,559
didn't tell his daughter that Earth was
 

1315
00:21:01,559 --> 00:21:02,990
didn't tell his daughter that Earth was
doomed and that planet was a bust

1316
00:21:02,990 --> 00:21:03,000
doomed and that planet was a bust
 

1317
00:21:03,000 --> 00:21:04,490
doomed and that planet was a bust
because they wanted her to have hope

1318
00:21:04,490 --> 00:21:04,500
because they wanted her to have hope
 

1319
00:21:04,500 --> 00:21:07,130
because they wanted her to have hope
they fire up the ship Amazon yeah he

1320
00:21:07,130 --> 00:21:07,140
they fire up the ship Amazon yeah he
 

1321
00:21:07,140 --> 00:21:09,230
they fire up the ship Amazon yeah he
says helmets on because he hasn't yet

1322
00:21:09,230 --> 00:21:09,240
says helmets on because he hasn't yet
 

1323
00:21:09,240 --> 00:21:10,730
says helmets on because he hasn't yet
had time to register that his crew is

1324
00:21:10,730 --> 00:21:10,740
had time to register that his crew is
 

1325
00:21:10,740 --> 00:21:12,409
had time to register that his crew is
reduced from three to two or he's

1326
00:21:12,409 --> 00:21:12,419
reduced from three to two or he's
 

1327
00:21:12,419 --> 00:21:13,970
reduced from three to two or he's
starting to see robots as human crew

1328
00:21:13,970 --> 00:21:13,980
starting to see robots as human crew
 

1329
00:21:13,980 --> 00:21:15,950
starting to see robots as human crew
members and as they leave Doyle's body

1330
00:21:15,950 --> 00:21:15,960
members and as they leave Doyle's body
 

1331
00:21:15,960 --> 00:21:18,169
members and as they leave Doyle's body
is left floating there or who knows that

1332
00:21:18,169 --> 00:21:18,179
is left floating there or who knows that
 

1333
00:21:18,179 --> 00:21:20,150
is left floating there or who knows that
could be Millers and since time passes

1334
00:21:20,150 --> 00:21:20,160
could be Millers and since time passes
 

1335
00:21:20,160 --> 00:21:22,070
could be Millers and since time passes
so fast here both these people could

1336
00:21:22,070 --> 00:21:22,080
so fast here both these people could
 

1337
00:21:22,080 --> 00:21:24,409
so fast here both these people could
still be alive they returned to an older

1338
00:21:24,409 --> 00:21:24,419
still be alive they returned to an older
 

1339
00:21:24,419 --> 00:21:26,990
still be alive they returned to an older
romiley aged 23 years four months and

1340
00:21:26,990 --> 00:21:27,000
romiley aged 23 years four months and
 

1341
00:21:27,000 --> 00:21:28,909
romiley aged 23 years four months and
eight days now another book that Nolan

1342
00:21:28,909 --> 00:21:28,919
eight days now another book that Nolan
 

1343
00:21:28,919 --> 00:21:31,490
eight days now another book that Nolan
put on murph's shelf is 100 Years of

1344
00:21:31,490 --> 00:21:31,500
put on murph's shelf is 100 Years of
 

1345
00:21:31,500 --> 00:21:33,770
put on murph's shelf is 100 Years of
Solitude by Gabriel Garcia Marquez a

1346
00:21:33,770 --> 00:21:33,780
Solitude by Gabriel Garcia Marquez a
 

1347
00:21:33,780 --> 00:21:35,510
Solitude by Gabriel Garcia Marquez a
story of a multi-generational family but

1348
00:21:35,510 --> 00:21:35,520
story of a multi-generational family but
 

1349
00:21:35,520 --> 00:21:37,010
story of a multi-generational family but
here a bitter reminder that characters

1350
00:21:37,010 --> 00:21:37,020
here a bitter reminder that characters
 

1351
00:21:37,020 --> 00:21:39,590
here a bitter reminder that characters
in this movie age decades alone in the

1352
00:21:39,590 --> 00:21:39,600
in this movie age decades alone in the
 

1353
00:21:39,600 --> 00:21:41,149
in this movie age decades alone in the
film's most heartbreaking scene Cooper

1354
00:21:41,149 --> 00:21:41,159
film's most heartbreaking scene Cooper
 

1355
00:21:41,159 --> 00:21:43,789
film's most heartbreaking scene Cooper
watches 23 years of video messages his

1356
00:21:43,789 --> 00:21:43,799
watches 23 years of video messages his
 

1357
00:21:43,799 --> 00:21:45,649
watches 23 years of video messages his
son Tom says finish second in school

1358
00:21:45,649 --> 00:21:45,659
son Tom says finish second in school
 

1359
00:21:45,659 --> 00:21:48,289
son Tom says finish second in school
this girl is still giving me c so yes

1360
00:21:48,289 --> 00:21:48,299
this girl is still giving me c so yes
 

1361
00:21:48,299 --> 00:21:49,789
this girl is still giving me c so yes
second in school but the teacher's

1362
00:21:49,789 --> 00:21:49,799
second in school but the teacher's
 

1363
00:21:49,799 --> 00:21:51,649
second in school but the teacher's
giving him C's sounds like he's a bright

1364
00:21:51,649 --> 00:21:51,659
giving him C's sounds like he's a bright
 

1365
00:21:51,659 --> 00:21:53,330
giving him C's sounds like he's a bright
kid but he's being graded on a curve

1366
00:21:53,330 --> 00:21:53,340
kid but he's being graded on a curve
 

1367
00:21:53,340 --> 00:21:54,950
kid but he's being graded on a curve
because only the valedictorian would get

1368
00:21:54,950 --> 00:21:54,960
because only the valedictorian would get
 

1369
00:21:54,960 --> 00:21:56,570
because only the valedictorian would get
to go to college and all other kids are

1370
00:21:56,570 --> 00:21:56,580
to go to college and all other kids are
 

1371
00:21:56,580 --> 00:21:58,549
to go to college and all other kids are
forced to be Farmers Poor Tom was never

1372
00:21:58,549 --> 00:21:58,559
forced to be Farmers Poor Tom was never
 

1373
00:21:58,559 --> 00:22:00,529
forced to be Farmers Poor Tom was never
given a chance as chalamet ages an

1374
00:22:00,529 --> 00:22:00,539
given a chance as chalamet ages an
 

1375
00:22:00,539 --> 00:22:02,510
given a chance as chalamet ages an
Affleck you can hear his baby coughing

1376
00:22:02,510 --> 00:22:02,520
Affleck you can hear his baby coughing
 

1377
00:22:02,520 --> 00:22:04,330
Affleck you can hear his baby coughing
and struggling to breathe

1378
00:22:04,330 --> 00:22:04,340
and struggling to breathe
 

1379
00:22:04,340 --> 00:22:08,169
and struggling to breathe
oh dear

1380
00:22:08,169 --> 00:22:08,179

 

1381
00:22:08,179 --> 00:22:10,549

and on the next call he says grandpa is

1382
00:22:10,549 --> 00:22:10,559
and on the next call he says grandpa is
 

1383
00:22:10,559 --> 00:22:13,010
and on the next call he says grandpa is
buried next to Mom and Jesse their son

1384
00:22:13,010 --> 00:22:13,020
buried next to Mom and Jesse their son
 

1385
00:22:13,020 --> 00:22:15,710
buried next to Mom and Jesse their son
he didn't make it Cooper sobs to see his

1386
00:22:15,710 --> 00:22:15,720
he didn't make it Cooper sobs to see his
 

1387
00:22:15,720 --> 00:22:17,870
he didn't make it Cooper sobs to see his
daughter his own a each McConaughey's

1388
00:22:17,870 --> 00:22:17,880
daughter his own a each McConaughey's
 

1389
00:22:17,880 --> 00:22:19,730
daughter his own a each McConaughey's
expression alone becoming both a meme

1390
00:22:19,730 --> 00:22:19,740
expression alone becoming both a meme
 

1391
00:22:19,740 --> 00:22:22,010
expression alone becoming both a meme
and really the iconic image of this

1392
00:22:22,010 --> 00:22:22,020
and really the iconic image of this
 

1393
00:22:22,020 --> 00:22:24,590
and really the iconic image of this
decade of pure Agony and Nolan edits

1394
00:22:24,590 --> 00:22:24,600
decade of pure Agony and Nolan edits
 

1395
00:22:24,600 --> 00:22:26,450
decade of pure Agony and Nolan edits
from this from Murph turning off the

1396
00:22:26,450 --> 00:22:26,460
from this from Murph turning off the
 

1397
00:22:26,460 --> 00:22:28,430
from this from Murph turning off the
call and we switch to her on the other

1398
00:22:28,430 --> 00:22:28,440
call and we switch to her on the other
 

1399
00:22:28,440 --> 00:22:30,289
call and we switch to her on the other
end one of the smoothest edits and point

1400
00:22:30,289 --> 00:22:30,299
end one of the smoothest edits and point
 

1401
00:22:30,299 --> 00:22:31,789
end one of the smoothest edits and point
of view shifts I'd ever seen it happens

1402
00:22:31,789 --> 00:22:31,799
of view shifts I'd ever seen it happens
 

1403
00:22:31,799 --> 00:22:33,890
of view shifts I'd ever seen it happens
at the exact midpoint of the film around

1404
00:22:33,890 --> 00:22:33,900
at the exact midpoint of the film around
 

1405
00:22:33,900 --> 00:22:36,409
at the exact midpoint of the film around
1 hour and 24 minutes in a 2 hour 49

1406
00:22:36,409 --> 00:22:36,419
1 hour and 24 minutes in a 2 hour 49
 

1407
00:22:36,419 --> 00:22:38,029
1 hour and 24 minutes in a 2 hour 49
minute movie as the crew debates whether

1408
00:22:38,029 --> 00:22:38,039
minute movie as the crew debates whether
 

1409
00:22:38,039 --> 00:22:40,130
minute movie as the crew debates whether
to go to Man's planet or Edmonds Emilia

1410
00:22:40,130 --> 00:22:40,140
to go to Man's planet or Edmonds Emilia
 

1411
00:22:40,140 --> 00:22:41,750
to go to Man's planet or Edmonds Emilia
makes the case for Edmonds based on Love

1412
00:22:41,750 --> 00:22:41,760
makes the case for Edmonds based on Love
 

1413
00:22:41,760 --> 00:22:44,630
makes the case for Edmonds based on Love
Alone love is the one thing we're

1414
00:22:44,630 --> 00:22:44,640
Alone love is the one thing we're
 

1415
00:22:44,640 --> 00:22:46,310
Alone love is the one thing we're
capable of perceiving that transcends

1416
00:22:46,310 --> 00:22:46,320
capable of perceiving that transcends
 

1417
00:22:46,320 --> 00:22:48,289
capable of perceiving that transcends
dimensions of time and space setting up

1418
00:22:48,289 --> 00:22:48,299
dimensions of time and space setting up
 

1419
00:22:48,299 --> 00:22:50,210
dimensions of time and space setting up
Cooper's superpower of empathy to be the

1420
00:22:50,210 --> 00:22:50,220
Cooper's superpower of empathy to be the
 

1421
00:22:50,220 --> 00:22:52,310
Cooper's superpower of empathy to be the
one thing that the bulk beings need to

1422
00:22:52,310 --> 00:22:52,320
one thing that the bulk beings need to
 

1423
00:22:52,320 --> 00:22:54,289
one thing that the bulk beings need to
make him in murf the bridge but Amelia

1424
00:22:54,289 --> 00:22:54,299
make him in murf the bridge but Amelia
 

1425
00:22:54,299 --> 00:22:55,850
make him in murf the bridge but Amelia
is right they should have followed her

1426
00:22:55,850 --> 00:22:55,860
is right they should have followed her
 

1427
00:22:55,860 --> 00:22:57,049
is right they should have followed her
heart and gone to Edmond's Planet

1428
00:22:57,049 --> 00:22:57,059
heart and gone to Edmond's Planet
 

1429
00:22:57,059 --> 00:22:59,210
heart and gone to Edmond's Planet
because Man's planet was a trap Murphy

1430
00:22:59,210 --> 00:22:59,220
because Man's planet was a trap Murphy
 

1431
00:22:59,220 --> 00:23:00,830
because Man's planet was a trap Murphy
visits a farm with Tom and Lois where

1432
00:23:00,830 --> 00:23:00,840
visits a farm with Tom and Lois where
 

1433
00:23:00,840 --> 00:23:02,870
visits a farm with Tom and Lois where
they're eating corns to play even more

1434
00:23:02,870 --> 00:23:02,880
they're eating corns to play even more
 

1435
00:23:02,880 --> 00:23:04,610
they're eating corns to play even more
corn on the table also notice how Murph

1436
00:23:04,610 --> 00:23:04,620
corn on the table also notice how Murph
 

1437
00:23:04,620 --> 00:23:06,350
corn on the table also notice how Murph
covers the pitcher with a cloth to keep

1438
00:23:06,350 --> 00:23:06,360
covers the pitcher with a cloth to keep
 

1439
00:23:06,360 --> 00:23:07,610
covers the pitcher with a cloth to keep
the dust out you may have actually

1440
00:23:07,610 --> 00:23:07,620
the dust out you may have actually
 

1441
00:23:07,620 --> 00:23:09,470
the dust out you may have actually
caught outside in the cornfield murph's

1442
00:23:09,470 --> 00:23:09,480
caught outside in the cornfield murph's
 

1443
00:23:09,480 --> 00:23:11,330
caught outside in the cornfield murph's
jacket with that dark collar is very

1444
00:23:11,330 --> 00:23:11,340
jacket with that dark collar is very
 

1445
00:23:11,340 --> 00:23:12,950
jacket with that dark collar is very
similar to the one worn by Cooper when

1446
00:23:12,950 --> 00:23:12,960
similar to the one worn by Cooper when
 

1447
00:23:12,960 --> 00:23:14,450
similar to the one worn by Cooper when
he was a corn farmer Professor brand

1448
00:23:14,450 --> 00:23:14,460
he was a corn farmer Professor brand
 

1449
00:23:14,460 --> 00:23:16,549
he was a corn farmer Professor brand
confesses to Murph that he lied about

1450
00:23:16,549 --> 00:23:16,559
confesses to Murph that he lied about
 

1451
00:23:16,559 --> 00:23:18,049
confesses to Murph that he lied about
plan A

1452
00:23:18,049 --> 00:23:18,059
plan A
 

1453
00:23:18,059 --> 00:23:20,850
plan A
equation

1454
00:23:20,850 --> 00:23:20,860
equation
 

1455
00:23:20,860 --> 00:23:24,950
equation
[Music]

1456
00:23:24,950 --> 00:23:24,960

 

1457
00:23:24,960 --> 00:23:27,169

as brand shakes his head Zimmer shifts

1458
00:23:27,169 --> 00:23:27,179
as brand shakes his head Zimmer shifts
 

1459
00:23:27,179 --> 00:23:29,450
as brand shakes his head Zimmer shifts
into a more haunting horror film theme

1460
00:23:29,450 --> 00:23:29,460
into a more haunting horror film theme
 

1461
00:23:29,460 --> 00:23:31,250
into a more haunting horror film theme
it's really creepy at this part of the

1462
00:23:31,250 --> 00:23:31,260
it's really creepy at this part of the
 

1463
00:23:31,260 --> 00:23:32,750
it's really creepy at this part of the
movie on the way down to Man's planet

1464
00:23:32,750 --> 00:23:32,760
movie on the way down to Man's planet
 

1465
00:23:32,760 --> 00:23:34,850
movie on the way down to Man's planet
the ranger hits a frozen ammonia Cloud

1466
00:23:34,850 --> 00:23:34,860
the ranger hits a frozen ammonia Cloud
 

1467
00:23:34,860 --> 00:23:36,470
the ranger hits a frozen ammonia Cloud
supposedly the one thing in this movie

1468
00:23:36,470 --> 00:23:36,480
supposedly the one thing in this movie
 

1469
00:23:36,480 --> 00:23:38,149
supposedly the one thing in this movie
with no bases in physics because there's

1470
00:23:38,149 --> 00:23:38,159
with no bases in physics because there's
 

1471
00:23:38,159 --> 00:23:39,649
with no bases in physics because there's
no way a cloud could be frozen which is

1472
00:23:39,649 --> 00:23:39,659
no way a cloud could be frozen which is
 

1473
00:23:39,659 --> 00:23:41,210
no way a cloud could be frozen which is
small but visually it creates this

1474
00:23:41,210 --> 00:23:41,220
small but visually it creates this
 

1475
00:23:41,220 --> 00:23:42,890
small but visually it creates this
effect that man and anyone on this

1476
00:23:42,890 --> 00:23:42,900
effect that man and anyone on this
 

1477
00:23:42,900 --> 00:23:44,750
effect that man and anyone on this
planet is trapped from both below and

1478
00:23:44,750 --> 00:23:44,760
planet is trapped from both below and
 

1479
00:23:44,760 --> 00:23:47,390
planet is trapped from both below and
from above by Frozen death the planet is

1480
00:23:47,390 --> 00:23:47,400
from above by Frozen death the planet is
 

1481
00:23:47,400 --> 00:23:49,669
from above by Frozen death the planet is
a death trap man sobs upon waking up

1482
00:23:49,669 --> 00:23:49,679
a death trap man sobs upon waking up
 

1483
00:23:49,679 --> 00:23:50,990
a death trap man sobs upon waking up
from cry to sleep and seeing a human

1484
00:23:50,990 --> 00:23:51,000
from cry to sleep and seeing a human
 

1485
00:23:51,000 --> 00:23:52,970
from cry to sleep and seeing a human
face later he'll tell Cooper what does

1486
00:23:52,970 --> 00:23:52,980
face later he'll tell Cooper what does
 

1487
00:23:52,980 --> 00:23:55,130
face later he'll tell Cooper what does
research tell us is the last thing

1488
00:23:55,130 --> 00:23:55,140
research tell us is the last thing
 

1489
00:23:55,140 --> 00:23:57,169
research tell us is the last thing
you're gonna see before you die your

1490
00:23:57,169 --> 00:23:57,179
you're gonna see before you die your
 

1491
00:23:57,179 --> 00:23:59,690
you're gonna see before you die your
children their faces so he's sobbing and

1492
00:23:59,690 --> 00:23:59,700
children their faces so he's sobbing and
 

1493
00:23:59,700 --> 00:24:01,549
children their faces so he's sobbing and
relief to have his isolation broken but

1494
00:24:01,549 --> 00:24:01,559
relief to have his isolation broken but
 

1495
00:24:01,559 --> 00:24:03,350
relief to have his isolation broken but
also at the idea of having no children

1496
00:24:03,350 --> 00:24:03,360
also at the idea of having no children
 

1497
00:24:03,360 --> 00:24:05,450
also at the idea of having no children
to mourn him this survival Instinct is

1498
00:24:05,450 --> 00:24:05,460
to mourn him this survival Instinct is
 

1499
00:24:05,460 --> 00:24:07,370
to mourn him this survival Instinct is
what drives him to be the one to be the

1500
00:24:07,370 --> 00:24:07,380
what drives him to be the one to be the
 

1501
00:24:07,380 --> 00:24:08,990
what drives him to be the one to be the
patriarch of the human race from here

1502
00:24:08,990 --> 00:24:09,000
patriarch of the human race from here
 

1503
00:24:09,000 --> 00:24:10,669
patriarch of the human race from here
forward remember Professor Brand's

1504
00:24:10,669 --> 00:24:10,679
forward remember Professor Brand's
 

1505
00:24:10,679 --> 00:24:12,350
forward remember Professor Brand's
insistence that the Lazarus crew have no

1506
00:24:12,350 --> 00:24:12,360
insistence that the Lazarus crew have no
 

1507
00:24:12,360 --> 00:24:14,090
insistence that the Lazarus crew have no
attachments was part of its failure

1508
00:24:14,090 --> 00:24:14,100
attachments was part of its failure
 

1509
00:24:14,100 --> 00:24:15,710
attachments was part of its failure
Cooper's empathy from having children

1510
00:24:15,710 --> 00:24:15,720
Cooper's empathy from having children
 

1511
00:24:15,720 --> 00:24:17,870
Cooper's empathy from having children
gave him an advantage that man the

1512
00:24:17,870 --> 00:24:17,880
gave him an advantage that man the
 

1513
00:24:17,880 --> 00:24:19,909
gave him an advantage that man the
supposed best of the Lazarus crew never

1514
00:24:19,909 --> 00:24:19,919
supposed best of the Lazarus crew never
 

1515
00:24:19,919 --> 00:24:22,370
supposed best of the Lazarus crew never
had man asks about the others no in our

1516
00:24:22,370 --> 00:24:22,380
had man asks about the others no in our
 

1517
00:24:22,380 --> 00:24:23,340
had man asks about the others no in our
present situation

1518
00:24:23,340 --> 00:24:23,350
present situation
 

1519
00:24:23,350 --> 00:24:25,370
present situation
[Music]

1520
00:24:25,370 --> 00:24:25,380
[Music]
 

1521
00:24:25,380 --> 00:24:27,770
[Music]
excuse me any other yes we cut to Amelia

1522
00:24:27,770 --> 00:24:27,780
excuse me any other yes we cut to Amelia
 

1523
00:24:27,780 --> 00:24:29,510
excuse me any other yes we cut to Amelia
she's worried that man will find out

1524
00:24:29,510 --> 00:24:29,520
she's worried that man will find out
 

1525
00:24:29,520 --> 00:24:30,710
she's worried that man will find out
about what happened on Miller's planet

1526
00:24:30,710 --> 00:24:30,720
about what happened on Miller's planet
 

1527
00:24:30,720 --> 00:24:32,210
about what happened on Miller's planet
and judge her for that not realizing

1528
00:24:32,210 --> 00:24:32,220
and judge her for that not realizing
 

1529
00:24:32,220 --> 00:24:34,250
and judge her for that not realizing
that man is actually the morally weakest

1530
00:24:34,250 --> 00:24:34,260
that man is actually the morally weakest
 

1531
00:24:34,260 --> 00:24:36,049
that man is actually the morally weakest
of them he waited a fraction at the time

1532
00:24:36,049 --> 00:24:36,059
of them he waited a fraction at the time
 

1533
00:24:36,059 --> 00:24:38,210
of them he waited a fraction at the time
that Bromley did in isolation 10 years

1534
00:24:38,210 --> 00:24:38,220
that Bromley did in isolation 10 years
 

1535
00:24:38,220 --> 00:24:40,669
that Bromley did in isolation 10 years
to bromley's 23 and man still lost

1536
00:24:40,669 --> 00:24:40,679
to bromley's 23 and man still lost
 

1537
00:24:40,679 --> 00:24:42,470
to bromley's 23 and man still lost
himself whereas romily held strong

1538
00:24:42,470 --> 00:24:42,480
himself whereas romily held strong
 

1539
00:24:42,480 --> 00:24:44,330
himself whereas romily held strong
romiley I believe is this film's

1540
00:24:44,330 --> 00:24:44,340
romiley I believe is this film's
 

1541
00:24:44,340 --> 00:24:47,570
romiley I believe is this film's
ultimate tragedy Don't Judge Me Cooper

1542
00:24:47,570 --> 00:24:47,580
ultimate tragedy Don't Judge Me Cooper
 

1543
00:24:47,580 --> 00:24:50,890
ultimate tragedy Don't Judge Me Cooper
he will never tested like I was

1544
00:24:50,890 --> 00:24:50,900
he will never tested like I was
 

1545
00:24:50,900 --> 00:24:53,810
he will never tested like I was
romily was tested and you killed him man

1546
00:24:53,810 --> 00:24:53,820
romily was tested and you killed him man
 

1547
00:24:53,820 --> 00:24:55,310
romily was tested and you killed him man
the crew learns that Professor brand

1548
00:24:55,310 --> 00:24:55,320
the crew learns that Professor brand
 

1549
00:24:55,320 --> 00:24:57,830
the crew learns that Professor brand
lied about plan a and Dr Mann explains

1550
00:24:57,830 --> 00:24:57,840
lied about plan a and Dr Mann explains
 

1551
00:24:57,840 --> 00:24:59,330
lied about plan a and Dr Mann explains
that brand new how hard it would be to

1552
00:24:59,330 --> 00:24:59,340
that brand new how hard it would be to
 

1553
00:24:59,340 --> 00:25:00,590
that brand new how hard it would be to
get people to work together to save the

1554
00:25:00,590 --> 00:25:00,600
get people to work together to save the
 

1555
00:25:00,600 --> 00:25:01,970
get people to work together to save the
species instead of themselves or their

1556
00:25:01,970 --> 00:25:01,980
species instead of themselves or their
 

1557
00:25:01,980 --> 00:25:04,430
species instead of themselves or their
children we can care deeply selflessly

1558
00:25:04,430 --> 00:25:04,440
children we can care deeply selflessly
 

1559
00:25:04,440 --> 00:25:06,350
children we can care deeply selflessly
about those we know but that empathy

1560
00:25:06,350 --> 00:25:06,360
about those we know but that empathy
 

1561
00:25:06,360 --> 00:25:08,029
about those we know but that empathy
rarely extends beyond our line of sight

1562
00:25:08,029 --> 00:25:08,039
rarely extends beyond our line of sight
 

1563
00:25:08,039 --> 00:25:10,610
rarely extends beyond our line of sight
rarely extends beyond our line of sight

1564
00:25:10,610 --> 00:25:10,620
rarely extends beyond our line of sight
 

1565
00:25:10,620 --> 00:25:13,190
rarely extends beyond our line of sight
this is why the bulk beans needed Cooper

1566
00:25:13,190 --> 00:25:13,200
this is why the bulk beans needed Cooper
 

1567
00:25:13,200 --> 00:25:14,930
this is why the bulk beans needed Cooper
they needed one astronaut with a direct

1568
00:25:14,930 --> 00:25:14,940
they needed one astronaut with a direct
 

1569
00:25:14,940 --> 00:25:17,330
they needed one astronaut with a direct
empathetic link back to Earth across

1570
00:25:17,330 --> 00:25:17,340
empathetic link back to Earth across
 

1571
00:25:17,340 --> 00:25:19,789
empathetic link back to Earth across
time but also since Dr Mann joined brand

1572
00:25:19,789 --> 00:25:19,799
time but also since Dr Mann joined brand
 

1573
00:25:19,799 --> 00:25:21,590
time but also since Dr Mann joined brand
in the lie and now makes us suspect

1574
00:25:21,590 --> 00:25:21,600
in the lie and now makes us suspect
 

1575
00:25:21,600 --> 00:25:23,870
in the lie and now makes us suspect
anything he has said so far as a

1576
00:25:23,870 --> 00:25:23,880
anything he has said so far as a
 

1577
00:25:23,880 --> 00:25:25,970
anything he has said so far as a
possible deception back on Dusty Earth

1578
00:25:25,970 --> 00:25:25,980
possible deception back on Dusty Earth
 

1579
00:25:25,980 --> 00:25:27,769
possible deception back on Dusty Earth
Murph sees a girl wiping dirt off her

1580
00:25:27,769 --> 00:25:27,779
Murph sees a girl wiping dirt off her
 

1581
00:25:27,779 --> 00:25:29,870
Murph sees a girl wiping dirt off her
face this is actually a cameo by Flora

1582
00:25:29,870 --> 00:25:29,880
face this is actually a cameo by Flora
 

1583
00:25:29,880 --> 00:25:31,549
face this is actually a cameo by Flora
Nolan daughter to Christopher Nolan and

1584
00:25:31,549 --> 00:25:31,559
Nolan daughter to Christopher Nolan and
 

1585
00:25:31,559 --> 00:25:32,930
Nolan daughter to Christopher Nolan and
his wife and producing partner Emma

1586
00:25:32,930 --> 00:25:32,940
his wife and producing partner Emma
 

1587
00:25:32,940 --> 00:25:34,370
his wife and producing partner Emma
Thomas the production title of this

1588
00:25:34,370 --> 00:25:34,380
Thomas the production title of this
 

1589
00:25:34,380 --> 00:25:36,350
Thomas the production title of this
movie was Flora's letter it's widely

1590
00:25:36,350 --> 00:25:36,360
movie was Flora's letter it's widely
 

1591
00:25:36,360 --> 00:25:37,850
movie was Flora's letter it's widely
interpreted that the film Interstellar

1592
00:25:37,850 --> 00:25:37,860
interpreted that the film Interstellar
 

1593
00:25:37,860 --> 00:25:39,110
interpreted that the film Interstellar
might have been Christopher Nolan and

1594
00:25:39,110 --> 00:25:39,120
might have been Christopher Nolan and
 

1595
00:25:39,120 --> 00:25:40,430
might have been Christopher Nolan and
Emma Thomas trying to work through

1596
00:25:40,430 --> 00:25:40,440
Emma Thomas trying to work through
 

1597
00:25:40,440 --> 00:25:42,169
Emma Thomas trying to work through
always being so far away from their kids

1598
00:25:42,169 --> 00:25:42,179
always being so far away from their kids
 

1599
00:25:42,179 --> 00:25:43,610
always being so far away from their kids
whenever they work on Films around the

1600
00:25:43,610 --> 00:25:43,620
whenever they work on Films around the
 

1601
00:25:43,620 --> 00:25:45,409
whenever they work on Films around the
world I mean this whole film is clearly

1602
00:25:45,409 --> 00:25:45,419
world I mean this whole film is clearly
 

1603
00:25:45,419 --> 00:25:47,330
world I mean this whole film is clearly
a family love letter as Nolan also

1604
00:25:47,330 --> 00:25:47,340
a family love letter as Nolan also
 

1605
00:25:47,340 --> 00:25:49,549
a family love letter as Nolan also
snugged on a murph's bookshelf Emma by

1606
00:25:49,549 --> 00:25:49,559
snugged on a murph's bookshelf Emma by
 

1607
00:25:49,559 --> 00:25:51,710
snugged on a murph's bookshelf Emma by
Jane Austen a nod to his love Emma

1608
00:25:51,710 --> 00:25:51,720
Jane Austen a nod to his love Emma
 

1609
00:25:51,720 --> 00:25:53,090
Jane Austen a nod to his love Emma
Thomas now at this point of the film

1610
00:25:53,090 --> 00:25:53,100
Thomas now at this point of the film
 

1611
00:25:53,100 --> 00:25:55,010
Thomas now at this point of the film
you'll notice Nolan rapidly intercuts

1612
00:25:55,010 --> 00:25:55,020
you'll notice Nolan rapidly intercuts
 

1613
00:25:55,020 --> 00:25:56,510
you'll notice Nolan rapidly intercuts
from the space plot line back to Earth

1614
00:25:56,510 --> 00:25:56,520
from the space plot line back to Earth
 

1615
00:25:56,520 --> 00:25:58,430
from the space plot line back to Earth
as Murph and Getty try to save Tom's

1616
00:25:58,430 --> 00:25:58,440
as Murph and Getty try to save Tom's
 

1617
00:25:58,440 --> 00:25:59,810
as Murph and Getty try to save Tom's
family but it's not just chaotic

1618
00:25:59,810 --> 00:25:59,820
family but it's not just chaotic
 

1619
00:25:59,820 --> 00:26:01,610
family but it's not just chaotic
intercutting to intertwine everybody's

1620
00:26:01,610 --> 00:26:01,620
intercutting to intertwine everybody's
 

1621
00:26:01,620 --> 00:26:03,710
intercutting to intertwine everybody's
faiths there are a few sneaky edit

1622
00:26:03,710 --> 00:26:03,720
faiths there are a few sneaky edit
 

1623
00:26:03,720 --> 00:26:05,750
faiths there are a few sneaky edit
overlaps where one storyline comments on

1624
00:26:05,750 --> 00:26:05,760
overlaps where one storyline comments on
 

1625
00:26:05,760 --> 00:26:07,490
overlaps where one storyline comments on
the other like as the crew starts to

1626
00:26:07,490 --> 00:26:07,500
the other like as the crew starts to
 

1627
00:26:07,500 --> 00:26:09,230
the other like as the crew starts to
realize Man's planet is uninhabitable

1628
00:26:09,230 --> 00:26:09,240
realize Man's planet is uninhabitable
 

1629
00:26:09,240 --> 00:26:11,870
realize Man's planet is uninhabitable
Nolan Cuts back to Getty saying it's bad

1630
00:26:11,870 --> 00:26:11,880
Nolan Cuts back to Getty saying it's bad
 

1631
00:26:11,880 --> 00:26:13,909
Nolan Cuts back to Getty saying it's bad
they cannot stay here yeah he's talking

1632
00:26:13,909 --> 00:26:13,919
they cannot stay here yeah he's talking
 

1633
00:26:13,919 --> 00:26:15,649
they cannot stay here yeah he's talking
about the farm but the edit creates a

1634
00:26:15,649 --> 00:26:15,659
about the farm but the edit creates a
 

1635
00:26:15,659 --> 00:26:17,690
about the farm but the edit creates a
commentary on man's Planet Too how it is

1636
00:26:17,690 --> 00:26:17,700
commentary on man's Planet Too how it is
 

1637
00:26:17,700 --> 00:26:19,730
commentary on man's Planet Too how it is
also doomed Dr Man's whole speech to

1638
00:26:19,730 --> 00:26:19,740
also doomed Dr Man's whole speech to
 

1639
00:26:19,740 --> 00:26:21,350
also doomed Dr Man's whole speech to
Cooper justifying the power of human

1640
00:26:21,350 --> 00:26:21,360
Cooper justifying the power of human
 

1641
00:26:21,360 --> 00:26:22,909
Cooper justifying the power of human
connection why he understands his

1642
00:26:22,909 --> 00:26:22,919
connection why he understands his
 

1643
00:26:22,919 --> 00:26:24,230
connection why he understands his
decision to return to Earth is

1644
00:26:24,230 --> 00:26:24,240
decision to return to Earth is
 

1645
00:26:24,240 --> 00:26:25,690
decision to return to Earth is
brilliantly revealed to be a

1646
00:26:25,690 --> 00:26:25,700
brilliantly revealed to be a
 

1647
00:26:25,700 --> 00:26:27,890
brilliantly revealed to be a
self-rationalization for man lying to

1648
00:26:27,890 --> 00:26:27,900
self-rationalization for man lying to
 

1649
00:26:27,900 --> 00:26:29,690
self-rationalization for man lying to
get them to come save him Cooper calls

1650
00:26:29,690 --> 00:26:29,700
get them to come save him Cooper calls
 

1651
00:26:29,700 --> 00:26:32,830
get them to come save him Cooper calls
him a coward and man says yes

1652
00:26:32,830 --> 00:26:32,840
him a coward and man says yes
 

1653
00:26:32,840 --> 00:26:35,930
him a coward and man says yes
yes that's the saddest thing about man

1654
00:26:35,930 --> 00:26:35,940
yes that's the saddest thing about man
 

1655
00:26:35,940 --> 00:26:37,850
yes that's the saddest thing about man
he's smart enough to know his cowardice

1656
00:26:37,850 --> 00:26:37,860
he's smart enough to know his cowardice
 

1657
00:26:37,860 --> 00:26:39,649
he's smart enough to know his cowardice
he has thought this conversation through

1658
00:26:39,649 --> 00:26:39,659
he has thought this conversation through
 

1659
00:26:39,659 --> 00:26:42,049
he has thought this conversation through
dozens of times I'm sorry I can't watch

1660
00:26:42,049 --> 00:26:42,059
dozens of times I'm sorry I can't watch
 

1661
00:26:42,059 --> 00:26:44,090
dozens of times I'm sorry I can't watch
you go through this I'm sorry I thought

1662
00:26:44,090 --> 00:26:44,100
you go through this I'm sorry I thought
 

1663
00:26:44,100 --> 00:26:47,210
you go through this I'm sorry I thought
I could but yes part of his rehearsal

1664
00:26:47,210 --> 00:26:47,220
I could but yes part of his rehearsal
 

1665
00:26:47,220 --> 00:26:49,789
I could but yes part of his rehearsal
was stay and watch as his savior

1666
00:26:49,789 --> 00:26:49,799
was stay and watch as his savior
 

1667
00:26:49,799 --> 00:26:51,590
was stay and watch as his savior
suffocated it's messed up but you can

1668
00:26:51,590 --> 00:26:51,600
suffocated it's messed up but you can
 

1669
00:26:51,600 --> 00:26:53,090
suffocated it's messed up but you can
see how he talked himself into this

1670
00:26:53,090 --> 00:26:53,100
see how he talked himself into this
 

1671
00:26:53,100 --> 00:26:55,070
see how he talked himself into this
being the right way this is why casting

1672
00:26:55,070 --> 00:26:55,080
being the right way this is why casting
 

1673
00:26:55,080 --> 00:26:57,470
being the right way this is why casting
Matt Damon in this role is so perfect he

1674
00:26:57,470 --> 00:26:57,480
Matt Damon in this role is so perfect he
 

1675
00:26:57,480 --> 00:26:59,570
Matt Damon in this role is so perfect he
would be playing an uncannily similar

1676
00:26:59,570 --> 00:26:59,580
would be playing an uncannily similar
 

1677
00:26:59,580 --> 00:27:01,250
would be playing an uncannily similar
role in The Martian the following year

1678
00:27:01,250 --> 00:27:01,260
role in The Martian the following year
 

1679
00:27:01,260 --> 00:27:03,409
role in The Martian the following year
but as the likable protagonist so in a

1680
00:27:03,409 --> 00:27:03,419
but as the likable protagonist so in a
 

1681
00:27:03,419 --> 00:27:05,570
but as the likable protagonist so in a
meta way this a-lister would see himself

1682
00:27:05,570 --> 00:27:05,580
meta way this a-lister would see himself
 

1683
00:27:05,580 --> 00:27:07,190
meta way this a-lister would see himself
as the rightful hero of the story

1684
00:27:07,190 --> 00:27:07,200
as the rightful hero of the story
 

1685
00:27:07,200 --> 00:27:09,230
as the rightful hero of the story
compared to their astronaut suits he has

1686
00:27:09,230 --> 00:27:09,240
compared to their astronaut suits he has
 

1687
00:27:09,240 --> 00:27:11,210
compared to their astronaut suits he has
patches of orange like mark watney's

1688
00:27:11,210 --> 00:27:11,220
patches of orange like mark watney's
 

1689
00:27:11,220 --> 00:27:13,190
patches of orange like mark watney's
suit in the Martian romily accesses Kips

1690
00:27:13,190 --> 00:27:13,200
suit in the Martian romily accesses Kips
 

1691
00:27:13,200 --> 00:27:15,890
suit in the Martian romily accesses Kips
booby-trapped archive his data makes no

1692
00:27:15,890 --> 00:27:15,900
booby-trapped archive his data makes no
 

1693
00:27:15,900 --> 00:27:18,649
booby-trapped archive his data makes no
sense

1694
00:27:18,649 --> 00:27:18,659

 

1695
00:27:18,659 --> 00:27:20,870

yeah the moment Kip is rebooted you can

1696
00:27:20,870 --> 00:27:20,880
yeah the moment Kip is rebooted you can
 

1697
00:27:20,880 --> 00:27:23,149
yeah the moment Kip is rebooted you can
barely hear him say please don't make me

1698
00:27:23,149 --> 00:27:23,159
barely hear him say please don't make me
 

1699
00:27:23,159 --> 00:27:25,490
barely hear him say please don't make me
this was in Jonathan Nolan's 2008 draft

1700
00:27:25,490 --> 00:27:25,500
this was in Jonathan Nolan's 2008 draft
 

1701
00:27:25,500 --> 00:27:27,529
this was in Jonathan Nolan's 2008 draft
and the subplot was further explored in

1702
00:27:27,529 --> 00:27:27,539
and the subplot was further explored in
 

1703
00:27:27,539 --> 00:27:29,690
and the subplot was further explored in
the prequel comic absolute zero which is

1704
00:27:29,690 --> 00:27:29,700
the prequel comic absolute zero which is
 

1705
00:27:29,700 --> 00:27:31,130
the prequel comic absolute zero which is
written by Christopher Nolan following

1706
00:27:31,130 --> 00:27:31,140
written by Christopher Nolan following
 

1707
00:27:31,140 --> 00:27:32,930
written by Christopher Nolan following
man's time with Kip man and Kip had

1708
00:27:32,930 --> 00:27:32,940
man's time with Kip man and Kip had
 

1709
00:27:32,940 --> 00:27:35,090
man's time with Kip man and Kip had
feuded over man falsifying the data and

1710
00:27:35,090 --> 00:27:35,100
feuded over man falsifying the data and
 

1711
00:27:35,100 --> 00:27:36,950
feuded over man falsifying the data and
man it sent him outside when Kip came

1712
00:27:36,950 --> 00:27:36,960
man it sent him outside when Kip came
 

1713
00:27:36,960 --> 00:27:38,690
man it sent him outside when Kip came
back in his final words were please

1714
00:27:38,690 --> 00:27:38,700
back in his final words were please
 

1715
00:27:38,700 --> 00:27:40,970
back in his final words were please
don't make me go back outside but man

1716
00:27:40,970 --> 00:27:40,980
don't make me go back outside but man
 

1717
00:27:40,980 --> 00:27:43,070
don't make me go back outside but man
cuts him off by saying burmanzi which is

1718
00:27:43,070 --> 00:27:43,080
cuts him off by saying burmanzi which is
 

1719
00:27:43,080 --> 00:27:44,690
cuts him off by saying burmanzi which is
a trigger word that deactivates the

1720
00:27:44,690 --> 00:27:44,700
a trigger word that deactivates the
 

1721
00:27:44,700 --> 00:27:47,029
a trigger word that deactivates the
robot so man selfishly tries to Maroon

1722
00:27:47,029 --> 00:27:47,039
robot so man selfishly tries to Maroon
 

1723
00:27:47,039 --> 00:27:48,350
robot so man selfishly tries to Maroon
them he doesn't know the endurance

1724
00:27:48,350 --> 00:27:48,360
them he doesn't know the endurance
 

1725
00:27:48,360 --> 00:27:50,990
them he doesn't know the endurance
docking procedure the autopilot does not

1726
00:27:50,990 --> 00:27:51,000
docking procedure the autopilot does not
 

1727
00:27:51,000 --> 00:27:53,930
docking procedure the autopilot does not
says Torres disabled it nice yeah Taurus

1728
00:27:53,930 --> 00:27:53,940
says Torres disabled it nice yeah Taurus
 

1729
00:27:53,940 --> 00:27:55,190
says Torres disabled it nice yeah Taurus
disabled the docking procedure

1730
00:27:55,190 --> 00:27:55,200
disabled the docking procedure
 

1731
00:27:55,200 --> 00:27:56,870
disabled the docking procedure
indirectly following through on his

1732
00:27:56,870 --> 00:27:56,880
indirectly following through on his
 

1733
00:27:56,880 --> 00:27:58,370
indirectly following through on his
earlier joke to betray the humans by

1734
00:27:58,370 --> 00:27:58,380
earlier joke to betray the humans by
 

1735
00:27:58,380 --> 00:27:59,690
earlier joke to betray the humans by
blowing them out of air locks which is

1736
00:27:59,690 --> 00:27:59,700
blowing them out of air locks which is
 

1737
00:27:59,700 --> 00:28:01,250
blowing them out of air locks which is
exactly what happens to man but it's

1738
00:28:01,250 --> 00:28:01,260
exactly what happens to man but it's
 

1739
00:28:01,260 --> 00:28:02,870
exactly what happens to man but it's
important to note that Taurus does not

1740
00:28:02,870 --> 00:28:02,880
important to note that Taurus does not
 

1741
00:28:02,880 --> 00:28:05,090
important to note that Taurus does not
defy Isaac asimov's law of Robotics to

1742
00:28:05,090 --> 00:28:05,100
defy Isaac asimov's law of Robotics to
 

1743
00:28:05,100 --> 00:28:07,010
defy Isaac asimov's law of Robotics to
never hurt humans why because these

1744
00:28:07,010 --> 00:28:07,020
never hurt humans why because these
 

1745
00:28:07,020 --> 00:28:08,210
never hurt humans why because these
robots were originally built to be

1746
00:28:08,210 --> 00:28:08,220
robots were originally built to be
 

1747
00:28:08,220 --> 00:28:09,529
robots were originally built to be
Marines they definitely don't have that

1748
00:28:09,529 --> 00:28:09,539
Marines they definitely don't have that
 

1749
00:28:09,539 --> 00:28:10,669
Marines they definitely don't have that
law to them they've just been

1750
00:28:10,669 --> 00:28:10,679
law to them they've just been
 

1751
00:28:10,679 --> 00:28:12,230
law to them they've just been
reprogrammed to be helpful in this case

1752
00:28:12,230 --> 00:28:12,240
reprogrammed to be helpful in this case
 

1753
00:28:12,240 --> 00:28:13,850
reprogrammed to be helpful in this case
but through that programming he does

1754
00:28:13,850 --> 00:28:13,860
but through that programming he does
 

1755
00:28:13,860 --> 00:28:15,830
but through that programming he does
follow that law by making it impossible

1756
00:28:15,830 --> 00:28:15,840
follow that law by making it impossible
 

1757
00:28:15,840 --> 00:28:18,049
follow that law by making it impossible
for man to abandon Cooper and Emilia he

1758
00:28:18,049 --> 00:28:18,059
for man to abandon Cooper and Emilia he
 

1759
00:28:18,059 --> 00:28:20,090
for man to abandon Cooper and Emilia he
saves their lives it's really man's own

1760
00:28:20,090 --> 00:28:20,100
saves their lives it's really man's own
 

1761
00:28:20,100 --> 00:28:22,070
saves their lives it's really man's own
choice to open hatch that ends his life

1762
00:28:22,070 --> 00:28:22,080
choice to open hatch that ends his life
 

1763
00:28:22,080 --> 00:28:23,570
choice to open hatch that ends his life
and I like how the editing doesn't even

1764
00:28:23,570 --> 00:28:23,580
and I like how the editing doesn't even
 

1765
00:28:23,580 --> 00:28:25,490
and I like how the editing doesn't even
let him have a noble speech this is

1766
00:28:25,490 --> 00:28:25,500
let him have a noble speech this is
 

1767
00:28:25,500 --> 00:28:27,710
let him have a noble speech this is
about all mankind

1768
00:28:27,710 --> 00:28:27,720
about all mankind
 

1769
00:28:27,720 --> 00:28:31,490
about all mankind
there is a moment

1770
00:28:31,490 --> 00:28:31,500

 

1771
00:28:31,500 --> 00:28:33,110

and again notice how we go from sound

1772
00:28:33,110 --> 00:28:33,120
and again notice how we go from sound
 

1773
00:28:33,120 --> 00:28:35,390
and again notice how we go from sound
and dialogue and music too

1774
00:28:35,390 --> 00:28:35,400
and dialogue and music too
 

1775
00:28:35,400 --> 00:28:36,890
and dialogue and music too
compliments as the air is sucked out

1776
00:28:36,890 --> 00:28:36,900
compliments as the air is sucked out
 

1777
00:28:36,900 --> 00:28:38,390
compliments as the air is sucked out
into space later when they close off

1778
00:28:38,390 --> 00:28:38,400
into space later when they close off
 

1779
00:28:38,400 --> 00:28:43,810
into space later when they close off
this airlock the sound returns

1780
00:28:43,810 --> 00:28:43,820

 

1781
00:28:43,820 --> 00:28:46,850

so what follows is obviously the best

1782
00:28:46,850 --> 00:28:46,860
so what follows is obviously the best
 

1783
00:28:46,860 --> 00:28:48,890
so what follows is obviously the best
sequence of the film one of the best of

1784
00:28:48,890 --> 00:28:48,900
sequence of the film one of the best of
 

1785
00:28:48,900 --> 00:28:51,590
sequence of the film one of the best of
any film the docking it's not possible

1786
00:28:51,590 --> 00:28:51,600
any film the docking it's not possible
 

1787
00:28:51,600 --> 00:28:52,789
any film the docking it's not possible
no

1788
00:28:52,789 --> 00:28:52,799
no
 

1789
00:28:52,799 --> 00:28:55,549
no
it's necessary yeah Cooper's survival

1790
00:28:55,549 --> 00:28:55,559
it's necessary yeah Cooper's survival
 

1791
00:28:55,559 --> 00:28:57,350
it's necessary yeah Cooper's survival
Instinct takes over and it recalls

1792
00:28:57,350 --> 00:28:57,360
Instinct takes over and it recalls
 

1793
00:28:57,360 --> 00:28:58,909
Instinct takes over and it recalls
another book that Nolan stuck onto

1794
00:28:58,909 --> 00:28:58,919
another book that Nolan stuck onto
 

1795
00:28:58,919 --> 00:29:00,710
another book that Nolan stuck onto
murph's bookshelf gravity's Rainbow by

1796
00:29:00,710 --> 00:29:00,720
murph's bookshelf gravity's Rainbow by
 

1797
00:29:00,720 --> 00:29:02,090
murph's bookshelf gravity's Rainbow by
Thomas pension a book that was

1798
00:29:02,090 --> 00:29:02,100
Thomas pension a book that was
 

1799
00:29:02,100 --> 00:29:03,649
Thomas pension a book that was
referenced in Brian Johnson's Knives Out

1800
00:29:03,649 --> 00:29:03,659
referenced in Brian Johnson's Knives Out
 

1801
00:29:03,659 --> 00:29:05,570
referenced in Brian Johnson's Knives Out
it thematically explores what do you do

1802
00:29:05,570 --> 00:29:05,580
it thematically explores what do you do
 

1803
00:29:05,580 --> 00:29:07,190
it thematically explores what do you do
in those last moments before everything

1804
00:29:07,190 --> 00:29:07,200
in those last moments before everything
 

1805
00:29:07,200 --> 00:29:09,289
in those last moments before everything
ends Dylan Thomas provides the answer

1806
00:29:09,289 --> 00:29:09,299
ends Dylan Thomas provides the answer
 

1807
00:29:09,299 --> 00:29:12,230
ends Dylan Thomas provides the answer
you rage rage against the dying of the

1808
00:29:12,230 --> 00:29:12,240
you rage rage against the dying of the
 

1809
00:29:12,240 --> 00:29:14,029
you rage rage against the dying of the
light and so in this sequence Hans

1810
00:29:14,029 --> 00:29:14,039
light and so in this sequence Hans
 

1811
00:29:14,039 --> 00:29:16,730
light and so in this sequence Hans
Zimmer's Church organ rages the red glow

1812
00:29:16,730 --> 00:29:16,740
Zimmer's Church organ rages the red glow
 

1813
00:29:16,740 --> 00:29:18,230
Zimmer's Church organ rages the red glow
from beneath their feet as they sink

1814
00:29:18,230 --> 00:29:18,240
from beneath their feet as they sink
 

1815
00:29:18,240 --> 00:29:19,610
from beneath their feet as they sink
into the stratosphere of Man's planet

1816
00:29:19,610 --> 00:29:19,620
into the stratosphere of Man's planet
 

1817
00:29:19,620 --> 00:29:21,950
into the stratosphere of Man's planet
the dying of the light and when they use

1818
00:29:21,950 --> 00:29:21,960
the dying of the light and when they use
 

1819
00:29:21,960 --> 00:29:23,389
the dying of the light and when they use
those retro thrusters to match

1820
00:29:23,389 --> 00:29:23,399
those retro thrusters to match
 

1821
00:29:23,399 --> 00:29:25,490
those retro thrusters to match
endurance's spin Amelia leans with the

1822
00:29:25,490 --> 00:29:25,500
endurance's spin Amelia leans with the
 

1823
00:29:25,500 --> 00:29:27,230
endurance's spin Amelia leans with the
spin and she blacks out her arm goes up

1824
00:29:27,230 --> 00:29:27,240
spin and she blacks out her arm goes up
 

1825
00:29:27,240 --> 00:29:29,930
spin and she blacks out her arm goes up
but Cooper leans against it to try to

1826
00:29:29,930 --> 00:29:29,940
but Cooper leans against it to try to
 

1827
00:29:29,940 --> 00:29:32,990
but Cooper leans against it to try to
stay conscious he does not go gentle and

1828
00:29:32,990 --> 00:29:33,000
stay conscious he does not go gentle and
 

1829
00:29:33,000 --> 00:29:34,610
stay conscious he does not go gentle and
again the endurance was designed to look

1830
00:29:34,610 --> 00:29:34,620
again the endurance was designed to look
 

1831
00:29:34,620 --> 00:29:37,130
again the endurance was designed to look
like a clock a ring with 12 nodes and

1832
00:29:37,130 --> 00:29:37,140
like a clock a ring with 12 nodes and
 

1833
00:29:37,140 --> 00:29:38,769
like a clock a ring with 12 nodes and
now from below it is spinning

1834
00:29:38,769 --> 00:29:38,779
now from below it is spinning
 

1835
00:29:38,779 --> 00:29:41,149
now from below it is spinning
counterclockwise so Cooper has to match

1836
00:29:41,149 --> 00:29:41,159
counterclockwise so Cooper has to match
 

1837
00:29:41,159 --> 00:29:43,250
counterclockwise so Cooper has to match
that counterclockwise spin exactly to

1838
00:29:43,250 --> 00:29:43,260
that counterclockwise spin exactly to
 

1839
00:29:43,260 --> 00:29:45,889
that counterclockwise spin exactly to
line up turning back the clock is the

1840
00:29:45,889 --> 00:29:45,899
line up turning back the clock is the
 

1841
00:29:45,899 --> 00:29:47,690
line up turning back the clock is the
solution that he uses inside of the

1842
00:29:47,690 --> 00:29:47,700
solution that he uses inside of the
 

1843
00:29:47,700 --> 00:29:49,430
solution that he uses inside of the
Tesseract so they Propel the endurance

1844
00:29:49,430 --> 00:29:49,440
Tesseract so they Propel the endurance
 

1845
00:29:49,440 --> 00:29:51,110
Tesseract so they Propel the endurance
out of the black holes poll using

1846
00:29:51,110 --> 00:29:51,120
out of the black holes poll using
 

1847
00:29:51,120 --> 00:29:53,149
out of the black holes poll using
Newton's third law the Lander thrust to

1848
00:29:53,149 --> 00:29:53,159
Newton's third law the Lander thrust to
 

1849
00:29:53,159 --> 00:29:56,029
Newton's third law the Lander thrust to
reading reads lmao1 and lmao2 which I

1850
00:29:56,029 --> 00:29:56,039
reading reads lmao1 and lmao2 which I
 

1851
00:29:56,039 --> 00:29:57,830
reading reads lmao1 and lmao2 which I
think is a callback to tarza's Big joke

1852
00:29:57,830 --> 00:29:57,840
think is a callback to tarza's Big joke
 

1853
00:29:57,840 --> 00:29:59,510
think is a callback to tarza's Big joke
of them tossing each other into space

1854
00:29:59,510 --> 00:29:59,520
of them tossing each other into space
 

1855
00:29:59,520 --> 00:30:01,909
of them tossing each other into space
which both tars and Cooper do here to

1856
00:30:01,909 --> 00:30:01,919
which both tars and Cooper do here to
 

1857
00:30:01,919 --> 00:30:03,710
which both tars and Cooper do here to
give Amelia that extra boost she needs

1858
00:30:03,710 --> 00:30:03,720
give Amelia that extra boost she needs
 

1859
00:30:03,720 --> 00:30:05,510
give Amelia that extra boost she needs
to make it to Edmond's Planet Cooper

1860
00:30:05,510 --> 00:30:05,520
to make it to Edmond's Planet Cooper
 

1861
00:30:05,520 --> 00:30:07,190
to make it to Edmond's Planet Cooper
Zips into the black hole screaming with

1862
00:30:07,190 --> 00:30:07,200
Zips into the black hole screaming with
 

1863
00:30:07,200 --> 00:30:08,810
Zips into the black hole screaming with
light flashing over his face like the

1864
00:30:08,810 --> 00:30:08,820
light flashing over his face like the
 

1865
00:30:08,820 --> 00:30:10,549
light flashing over his face like the
Stargate sequence in 2001 A Space

1866
00:30:10,549 --> 00:30:10,559
Stargate sequence in 2001 A Space
 

1867
00:30:10,559 --> 00:30:11,810
Stargate sequence in 2001 A Space
Odyssey which this part of the movie

1868
00:30:11,810 --> 00:30:11,820
Odyssey which this part of the movie
 

1869
00:30:11,820 --> 00:30:13,789
Odyssey which this part of the movie
basically is for Interstellar but Cooper

1870
00:30:13,789 --> 00:30:13,799
basically is for Interstellar but Cooper
 

1871
00:30:13,799 --> 00:30:15,950
basically is for Interstellar but Cooper
lands in the Tesseract a

1872
00:30:15,950 --> 00:30:15,960
lands in the Tesseract a
 

1873
00:30:15,960 --> 00:30:17,450
lands in the Tesseract a
three-dimensional construct in which

1874
00:30:17,450 --> 00:30:17,460
three-dimensional construct in which
 

1875
00:30:17,460 --> 00:30:19,130
three-dimensional construct in which
time is represented as a physical

1876
00:30:19,130 --> 00:30:19,140
time is represented as a physical
 

1877
00:30:19,140 --> 00:30:22,190
time is represented as a physical
Dimension using murph's bookcase stretch

1878
00:30:22,190 --> 00:30:22,200
Dimension using murph's bookcase stretch
 

1879
00:30:22,200 --> 00:30:24,590
Dimension using murph's bookcase stretch
in Endless bands that Cooper can thump

1880
00:30:24,590 --> 00:30:24,600
in Endless bands that Cooper can thump
 

1881
00:30:24,600 --> 00:30:26,810
in Endless bands that Cooper can thump
gravity into the first known use of the

1882
00:30:26,810 --> 00:30:26,820
gravity into the first known use of the
 

1883
00:30:26,820 --> 00:30:28,549
gravity into the first known use of the
term Tesseract was actually in Robert a

1884
00:30:28,549 --> 00:30:28,559
term Tesseract was actually in Robert a
 

1885
00:30:28,559 --> 00:30:31,310
term Tesseract was actually in Robert a
heinlein's 1941 short story and he built

1886
00:30:31,310 --> 00:30:31,320
heinlein's 1941 short story and he built
 

1887
00:30:31,320 --> 00:30:33,049
heinlein's 1941 short story and he built
a crooked house in which an architect

1888
00:30:33,049 --> 00:30:33,059
a crooked house in which an architect
 

1889
00:30:33,059 --> 00:30:34,730
a crooked house in which an architect
builds a house based on the geometric

1890
00:30:34,730 --> 00:30:34,740
builds a house based on the geometric
 

1891
00:30:34,740 --> 00:30:36,649
builds a house based on the geometric
concept of a four-dimensional analog of

1892
00:30:36,649 --> 00:30:36,659
concept of a four-dimensional analog of
 

1893
00:30:36,659 --> 00:30:38,389
concept of a four-dimensional analog of
a cube and that house folds in upon

1894
00:30:38,389 --> 00:30:38,399
a cube and that house folds in upon
 

1895
00:30:38,399 --> 00:30:39,889
a cube and that house folds in upon
itself and creates a dimensional Loop

1896
00:30:39,889 --> 00:30:39,899
itself and creates a dimensional Loop
 

1897
00:30:39,899 --> 00:30:41,450
itself and creates a dimensional Loop
within the structure where people can

1898
00:30:41,450 --> 00:30:41,460
within the structure where people can
 

1899
00:30:41,460 --> 00:30:43,070
within the structure where people can
see themselves by looking through one

1900
00:30:43,070 --> 00:30:43,080
see themselves by looking through one
 

1901
00:30:43,080 --> 00:30:44,690
see themselves by looking through one
room into another that's how he got the

1902
00:30:44,690 --> 00:30:44,700
room into another that's how he got the
 

1903
00:30:44,700 --> 00:30:46,490
room into another that's how he got the
word Tesseract and now in theoretical

1904
00:30:46,490 --> 00:30:46,500
word Tesseract and now in theoretical
 

1905
00:30:46,500 --> 00:30:48,230
word Tesseract and now in theoretical
physics a tesseract is basically that

1906
00:30:48,230 --> 00:30:48,240
physics a tesseract is basically that
 

1907
00:30:48,240 --> 00:30:50,330
physics a tesseract is basically that
idea a fourth dimensional hypercube with

1908
00:30:50,330 --> 00:30:50,340
idea a fourth dimensional hypercube with
 

1909
00:30:50,340 --> 00:30:52,310
idea a fourth dimensional hypercube with
a cube a three-dimensional shape is to a

1910
00:30:52,310 --> 00:30:52,320
a cube a three-dimensional shape is to a
 

1911
00:30:52,320 --> 00:30:53,990
a cube a three-dimensional shape is to a
square to two-dimensional shape expand

1912
00:30:53,990 --> 00:30:54,000
square to two-dimensional shape expand
 

1913
00:30:54,000 --> 00:30:55,549
square to two-dimensional shape expand
that one rung up what is the fourth

1914
00:30:55,549 --> 00:30:55,559
that one rung up what is the fourth
 

1915
00:30:55,559 --> 00:30:57,049
that one rung up what is the fourth
dimensional version of that you have an

1916
00:30:57,049 --> 00:30:57,059
dimensional version of that you have an
 

1917
00:30:57,059 --> 00:30:59,269
dimensional version of that you have an
X and Y and a z axis what is a

1918
00:30:59,269 --> 00:30:59,279
X and Y and a z axis what is a
 

1919
00:30:59,279 --> 00:31:01,130
X and Y and a z axis what is a
theoretical fourth axis that could also

1920
00:31:01,130 --> 00:31:01,140
theoretical fourth axis that could also
 

1921
00:31:01,140 --> 00:31:03,110
theoretical fourth axis that could also
split up from 90 degrees from the corner

1922
00:31:03,110 --> 00:31:03,120
split up from 90 degrees from the corner
 

1923
00:31:03,120 --> 00:31:04,610
split up from 90 degrees from the corner
of that Cube don't freak out weird

1924
00:31:04,610 --> 00:31:04,620
of that Cube don't freak out weird
 

1925
00:31:04,620 --> 00:31:06,110
of that Cube don't freak out weird
three-dimensional beings it is literally

1926
00:31:06,110 --> 00:31:06,120
three-dimensional beings it is literally
 

1927
00:31:06,120 --> 00:31:08,029
three-dimensional beings it is literally
impossible for us to Batten this but in

1928
00:31:08,029 --> 00:31:08,039
impossible for us to Batten this but in
 

1929
00:31:08,039 --> 00:31:09,649
impossible for us to Batten this but in
that Cosmo segment I mentioned earlier

1930
00:31:09,649 --> 00:31:09,659
that Cosmo segment I mentioned earlier
 

1931
00:31:09,659 --> 00:31:11,930
that Cosmo segment I mentioned earlier
Carl Sagan showed a three-dimensional

1932
00:31:11,930 --> 00:31:11,940
Carl Sagan showed a three-dimensional
 

1933
00:31:11,940 --> 00:31:13,669
Carl Sagan showed a three-dimensional
shadow of a tesseract and what that

1934
00:31:13,669 --> 00:31:13,679
shadow of a tesseract and what that
 

1935
00:31:13,679 --> 00:31:15,350
shadow of a tesseract and what that
would look like Nolan does his best to

1936
00:31:15,350 --> 00:31:15,360
would look like Nolan does his best to
 

1937
00:31:15,360 --> 00:31:17,330
would look like Nolan does his best to
visualize it here by going back to the

1938
00:31:17,330 --> 00:31:17,340
visualize it here by going back to the
 

1939
00:31:17,340 --> 00:31:19,430
visualize it here by going back to the
original literary use of the term using

1940
00:31:19,430 --> 00:31:19,440
original literary use of the term using
 

1941
00:31:19,440 --> 00:31:21,769
original literary use of the term using
a room in a house and Nolan uses the

1942
00:31:21,769 --> 00:31:21,779
a room in a house and Nolan uses the
 

1943
00:31:21,779 --> 00:31:23,690
a room in a house and Nolan uses the
symbol of a bookshelf the summation of

1944
00:31:23,690 --> 00:31:23,700
symbol of a bookshelf the summation of
 

1945
00:31:23,700 --> 00:31:25,310
symbol of a bookshelf the summation of
human knowledge as the link for

1946
00:31:25,310 --> 00:31:25,320
human knowledge as the link for
 

1947
00:31:25,320 --> 00:31:26,870
human knowledge as the link for
Humanity's salvation and you'll notice

1948
00:31:26,870 --> 00:31:26,880
Humanity's salvation and you'll notice
 

1949
00:31:26,880 --> 00:31:28,130
Humanity's salvation and you'll notice
one of these books is a collection of

1950
00:31:28,130 --> 00:31:28,140
one of these books is a collection of
 

1951
00:31:28,140 --> 00:31:29,870
one of these books is a collection of
Sir Arthur Conan Doyle's Sherlock Holmes

1952
00:31:29,870 --> 00:31:29,880
Sir Arthur Conan Doyle's Sherlock Holmes
 

1953
00:31:29,880 --> 00:31:31,549
Sir Arthur Conan Doyle's Sherlock Holmes
stories in which a medical scientist

1954
00:31:31,549 --> 00:31:31,559
stories in which a medical scientist
 

1955
00:31:31,559 --> 00:31:33,409
stories in which a medical scientist
applies deductive reasoning to solve

1956
00:31:33,409 --> 00:31:33,419
applies deductive reasoning to solve
 

1957
00:31:33,419 --> 00:31:34,970
applies deductive reasoning to solve
Mysteries that are often in plain sight

1958
00:31:34,970 --> 00:31:34,980
Mysteries that are often in plain sight
 

1959
00:31:34,980 --> 00:31:37,190
Mysteries that are often in plain sight
as Murph does here also EB White's

1960
00:31:37,190 --> 00:31:37,200
as Murph does here also EB White's
 

1961
00:31:37,200 --> 00:31:38,570
as Murph does here also EB White's
Charlotte's Web in which messages

1962
00:31:38,570 --> 00:31:38,580
Charlotte's Web in which messages
 

1963
00:31:38,580 --> 00:31:40,970
Charlotte's Web in which messages
inscribed by a spider on the wall saves

1964
00:31:40,970 --> 00:31:40,980
inscribed by a spider on the wall saves
 

1965
00:31:40,980 --> 00:31:42,830
inscribed by a spider on the wall saves
the farm like Cooper does as the ghost

1966
00:31:42,830 --> 00:31:42,840
the farm like Cooper does as the ghost
 

1967
00:31:42,840 --> 00:31:44,450
the farm like Cooper does as the ghost
but there are three more books that are

1968
00:31:44,450 --> 00:31:44,460
but there are three more books that are
 

1969
00:31:44,460 --> 00:31:45,970
but there are three more books that are
harder to see on our list David

1970
00:31:45,970 --> 00:31:45,980
harder to see on our list David
 

1971
00:31:45,980 --> 00:31:48,409
harder to see on our list David
rublewski's the story of Edgar Sawtelle

1972
00:31:48,409 --> 00:31:48,419
rublewski's the story of Edgar Sawtelle
 

1973
00:31:48,419 --> 00:31:50,510
rublewski's the story of Edgar Sawtelle
in which a person on a farm solves a

1974
00:31:50,510 --> 00:31:50,520
in which a person on a farm solves a
 

1975
00:31:50,520 --> 00:31:52,190
in which a person on a farm solves a
mystery using their deceased father's

1976
00:31:52,190 --> 00:31:52,200
mystery using their deceased father's
 

1977
00:31:52,200 --> 00:31:54,889
mystery using their deceased father's
ghost George Luis Borges Labyrinth which

1978
00:31:54,889 --> 00:31:54,899
ghost George Luis Borges Labyrinth which
 

1979
00:31:54,899 --> 00:31:56,210
ghost George Luis Borges Labyrinth which
is really collection short stories

1980
00:31:56,210 --> 00:31:56,220
is really collection short stories
 

1981
00:31:56,220 --> 00:31:58,370
is really collection short stories
including the library of battle which

1982
00:31:58,370 --> 00:31:58,380
including the library of battle which
 

1983
00:31:58,380 --> 00:32:00,230
including the library of battle which
directly inspired Nolan's infinite

1984
00:32:00,230 --> 00:32:00,240
directly inspired Nolan's infinite
 

1985
00:32:00,240 --> 00:32:02,389
directly inspired Nolan's infinite
Library here and finally Madeleine

1986
00:32:02,389 --> 00:32:02,399
Library here and finally Madeleine
 

1987
00:32:02,399 --> 00:32:04,370
Library here and finally Madeleine
alingles A Wrinkle in Time in which a

1988
00:32:04,370 --> 00:32:04,380
alingles A Wrinkle in Time in which a
 

1989
00:32:04,380 --> 00:32:06,710
alingles A Wrinkle in Time in which a
girl Meg Murray rescues her scientist

1990
00:32:06,710 --> 00:32:06,720
girl Meg Murray rescues her scientist
 

1991
00:32:06,720 --> 00:32:09,049
girl Meg Murray rescues her scientist
father across time in space if you read

1992
00:32:09,049 --> 00:32:09,059
father across time in space if you read
 

1993
00:32:09,059 --> 00:32:10,970
father across time in space if you read
any book on this list in companion with

1994
00:32:10,970 --> 00:32:10,980
any book on this list in companion with
 

1995
00:32:10,980 --> 00:32:12,950
any book on this list in companion with
Interstellar read this one and so Murph

1996
00:32:12,950 --> 00:32:12,960
Interstellar read this one and so Murph
 

1997
00:32:12,960 --> 00:32:17,289
Interstellar read this one and so Murph
finally sure locks it

1998
00:32:17,289 --> 00:32:17,299

 

1999
00:32:17,299 --> 00:32:20,690

now similarly this film analysis has had

2000
00:32:20,690 --> 00:32:20,700
now similarly this film analysis has had
 

2001
00:32:20,700 --> 00:32:22,610
now similarly this film analysis has had
its own ghost that was there all along

2002
00:32:22,610 --> 00:32:22,620
its own ghost that was there all along
 

2003
00:32:22,620 --> 00:32:25,130
its own ghost that was there all along
behind this bookcase so the pilot in

2004
00:32:25,130 --> 00:32:25,140
behind this bookcase so the pilot in
 

2005
00:32:25,140 --> 00:32:26,810
behind this bookcase so the pilot in
this photograph is my father Captain

2006
00:32:26,810 --> 00:32:26,820
this photograph is my father Captain
 

2007
00:32:26,820 --> 00:32:28,970
this photograph is my father Captain
Phillip boss this is him in 1986

2008
00:32:28,970 --> 00:32:28,980
Phillip boss this is him in 1986
 

2009
00:32:28,980 --> 00:32:30,830
Phillip boss this is him in 1986
returning from one of many long Navy

2010
00:32:30,830 --> 00:32:30,840
returning from one of many long Navy
 

2011
00:32:30,840 --> 00:32:32,870
returning from one of many long Navy
deployments before even I was born here

2012
00:32:32,870 --> 00:32:32,880
deployments before even I was born here
 

2013
00:32:32,880 --> 00:32:34,909
deployments before even I was born here
he's greeting my mom my sister Suzanne

2014
00:32:34,909 --> 00:32:34,919
he's greeting my mom my sister Suzanne
 

2015
00:32:34,919 --> 00:32:36,950
he's greeting my mom my sister Suzanne
Lucy and Katie and my brother Matthew my

2016
00:32:36,950 --> 00:32:36,960
Lucy and Katie and my brother Matthew my
 

2017
00:32:36,960 --> 00:32:39,710
Lucy and Katie and my brother Matthew my
dad is awesome my dad broke flight

2018
00:32:39,710 --> 00:32:39,720
dad is awesome my dad broke flight
 

2019
00:32:39,720 --> 00:32:42,230
dad is awesome my dad broke flight
records as an S3 pilot he flew back a

2020
00:32:42,230 --> 00:32:42,240
records as an S3 pilot he flew back a
 

2021
00:32:42,240 --> 00:32:43,970
records as an S3 pilot he flew back a
captured Terrace to the U.S for trial in

2022
00:32:43,970 --> 00:32:43,980
captured Terrace to the U.S for trial in
 

2023
00:32:43,980 --> 00:32:47,029
captured Terrace to the U.S for trial in
1987 after a top secret FBI raid it

2024
00:32:47,029 --> 00:32:47,039
1987 after a top secret FBI raid it
 

2025
00:32:47,039 --> 00:32:49,010
1987 after a top secret FBI raid it
might be the coolest thing anyone in my

2026
00:32:49,010 --> 00:32:49,020
might be the coolest thing anyone in my
 

2027
00:32:49,020 --> 00:32:50,630
might be the coolest thing anyone in my
family has ever done and then after 31

2028
00:32:50,630 --> 00:32:50,640
family has ever done and then after 31
 

2029
00:32:50,640 --> 00:32:52,130
family has ever done and then after 31
years of service he retired from the

2030
00:32:52,130 --> 00:32:52,140
years of service he retired from the
 

2031
00:32:52,140 --> 00:32:54,529
years of service he retired from the
Navy in 1985 and luckily for me as the

2032
00:32:54,529 --> 00:32:54,539
Navy in 1985 and luckily for me as the
 

2033
00:32:54,539 --> 00:32:56,090
Navy in 1985 and luckily for me as the
youngest member of the family I just

2034
00:32:56,090 --> 00:32:56,100
youngest member of the family I just
 

2035
00:32:56,100 --> 00:32:57,409
youngest member of the family I just
don't really have any memories of him

2036
00:32:57,409 --> 00:32:57,419
don't really have any memories of him
 

2037
00:32:57,419 --> 00:32:58,909
don't really have any memories of him
actually deploying I just remember him

2038
00:32:58,909 --> 00:32:58,919
actually deploying I just remember him
 

2039
00:32:58,919 --> 00:33:00,950
actually deploying I just remember him
as a dad who stayed for his kids but my

2040
00:33:00,950 --> 00:33:00,960
as a dad who stayed for his kids but my
 

2041
00:33:00,960 --> 00:33:01,970
as a dad who stayed for his kids but my
older siblings all had different

2042
00:33:01,970 --> 00:33:01,980
older siblings all had different
 

2043
00:33:01,980 --> 00:33:03,590
older siblings all had different
childhoods with memories of a father who

2044
00:33:03,590 --> 00:33:03,600
childhoods with memories of a father who
 

2045
00:33:03,600 --> 00:33:05,210
childhoods with memories of a father who
was often deployed far away on a mission

2046
00:33:05,210 --> 00:33:05,220
was often deployed far away on a mission
 

2047
00:33:05,220 --> 00:33:06,649
was often deployed far away on a mission
that they didn't really understand at

2048
00:33:06,649 --> 00:33:06,659
that they didn't really understand at
 

2049
00:33:06,659 --> 00:33:08,930
that they didn't really understand at
the time but he was doing what all

2050
00:33:08,930 --> 00:33:08,940
the time but he was doing what all
 

2051
00:33:08,940 --> 00:33:11,930
the time but he was doing what all
parents who serve do to make us safe and

2052
00:33:11,930 --> 00:33:11,940
parents who serve do to make us safe and
 

2053
00:33:11,940 --> 00:33:14,210
parents who serve do to make us safe and
like Marth I feel like my task as a film

2054
00:33:14,210 --> 00:33:14,220
like Marth I feel like my task as a film
 

2055
00:33:14,220 --> 00:33:16,549
like Marth I feel like my task as a film
analyzer has been to stare at fictional

2056
00:33:16,549 --> 00:33:16,559
analyzer has been to stare at fictional
 

2057
00:33:16,559 --> 00:33:18,169
analyzer has been to stare at fictional
titles trying to understand life from

2058
00:33:18,169 --> 00:33:18,179
titles trying to understand life from
 

2059
00:33:18,179 --> 00:33:20,509
titles trying to understand life from
every possible angle until now only now

2060
00:33:20,509 --> 00:33:20,519
every possible angle until now only now
 

2061
00:33:20,519 --> 00:33:22,250
every possible angle until now only now
I think I decoded the answer was there

2062
00:33:22,250 --> 00:33:22,260
I think I decoded the answer was there
 

2063
00:33:22,260 --> 00:33:24,470
I think I decoded the answer was there
all along I am my Father's son my

2064
00:33:24,470 --> 00:33:24,480
all along I am my Father's son my
 

2065
00:33:24,480 --> 00:33:26,930
all along I am my Father's son my
imagination my work ethic my joy my

2066
00:33:26,930 --> 00:33:26,940
imagination my work ethic my joy my
 

2067
00:33:26,940 --> 00:33:28,549
imagination my work ethic my joy my
seriousness my understanding that

2068
00:33:28,549 --> 00:33:28,559
seriousness my understanding that
 

2069
00:33:28,559 --> 00:33:30,169
seriousness my understanding that
sometimes the impossible is just

2070
00:33:30,169 --> 00:33:30,179
sometimes the impossible is just
 

2071
00:33:30,179 --> 00:33:32,210
sometimes the impossible is just
necessary to get done I apologize for

2072
00:33:32,210 --> 00:33:32,220
necessary to get done I apologize for
 

2073
00:33:32,220 --> 00:33:34,009
necessary to get done I apologize for
the send mentality but hey if you found

2074
00:33:34,009 --> 00:33:34,019
the send mentality but hey if you found
 

2075
00:33:34,019 --> 00:33:35,810
the send mentality but hey if you found
this film to be trite consider looking

2076
00:33:35,810 --> 00:33:35,820
this film to be trite consider looking
 

2077
00:33:35,820 --> 00:33:37,730
this film to be trite consider looking
at this overstuffed bookcase from both

2078
00:33:37,730 --> 00:33:37,740
at this overstuffed bookcase from both
 

2079
00:33:37,740 --> 00:33:40,190
at this overstuffed bookcase from both
sides as a scoffing youth and is a

2080
00:33:40,190 --> 00:33:40,200
sides as a scoffing youth and is a
 

2081
00:33:40,200 --> 00:33:42,049
sides as a scoffing youth and is a
longing parent Cooper finds the one

2082
00:33:42,049 --> 00:33:42,059
longing parent Cooper finds the one
 

2083
00:33:42,059 --> 00:33:43,669
longing parent Cooper finds the one
exact moment in space-time through which

2084
00:33:43,669 --> 00:33:43,679
exact moment in space-time through which
 

2085
00:33:43,679 --> 00:33:45,230
exact moment in space-time through which
to communicate the quantum data from

2086
00:33:45,230 --> 00:33:45,240
to communicate the quantum data from
 

2087
00:33:45,240 --> 00:33:46,970
to communicate the quantum data from
Taurus to Murph the watch that he had

2088
00:33:46,970 --> 00:33:46,980
Taurus to Murph the watch that he had
 

2089
00:33:46,980 --> 00:33:48,409
Taurus to Murph the watch that he had
given her moving the second hand to

2090
00:33:48,409 --> 00:33:48,419
given her moving the second hand to
 

2091
00:33:48,419 --> 00:33:50,389
given her moving the second hand to
communicate binary code which Murph can

2092
00:33:50,389 --> 00:33:50,399
communicate binary code which Murph can
 

2093
00:33:50,399 --> 00:33:51,950
communicate binary code which Murph can
use to finish Bran's gravity equation

2094
00:33:51,950 --> 00:33:51,960
use to finish Bran's gravity equation
 

2095
00:33:51,960 --> 00:33:53,990
use to finish Bran's gravity equation
and build space stations to save people

2096
00:33:53,990 --> 00:33:54,000
and build space stations to save people
 

2097
00:33:54,000 --> 00:33:55,490
and build space stations to save people
from a dying Earth now some of the

2098
00:33:55,490 --> 00:33:55,500
from a dying Earth now some of the
 

2099
00:33:55,500 --> 00:33:56,990
from a dying Earth now some of the
cynicism around this movie comes from

2100
00:33:56,990 --> 00:33:57,000
cynicism around this movie comes from
 

2101
00:33:57,000 --> 00:33:58,610
cynicism around this movie comes from
what people consider the oversimplified

2102
00:33:58,610 --> 00:33:58,620
what people consider the oversimplified
 

2103
00:33:58,620 --> 00:34:00,769
what people consider the oversimplified
answer of who built this Tesseract who

2104
00:34:00,769 --> 00:34:00,779
answer of who built this Tesseract who
 

2105
00:34:00,779 --> 00:34:02,570
answer of who built this Tesseract who
are the bulk beings who said all this

2106
00:34:02,570 --> 00:34:02,580
are the bulk beings who said all this
 

2107
00:34:02,580 --> 00:34:05,149
are the bulk beings who said all this
emotion and that beings they're Us

2108
00:34:05,149 --> 00:34:05,159
emotion and that beings they're Us
 

2109
00:34:05,159 --> 00:34:07,789
emotion and that beings they're Us
Cooper people couldn't build this no not

2110
00:34:07,789 --> 00:34:07,799
Cooper people couldn't build this no not
 

2111
00:34:07,799 --> 00:34:11,030
Cooper people couldn't build this no not
yet one day a civilization that's

2112
00:34:11,030 --> 00:34:11,040
yet one day a civilization that's
 

2113
00:34:11,040 --> 00:34:13,010
yet one day a civilization that's
evolved past the four dimensions we know

2114
00:34:13,010 --> 00:34:13,020
evolved past the four dimensions we know
 

2115
00:34:13,020 --> 00:34:16,250
evolved past the four dimensions we know
future beings what humans evolve into so

2116
00:34:16,250 --> 00:34:16,260
future beings what humans evolve into so
 

2117
00:34:16,260 --> 00:34:17,990
future beings what humans evolve into so
then the question comes why didn't these

2118
00:34:17,990 --> 00:34:18,000
then the question comes why didn't these
 

2119
00:34:18,000 --> 00:34:19,909
then the question comes why didn't these
Almighty future beings save Earth from

2120
00:34:19,909 --> 00:34:19,919
Almighty future beings save Earth from
 

2121
00:34:19,919 --> 00:34:21,470
Almighty future beings save Earth from
the blight to begin with well for one

2122
00:34:21,470 --> 00:34:21,480
the blight to begin with well for one
 

2123
00:34:21,480 --> 00:34:22,849
the blight to begin with well for one
the Nolans didn't want to make an

2124
00:34:22,849 --> 00:34:22,859
the Nolans didn't want to make an
 

2125
00:34:22,859 --> 00:34:24,349
the Nolans didn't want to make an
Earthbound climate change movie they

2126
00:34:24,349 --> 00:34:24,359
Earthbound climate change movie they
 

2127
00:34:24,359 --> 00:34:25,730
Earthbound climate change movie they
wanted to make a space movie set in

2128
00:34:25,730 --> 00:34:25,740
wanted to make a space movie set in
 

2129
00:34:25,740 --> 00:34:27,109
wanted to make a space movie set in
black holes can't fault them for that

2130
00:34:27,109 --> 00:34:27,119
black holes can't fault them for that
 

2131
00:34:27,119 --> 00:34:28,849
black holes can't fault them for that
and therefore their hero needed to be an

2132
00:34:28,849 --> 00:34:28,859
and therefore their hero needed to be an
 

2133
00:34:28,859 --> 00:34:30,349
and therefore their hero needed to be an
astronaut who misses his daughter but

2134
00:34:30,349 --> 00:34:30,359
astronaut who misses his daughter but
 

2135
00:34:30,359 --> 00:34:31,849
astronaut who misses his daughter but
there is another piece to this puzzle

2136
00:34:31,849 --> 00:34:31,859
there is another piece to this puzzle
 

2137
00:34:31,859 --> 00:34:33,649
there is another piece to this puzzle
that I think answers everything and many

2138
00:34:33,649 --> 00:34:33,659
that I think answers everything and many
 

2139
00:34:33,659 --> 00:34:35,510
that I think answers everything and many
people miss it who else is in the black

2140
00:34:35,510 --> 00:34:35,520
people miss it who else is in the black
 

2141
00:34:35,520 --> 00:34:38,270
people miss it who else is in the black
hole with Cooper in this moment tars the

2142
00:34:38,270 --> 00:34:38,280
hole with Cooper in this moment tars the
 

2143
00:34:38,280 --> 00:34:40,609
hole with Cooper in this moment tars the
reason Cooper's relationship with Tom I

2144
00:34:40,609 --> 00:34:40,619
reason Cooper's relationship with Tom I
 

2145
00:34:40,619 --> 00:34:42,169
reason Cooper's relationship with Tom I
think is left underdeveloped in this

2146
00:34:42,169 --> 00:34:42,179
think is left underdeveloped in this
 

2147
00:34:42,179 --> 00:34:43,849
think is left underdeveloped in this
movie is that Cooper's real son

2148
00:34:43,849 --> 00:34:43,859
movie is that Cooper's real son
 

2149
00:34:43,859 --> 00:34:46,010
movie is that Cooper's real son
structurally in this movie is tars

2150
00:34:46,010 --> 00:34:46,020
structurally in this movie is tars
 

2151
00:34:46,020 --> 00:34:47,869
structurally in this movie is tars
remember he called his son turbo in the

2152
00:34:47,869 --> 00:34:47,879
remember he called his son turbo in the
 

2153
00:34:47,879 --> 00:34:49,250
remember he called his son turbo in the
opening minutes and then later in the

2154
00:34:49,250 --> 00:34:49,260
opening minutes and then later in the
 

2155
00:34:49,260 --> 00:34:51,050
opening minutes and then later in the
movie transfers that nickname to the

2156
00:34:51,050 --> 00:34:51,060
movie transfers that nickname to the
 

2157
00:34:51,060 --> 00:34:52,430
movie transfers that nickname to the
robots

2158
00:34:52,430 --> 00:34:52,440
robots
 

2159
00:34:52,440 --> 00:34:55,609
robots
well you better slow down turbo Cooper

2160
00:34:55,609 --> 00:34:55,619
well you better slow down turbo Cooper
 

2161
00:34:55,619 --> 00:34:57,050
well you better slow down turbo Cooper
in this movie goes from hating and

2162
00:34:57,050 --> 00:34:57,060
in this movie goes from hating and
 

2163
00:34:57,060 --> 00:34:59,089
in this movie goes from hating and
fearing robots to loving them because

2164
00:34:59,089 --> 00:34:59,099
fearing robots to loving them because
 

2165
00:34:59,099 --> 00:35:01,250
fearing robots to loving them because
they remind him of Tom and so I believe

2166
00:35:01,250 --> 00:35:01,260
they remind him of Tom and so I believe
 

2167
00:35:01,260 --> 00:35:03,410
they remind him of Tom and so I believe
that the future Advanced bulk beings who

2168
00:35:03,410 --> 00:35:03,420
that the future Advanced bulk beings who
 

2169
00:35:03,420 --> 00:35:05,510
that the future Advanced bulk beings who
saved everyone who designed and built

2170
00:35:05,510 --> 00:35:05,520
saved everyone who designed and built
 

2171
00:35:05,520 --> 00:35:08,329
saved everyone who designed and built
this Tesseract were AI descendants of

2172
00:35:08,329 --> 00:35:08,339
this Tesseract were AI descendants of
 

2173
00:35:08,339 --> 00:35:10,430
this Tesseract were AI descendants of
tars someone who spent more time with

2174
00:35:10,430 --> 00:35:10,440
tars someone who spent more time with
 

2175
00:35:10,440 --> 00:35:12,170
tars someone who spent more time with
Cooper than anyone that is why the

2176
00:35:12,170 --> 00:35:12,180
Cooper than anyone that is why the
 

2177
00:35:12,180 --> 00:35:14,390
Cooper than anyone that is why the
Tesseract has a 90 degree quadrilateral

2178
00:35:14,390 --> 00:35:14,400
Tesseract has a 90 degree quadrilateral
 

2179
00:35:14,400 --> 00:35:16,250
Tesseract has a 90 degree quadrilateral
design like the infinite 90 degree

2180
00:35:16,250 --> 00:35:16,260
design like the infinite 90 degree
 

2181
00:35:16,260 --> 00:35:18,589
design like the infinite 90 degree
configurations of tars these AI beans

2182
00:35:18,589 --> 00:35:18,599
configurations of tars these AI beans
 

2183
00:35:18,599 --> 00:35:20,569
configurations of tars these AI beans
would lack a true soul and would still

2184
00:35:20,569 --> 00:35:20,579
would lack a true soul and would still
 

2185
00:35:20,579 --> 00:35:22,970
would lack a true soul and would still
need a human back in the distant past to

2186
00:35:22,970 --> 00:35:22,980
need a human back in the distant past to
 

2187
00:35:22,980 --> 00:35:25,010
need a human back in the distant past to
be that bridge and they partner that

2188
00:35:25,010 --> 00:35:25,020
be that bridge and they partner that
 

2189
00:35:25,020 --> 00:35:27,349
be that bridge and they partner that
bridge with their ancestor tars to be

2190
00:35:27,349 --> 00:35:27,359
bridge with their ancestor tars to be
 

2191
00:35:27,359 --> 00:35:29,089
bridge with their ancestor tars to be
the other half of that link and you

2192
00:35:29,089 --> 00:35:29,099
the other half of that link and you
 

2193
00:35:29,099 --> 00:35:30,530
the other half of that link and you
might have also noticed Scrabble on

2194
00:35:30,530 --> 00:35:30,540
might have also noticed Scrabble on
 

2195
00:35:30,540 --> 00:35:32,569
might have also noticed Scrabble on
murph's bookshelf and when you rearrange

2196
00:35:32,569 --> 00:35:32,579
murph's bookshelf and when you rearrange
 

2197
00:35:32,579 --> 00:35:35,150
murph's bookshelf and when you rearrange
the letters of Tesseract you get secret

2198
00:35:35,150 --> 00:35:35,160
the letters of Tesseract you get secret
 

2199
00:35:35,160 --> 00:35:37,670
the letters of Tesseract you get secret
tars I'm just kidding we are missing an

2200
00:35:37,670 --> 00:35:37,680
tars I'm just kidding we are missing an
 

2201
00:35:37,680 --> 00:35:39,410
tars I'm just kidding we are missing an
R but you know we were so close so the

2202
00:35:39,410 --> 00:35:39,420
R but you know we were so close so the
 

2203
00:35:39,420 --> 00:35:41,569
R but you know we were so close so the
Tesseract folds in on itself and Cooper

2204
00:35:41,569 --> 00:35:41,579
Tesseract folds in on itself and Cooper
 

2205
00:35:41,579 --> 00:35:43,370
Tesseract folds in on itself and Cooper
is left floating outside Saturn looking

2206
00:35:43,370 --> 00:35:43,380
is left floating outside Saturn looking
 

2207
00:35:43,380 --> 00:35:45,349
is left floating outside Saturn looking
like the Starchild at the end of 2001 A

2208
00:35:45,349 --> 00:35:45,359
like the Starchild at the end of 2001 A
 

2209
00:35:45,359 --> 00:35:47,150
like the Starchild at the end of 2001 A
Space Odyssey and he's brought to Cooper

2210
00:35:47,150 --> 00:35:47,160
Space Odyssey and he's brought to Cooper
 

2211
00:35:47,160 --> 00:35:49,010
Space Odyssey and he's brought to Cooper
station a giant cylinder using

2212
00:35:49,010 --> 00:35:49,020
station a giant cylinder using
 

2213
00:35:49,020 --> 00:35:50,870
station a giant cylinder using
artificial gravity these future humans

2214
00:35:50,870 --> 00:35:50,880
artificial gravity these future humans
 

2215
00:35:50,880 --> 00:35:52,370
artificial gravity these future humans
still play baseball the American Best

2216
00:35:52,370 --> 00:35:52,380
still play baseball the American Best
 

2217
00:35:52,380 --> 00:35:54,109
still play baseball the American Best
time that'll never die but if you think

2218
00:35:54,109 --> 00:35:54,119
time that'll never die but if you think
 

2219
00:35:54,119 --> 00:35:55,670
time that'll never die but if you think
about it is the one form of

2220
00:35:55,670 --> 00:35:55,680
about it is the one form of
 

2221
00:35:55,680 --> 00:35:57,650
about it is the one form of
entertainment people in 2067 actually

2222
00:35:57,650 --> 00:35:57,660
entertainment people in 2067 actually
 

2223
00:35:57,660 --> 00:35:59,270
entertainment people in 2067 actually
had still and we see how they've made a

2224
00:35:59,270 --> 00:35:59,280
had still and we see how they've made a
 

2225
00:35:59,280 --> 00:36:00,770
had still and we see how they've made a
museum out of their house and a little

2226
00:36:00,770 --> 00:36:00,780
museum out of their house and a little
 

2227
00:36:00,780 --> 00:36:02,390
museum out of their house and a little
detail here I love how Cooper wipes his

2228
00:36:02,390 --> 00:36:02,400
detail here I love how Cooper wipes his
 

2229
00:36:02,400 --> 00:36:03,829
detail here I love how Cooper wipes his
fingers on the table because he never

2230
00:36:03,829 --> 00:36:03,839
fingers on the table because he never
 

2231
00:36:03,839 --> 00:36:05,450
fingers on the table because he never
knew this house without dust and

2232
00:36:05,450 --> 00:36:05,460
knew this house without dust and
 

2233
00:36:05,460 --> 00:36:07,130
knew this house without dust and
evidencing his paternal love for Taurus

2234
00:36:07,130 --> 00:36:07,140
evidencing his paternal love for Taurus
 

2235
00:36:07,140 --> 00:36:09,050
evidencing his paternal love for Taurus
the first thing he does is reboot tars

2236
00:36:09,050 --> 00:36:09,060
the first thing he does is reboot tars
 

2237
00:36:09,060 --> 00:36:10,910
the first thing he does is reboot tars
on his kitchen table next stage some dad

2238
00:36:10,910 --> 00:36:10,920
on his kitchen table next stage some dad
 

2239
00:36:10,920 --> 00:36:14,810
on his kitchen table next stage some dad
humor humor 75 Auto self-destruct team

2240
00:36:14,810 --> 00:36:14,820
humor humor 75 Auto self-destruct team
 

2241
00:36:14,820 --> 00:36:17,750
humor humor 75 Auto self-destruct team
minus ten nine let's make that sixty

2242
00:36:17,750 --> 00:36:17,760
minus ten nine let's make that sixty
 

2243
00:36:17,760 --> 00:36:19,849
minus ten nine let's make that sixty
percent Cooper reunites with Murph who

2244
00:36:19,849 --> 00:36:19,859
percent Cooper reunites with Murph who
 

2245
00:36:19,859 --> 00:36:22,010
percent Cooper reunites with Murph who
tells them no parents should have to

2246
00:36:22,010 --> 00:36:22,020
tells them no parents should have to
 

2247
00:36:22,020 --> 00:36:24,410
tells them no parents should have to
watch their own child die if you think

2248
00:36:24,410 --> 00:36:24,420
watch their own child die if you think
 

2249
00:36:24,420 --> 00:36:26,089
watch their own child die if you think
about it Murphy's referencing how Tom

2250
00:36:26,089 --> 00:36:26,099
about it Murphy's referencing how Tom
 

2251
00:36:26,099 --> 00:36:28,609
about it Murphy's referencing how Tom
had to bury his son Jesse Cooper decides

2252
00:36:28,609 --> 00:36:28,619
had to bury his son Jesse Cooper decides
 

2253
00:36:28,619 --> 00:36:30,410
had to bury his son Jesse Cooper decides
to leave to go find Amelia on Edmond's

2254
00:36:30,410 --> 00:36:30,420
to leave to go find Amelia on Edmond's
 

2255
00:36:30,420 --> 00:36:32,030
to leave to go find Amelia on Edmond's
Planet her instinct to trust her heart

2256
00:36:32,030 --> 00:36:32,040
Planet her instinct to trust her heart
 

2257
00:36:32,040 --> 00:36:34,010
Planet her instinct to trust her heart
was right love is the one thing that

2258
00:36:34,010 --> 00:36:34,020
was right love is the one thing that
 

2259
00:36:34,020 --> 00:36:35,390
was right love is the one thing that
transcends everything and that movie

2260
00:36:35,390 --> 00:36:35,400
transcends everything and that movie
 

2261
00:36:35,400 --> 00:36:37,370
transcends everything and that movie
proves it by making Edmund's Planet the

2262
00:36:37,370 --> 00:36:37,380
proves it by making Edmund's Planet the
 

2263
00:36:37,380 --> 00:36:38,690
proves it by making Edmund's Planet the
one that is habitable we went from

2264
00:36:38,690 --> 00:36:38,700
one that is habitable we went from
 

2265
00:36:38,700 --> 00:36:40,730
one that is habitable we went from
suffocating dust in act 1 to crushing

2266
00:36:40,730 --> 00:36:40,740
suffocating dust in act 1 to crushing
 

2267
00:36:40,740 --> 00:36:43,250
suffocating dust in act 1 to crushing
water to deadly ice and now to warm

2268
00:36:43,250 --> 00:36:43,260
water to deadly ice and now to warm
 

2269
00:36:43,260 --> 00:36:45,349
water to deadly ice and now to warm
breathable air Amelia has her helmet off

2270
00:36:45,349 --> 00:36:45,359
breathable air Amelia has her helmet off
 

2271
00:36:45,359 --> 00:36:47,270
breathable air Amelia has her helmet off
and she can breathe remember as Cooper

2272
00:36:47,270 --> 00:36:47,280
and she can breathe remember as Cooper
 

2273
00:36:47,280 --> 00:36:48,950
and she can breathe remember as Cooper
said in the opening minutes I thought we

2274
00:36:48,950 --> 00:36:48,960
said in the opening minutes I thought we
 

2275
00:36:48,960 --> 00:36:51,410
said in the opening minutes I thought we
forgotten who we are now explorers

2276
00:36:51,410 --> 00:36:51,420
forgotten who we are now explorers
 

2277
00:36:51,420 --> 00:36:52,750
forgotten who we are now explorers
pioneers

2278
00:36:52,750 --> 00:36:52,760
pioneers
 

2279
00:36:52,760 --> 00:36:56,089
pioneers
caretakers Pioneers not caretakers and

2280
00:36:56,089 --> 00:36:56,099
caretakers Pioneers not caretakers and
 

2281
00:36:56,099 --> 00:36:57,829
caretakers Pioneers not caretakers and
by staying on floating monuments to

2282
00:36:57,829 --> 00:36:57,839
by staying on floating monuments to
 

2283
00:36:57,839 --> 00:36:59,810
by staying on floating monuments to
Nostalgia Humanity has shifted back into

2284
00:36:59,810 --> 00:36:59,820
Nostalgia Humanity has shifted back into
 

2285
00:36:59,820 --> 00:37:01,609
Nostalgia Humanity has shifted back into
survival mode another caretaker

2286
00:37:01,609 --> 00:37:01,619
survival mode another caretaker
 

2287
00:37:01,619 --> 00:37:03,290
survival mode another caretaker
generation so to keep moving forward

2288
00:37:03,290 --> 00:37:03,300
generation so to keep moving forward
 

2289
00:37:03,300 --> 00:37:05,210
generation so to keep moving forward
they need to keep looking for new homes

2290
00:37:05,210 --> 00:37:05,220
they need to keep looking for new homes
 

2291
00:37:05,220 --> 00:37:07,370
they need to keep looking for new homes
Humanity isn't Bound by one's solar

2292
00:37:07,370 --> 00:37:07,380
Humanity isn't Bound by one's solar
 

2293
00:37:07,380 --> 00:37:09,290
Humanity isn't Bound by one's solar
system we are destined to be by

2294
00:37:09,290 --> 00:37:09,300
system we are destined to be by
 

2295
00:37:09,300 --> 00:37:11,270
system we are destined to be by
definition Interstellar hey thank you

2296
00:37:11,270 --> 00:37:11,280
definition Interstellar hey thank you
 

2297
00:37:11,280 --> 00:37:12,650
definition Interstellar hey thank you
for your patience on this deep dive it's

2298
00:37:12,650 --> 00:37:12,660
for your patience on this deep dive it's
 

2299
00:37:12,660 --> 00:37:14,030
for your patience on this deep dive it's
the furthest I've gone into a single

2300
00:37:14,030 --> 00:37:14,040
the furthest I've gone into a single
 

2301
00:37:14,040 --> 00:37:15,290
the furthest I've gone into a single
film and I just wanted to do it right

2302
00:37:15,290 --> 00:37:15,300
film and I just wanted to do it right
 

2303
00:37:15,300 --> 00:37:16,609
film and I just wanted to do it right
you can support this Channel and

2304
00:37:16,609 --> 00:37:16,619
you can support this Channel and
 

2305
00:37:16,619 --> 00:37:18,410
you can support this Channel and
celebrate the call to the stars with one

2306
00:37:18,410 --> 00:37:18,420
celebrate the call to the stars with one
 

2307
00:37:18,420 --> 00:37:20,450
celebrate the call to the stars with one
of our vas manage shirts at nerd

2308
00:37:20,450 --> 00:37:20,460
of our vas manage shirts at nerd
 

2309
00:37:20,460 --> 00:37:22,190
of our vas manage shirts at nerd
riot.shop subscribe to the Deep dive

2310
00:37:22,190 --> 00:37:22,200
riot.shop subscribe to the Deep dive
 

2311
00:37:22,200 --> 00:37:23,810
riot.shop subscribe to the Deep dive
turn notifications on and share this

2312
00:37:23,810 --> 00:37:23,820
turn notifications on and share this
 

2313
00:37:23,820 --> 00:37:25,250
turn notifications on and share this
Channel and its videos with everyone you

2314
00:37:25,250 --> 00:37:25,260
Channel and its videos with everyone you
 

2315
00:37:25,260 --> 00:37:26,990
Channel and its videos with everyone you
love follow me at EA boss thanks for

2316
00:37:26,990 --> 00:37:27,000
love follow me at EA boss thanks for
 

2317
00:37:27,000 --> 00:37:29,450
love follow me at EA boss thanks for
watching and do not go gently into the

2318
00:37:29,450 --> 00:37:29,460
watching and do not go gently into the
 

2319
00:37:29,460 --> 00:37:31,390
watching and do not go gently into the
end of this video right right right

2320
00:37:31,390 --> 00:37:31,400
end of this video right right right
 

2321
00:37:31,400 --> 00:37:35,290
end of this video right right right
against the ancient scribe

2322
00:37:35,290 --> 00:37:35,300
against the ancient scribe
 

2323
00:37:35,300 --> 00:37:40,530
against the ancient scribe
thank you

2324
00:37:40,530 --> 00:37:40,540

 

2325
00:37:40,540 --> 00:37:52,260

[Music]


